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Alessandro Brivio’s new record is another collection of complex and obsessive rhythmic tracks, reflecting his studies and passion for african aesthetics. The title is an homage to the Senufo secret society (the Poro) and to the Associazione Poro, a foundation of africanists founded by the great italian collector Carlo Monzino.Numbered edition of 200 copies. Transparent vinyl (cut at Dubplates & Mastering, Berlin) with printed labels. Silkscreened cover (black on black carboard), with small inser…
Over the course of a 12", cassette, and a stream of ace youtube vids, Maria Minerva has emerged as one of the most interesting artistes to come into leftfield-pop focus over the last 12 months. 'Cabaret Cixous' is her debut album, a coruscating water-bed of mottled '90s dance-pop memes writhing under blankets of slyly sexy new age synths while her dreamy vocals whisper and croon seductively suggestive lyrics. It's not quite aural soft porn, but there's an inescapably lascivious element to …
restocked: Israel isn't exactly konwn as a hotbed for acoustic steel-string guitar music, but Yair Yona's reissue of "Remember" is simply some of the most genre-bending music for solo steel-string guitar since Sandy Bull first opened the doors in the 60s. It's a celebration of the Takoma school, filtered by alternate tunings & yncopations, a John Fahey -esque compositional instint across landscapes of banjo, electronics, resonators, bass guitar & strings.
While in the widely neglected 39 Clocks, he made records that never sold and played gigs that few ever saw, Juergen Gleue has arguably been the most important exponent of electrified German sound since the late 1970s. Phantom Payn Daze was made in the mid to late 90s and has never been released. It's his final LP and is overflowing with all the elements that romanticized, loner / stoner music claims, an encoded expression of highly private feelings, an ambiguous, emotional quotient, and a dark…
Already sold out at source, 'House' is the 2nd official full-length offering by Cleveland, Ohio duo MIST featuring Sam Goldberg (of Radio People) and John Elliott (Emeralds, Outer Space, Imaginary Softwoods etc) after 2009's self-titled debut effort on Amethyst Sunset. A suite consisting of 7 complex, layered compositions shows new progression in composition and melody from the duo. From the lightning fast, bittersweet crescendo of 'Twin Lanes' to the dramatic chord progressions of 'I Can Still …
P1/E was formed in Berlin 1979. The original band members were Michael Schäumer, Michael Voigt (Monogam Rec.), Michael Hirsch (Exkurs) and Ute Droste. in the rehearsal cellar the band discovered a fourteen year old drummer, Alexander Hacke, who later came to fame with Einstürzende Neubauten. Before the recording of the legendary 7inch "49 sec romance" Voigt left the band and Thomas Voburka (Weltklang) who worked with Schäumer in the famous Exil restaurant in Kreuzberg, joined as a guest singer. …
Originally only available as an artist-released CD, "The Rings of Saturn" spans a lengthy narrative of music prepared over the years 1997-2008. Infusing early field recordings along with recently completed studio compositions, this new album of "cinema pour l'oreille" (cinema for the ear) transports the listener to discrete locations that evoke rich memories and sympathetic recollections. This remastered vinyl edition is pressed on clear wax in a beautiful, full-color jacket. Available initially…
The music of Xela is not easily described. The alias of Type Records main-man John Twells, he has over the last decade moved through a dense fog of musical styles from abstract electronics to rusty soundscapes. In recent years his output has allied itself with darker realms, taking a liberal dose of influence from Norway's darker exponents, but retaining a deep and measured experimental focus. "The Illuminated" was originally released on cassette, a format very fitting to the gloomy, waterlogged…
Finally restocked! "Butcher’s sax ranges from soft, whispery purrs to teeth-chatteringly spiteful blasts. Lehn’s analogue synth leaps in a moment from burbling tones to fiercely sizzling abstraction, and Tilbury slips from his familiar melodic interludes and fragmented arpeggios to crashing, seismic attacks on the inside of the piano. What sets this album head and shoulders above similar offerings is the understanding between the trio. It’s not just the way all three move together as one from su…
Pedestrian Deposit (Jonathan Borges and Shannon A. Kennedy) possesses a certain, restrained relationship to texture. Sources both electric and acoustic operate on a logic of hybridity_ becoming compositional elements organized through their activation of a shared acoustic space. This functions in multiple directions: in some instances, the cello is captured and converted to a subtle electronic variation, expanding the range of the tone through this capture, at other times it acts as a sort of …
Features 3 works: "Capture Éphémère" (1967); "Sons-jeu" (1987); "La Mémoire des Sons" (2001). "Excepting some rare mixed pieces, Bernard Paremegiani's works as a whole take the form of music for 'fixedsounds', coming within the scope of the immense repertoire of electro-acoustic music. From his training in the art of mime and his experience as a sound engineer, Parmegiani has retained a taste for a hand-to-hand approach (sound/embodiment, as we could be tempted to say) with various sound mate-ri…
A Dragonfly For Each Corpse is a record that stands no daylight. A feverish nightmare of an album, dragging us into a brown paper bag —ferocious cannibal jungle ambience seeping through— till we're cast down some stairs into a cellar made out of spit. A twirling folkballad sung by a ghost made out of chewing gum turns into a symphony of typing fingers, ticking clocks and slamming car doors, like a noirish soundtrack to the kidnapping of the Lindbergh baby, accompanied by squeaking …
Another curveball from the Not Not Fun camp, 'Human Fly' pits Wolf Eyes noisenik Nate Young against veteran garage punk drummer Dave Shettler and while their collaborative moniker might be a little zany, their brand of dancefloor-ready industrial/techno variations is tough to ignore. Veering from hazy EBM-flecked speed garage (we're not kidding, take a listen) on the title track to Chicago bleep on the zonked 'Cyber Rebels' there's a sense that Young and Shettler are not only well studied…
Latest transmission from The Andy Votel / Demdike Stare curated Pre-Cert Home Entertainment imprint - 700 copies only* Anworth Kirk casts a spellbinding sixth Pre-Cert edition with this mystic invocation of eldritch ritual music. Divining inspiration from myriad and disparate fake-loric sources - the Temperance movement, Egyptology, drug abuse, Early Freemasonry, Carnatic music, Oramics in Ardwick, Kommune Pop and Letterist actions, to name a few - our protagonist projects dank and discom…
Latest work by swiss artist Marc Zeier presents 9 musique concrete compositions based on ice, wind, plankton, a whip, a bow, a suitcase, and other recordings made in the last few years, reminiscent of his 90's albums 'Seismogramm' on Schimpfluch and 'Yack Park' and 'Geopod' on Zabriskie Point.
Like this week's brilliant Sun Araw release, On Patrol, Robedoor's Burners is vying for sleeve art greatness, truly looking like something that's arrived from another age and most probably another dimension. Recorded and mixed last year at the same studio that birthed the band's formidable Raiders long-player, this new album joins some of the dots between the group's menacing drone past and their recent turn towards more confirmedly song-based material. Pick of the tracks has to be the …
For this latest album Caledonian folk impresario Alasdair Roberts teams up with expected collaborators like Alex Neilson (whose drumming and percussion work has illuminated many a free-folk record over recent years, a few of which Roberts has been involved with) and more unusual contributors such as Niko-Matti Ahti of Fonal's Kiila. Perhaps more than ever, Roberts' music invites comparisons to Bonnie 'Prince' Billy, traveling sufficiently far from the trad songwriting fold to be thought of as 'a…
**restocked, few copies left** Almost sold out in pre-sale, act fast! As this album is a treasure, a minblowing reissue (dated 1972) of an intense, spontaneous droney improvisation and the complex Michael Ranta's chiming rhythms interlaced with trance-alike collective passages. It’s a monster! ""...tomorrow i will send you the CD of a very strange anarcho spontaneously improvised sound tableau. it is one of the very first musical projects with Ranta, when we met in Egypt in 1972. i didn't listen…
I am not sure if I ever heard of Massimo Pupillo, who plays 'low end bowel chainsaw' on this record, but since a lot seems tongue in cheek here, it might also be a guitar with effects. Everything here says: we poke fun at those who play with the stereotypes of the world of industrial music. One side is called 'First Offence' and has titles as 'Necrophiliac Cunnilingus', 'Rope For The Undead' and 'Vomit Buffet', while 'Second Coming' has 'Rib Cage Of Rotting Horror', 'Broken Spine Crushed Cranium…
Kye is proud to present Inland, the new LP by Clapton-based Astor. Advancing the cause of 2012's 'Alcor' LP, 'Inland' finds Mark Harwood and sometime collaborator Maja Larsson further complicating reason with dark and circuitous audio constructs. Inland' is sonically conceptualised through the meticulous choice of instrument used: ranging from an array of bells, gongs and ethno-percussion, alongside petrified piano melodies and a grinding organ. Accordingly, this is complemented by the use of T.…