We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
play

Michel Magne

Musique Tachiste

Label: Cacophonic

Format: CD

Genre: Electronic

In stock

€12.00
+
-

The debut issue from Finders Keepers' hugely promising new Cacophonic sub-label is the first in a series of rare records by French experimentalist Michel Magne: six pieces of extended vocal technique, musique concrète, and jazzier modes very much in keeping with Finders Keepers' quirkier tastes. A faithful reissue including facsimile of the original artwork and 12-page booklet of liner notes. "One of the very earliest full-length French concept albums - part radical manifesto, part pantomime. This anti-intellectual "physical" reaction to the bourgeoning musique concrete movement combines found sounds and industrial noise with piano jazz alongside imposing avant-garde orchestral elements alongside Magne's own hammered cimbalom flourishes. This unique debut LP also provides an early insight into a fruitful soundtrack/conceptual jazz career collaborating with Jean-Claude Vannier, Martal Solal and Artie Kaplan as well as founding the French Strawberry Studio at Château d' Hérouville where French groups like Magma, Catherine Ribeiro, Brigitte Fontaine and Ange shared a diary with Terry Riley and Pink Floyd. As a dedicated producer of thematic composition, anti-intellectual experimental performance and modern jazz, Magne was also a wellrespected pioneer of France’s signature film score sound of the late 60s. Part radical manifesto, part pantomime, his self initiated debut Musique Tashiste was conceived, in part, as a physical humorous reaction to the bourgeoning musique concrète movement by combining found sounds and industrial elements with piano jazz alongside imposing avant-garde orchestral elements. Marking a stylistic cross roads where the likes of Egisto Macchi, Harry Partch, Rolf Liebermann, Igor Wakhevitch, overlap work of future collaborators and understudies like Jean-Claude Vannier and Martial Solal this LP is an essential forefather of European conceptual pop made at the start of a career that later furnished France with one of its most important residential studios (Chateau d'Herouville) and a discography of challenging LPs before his untimely suicide in the early 1980s."