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1988 release ** "Sometimes with a touch of disdain, but it’s merely poetic, political reflection on an incomplete world—the only one we know. Beauty and cruelty, joy and sorrow. The piano, mastering every language, responds to the glowing voice of the singer: Romansh, German, English, French. Sweet, strict, harsh, thrilling, playful."

2009 release ** ""Winter Canabinol Essence" is the debut album to be released by the Moscow based label Nihil Art. The Russian project Obozdur, unknown for us'till this release, offers here six tracks at the cross between "old-school" harsh noise, cut-up noise and experimental music. Using radio-waves transmissions, tapes, rythm'n box, processed vocals or tape-voices, processed guitar or bass, various analog effects, all used in a "non-musical" way, Obozdur creates long tracks of cut-up dada noi…

2004 release ** "Mariae Nascenti is the solo-project of Angelo Visone, a native of Milan, Italy. Morituri Te Salutant is his first proper CD release, following a number of self-released CD-Rs. On Morituri Te Salutant he enlists the assistance of Black Sun Productions, Larsen and members of Sadomarta and Gullinkambi. There role here is to provide vocals to his surreal atmo-soundscapes that range from post-industrial greyness to dark ambient. Mariae Nascenti's palette involve electronic drones, an…

2008 release ** "The atmosphere ranges from ambient, meditation and transcendence to sound experiments and rhythmic madness. A clash of acoustic explorations by the Hati group with modern, rhythmic electronics by Lal (2nd Hand Beatnix, Wiedźmin). This is one of the most electronic projects ever realized by Hati, which – as a band that performs a lot – uses mainly acoustic instruments."

Following his success with “Blow Up,” the once-weekly favorite bassist Isao Suzuki returns with his fourth release under the Three Blind Mice label. The heavy, groovy sound he crafts alongside the eccentric talent Kenji Mori remains timeless and undiminished by the years.

*2024 stock. Deluxe packaging* Fascinating and highly attractive project which returns the music of Gurdjieff (c. 1866 – 1949) to its ethnic inspirational sources. To date Gurdjieff’s compositions have largely been studied, in the West, via the piano transcriptions of Thomas de Hartmann. Armenian composer Levon Eskenian now goes beyond the printed notes to look at the musical traditions that Gurdjieff encountered during his travels, and rearranges the compositions from this perspective. Eskenian…

1999 release **

1999 release **

Duo improvisations recorded at Goldsmiths College, London, July 2007. Angharad Davies (violin) and Tisha Mukarji (inside piano) - two of the most distinctive young improvisers on the UK scene - unite for their first recording as a duo. An entirely acoustic affair impossible to ignore the heritage that goes before such a recording of piano and violin: the slow pace of Feldman and the New York School, the grey austerity of the Wandelweiser collective echo through these five improvisations. Davies …

Following the meltdown of the original King Crimson lineup, Ian McDonald and Michael Giles brought brother Peter Giles back, which helps to account, in some ways, for the resemblance of this album to the 1968 Giles, Giles & Fripp recordings -- though the songs here tend to go on at some length, combining prog rock's traits of length and multiple sections with some of the lighter feel of the GG&F days. The 20-minute "Birdman" tends toward self-indulgence, while "Tomorrow's People - The Children o…

This album contains three works by Seamus Cater, including his creative response to the work of Alexander John Ellis (1814-1890), who presented a paper 'The History of Musical Pitch' to the Royal Society in 1880. Ellis was a mathematician, collector, philologist and musical enthusiast, who spent a lot of time measuring the exact frequencies of contemporary and ancient musical instruments, and so is remembered as one of the founders of comparative musicology. Two of the pieces on the disc are 're…

Unbalanced Out (Unbalanced In)'. A powerful, challenging 50-minute collaborative piece constructed over a year through file-sharing by a sextet of leading musicians across the world, with Barry Chabala (USA, guitar), Bonnie Jones (USA/Korea, electronics), Louisa Martin (UK, laptop), Tisha Mukarji (Germany, piano), Toshi Nakamura (Japan, no-input mixing board) and Gabriel Paiuk (Argentina, piano)

Edition of 300. Based in Copenhagen, Sandra Boss is a member of the young generation of European avant-garde / experimental composers who are pushing the form forward into new and exciting realms, splicing rigorous musical ideas with those of sound art. Often based at the juncture between performance and installation - musical objects becoming sculptures of sound, her work incorporates a series of diverse sound sources - antique tone generators, hearing test machines, bird flutes, children choir…

2006 release  ** "All tracks on Purr have originally been composed for choreography. Laurent Perrier, the mastermind behind Zonk t, has reconstructed the tracks for his third release to make it a coherent album to listen to. And he definitely succeeded in that. The musical outbursts of the Frenchman are very minimalistic and could best be categorized as ambient. The fact that he uses only minimal sources and sounds for his creations doesn t mean that the tracks are boring, predictable or easy. O…

2007 release  ** "NEWS is a new work, whose ingredients, on the surface, are quite simple. Lukas Simonis wrote the music, while Takayuki Kawabata wrote the lyrics, which are featured on the CD cover, and also spoken or sung, in Japanese or in English. Simonis plays the guitar, which mostly appears as "sound" (the main exception being an arpeggio sounding halfway between Thinking Plague and Pink Floyd which appears more than once in the track titled Original NEWS), and also "effects", which judgi…

2008 release  ** "An experimental electro-acoustic duo formed by Wong Chung-fai (Sin:Ned) and Chau Kin-wai (KWC) from Hong Kong. Their collaboration first started in 2003 for the audio/visual internet project “60 seconds” and participated in the multi-media live event “Media Jam” for Hong Kong Sound & Vision Festival in 2003. The two formed as No One Pulse in 2006, exploring the concept of free improvisation and the world of free-from electronics that embraces randomness, chaotic structure, and …

2006 release  ** "This is the 2nd album by the incredible Polish Jazz ensemble Sing Sing Penelope, led by drummer Rafal Gorzycki and also including trumpeter Wojciech Jachna, saxophonist Tomasz Glazik, keyboardist Daniel Mackiewicz and bassist Patryk Weclawek. Violinist Sebastian Gruchot guests on one track. They play all original music, composed mostly by Gorzycki and Jachna or credited to the ensemble. Stylistically this is an incredible mixture of many elements from Jazz, Rock, Ambient, RIO a…

2012 release  **

1998 release  **

2009 release  ** "Melbourne minor key pop magicians Crayon Fields announce the release of their long awaited second album, All the Pleasures of the World. In 2006, their airy, chiming debut, Animal Bells, was one of the year's most acclaimed releases, earning 7.8 review on Pitchfork and voted #2 in the Mess + Noise end of year critics poll (#4 in the general read poll). Crayon Fields have been working industriously on a follow up ever since. After several singles over the last 9 months, both dom…

The sophomore effort from Gray/Smith refines their petroleum-based, hard-lullaby sound with a decidedly dusty precision. Formed in the outer-edges of Kings and Richmond counties circa 2020, Gray/Smith is something of an East-coast involution. L. Gray (guitar and vocals) and Rob Smith (drums, guitar and vocals) are both trusty veterans of “band’s bands” like Pigeons, No-Neck Blues Band, Rhyton, and the Suntanama, freewheeling groups known for mining from polyglot sources: rough-hewn folk and the …

2006 release  ** "Avant garde jazz, it's all just a load of old guys making squeaky sounds with long pauses isn't it? Well yes, to a point it is but I think Rune Grammofon have taught us that it can, occasionally, be a lot of fun. Over two giant sprawling live improvisations (one 40+ mins and the other 30+), Bob Marsh and co proceed to learn and unlearn their craft, weaving in and out and creating some quite terrifying sounds. You don't need a degree in avant garde musical forms to enjoy this, b…

2009 release ** The ultimate version of the ultimate Blackhouse album. Brian Ladd presents you WWFB as it was recorded and meant to be heard. Due to the time restrictions on vinyl, several tracks had to be taken off the album. Now, this classic record comes to you full-length, with the original intended running order and a booklet explaining more about the recording and some rarely seen band photographs. Tracks include "We will fight back", "Rock Rock", "Granite Grind" and "Totally Gone". An Ind…

2007 release  ** "Trapping captures BTT virtually live in the studio - from memory, only the vocals were overdubbed - , and reveals a tight band which constantly rehearsed and modified it's music always with the next gig in mind. The recording covers the whole range of the band's music from free improv to RnB influenced pop. The disc kicks off with "Sanctified", which combines Pete and Paul's stop/start riff with a horn part I ripped off from John Lee Hooker's VeeJay recording of Green Onions ad…

2010 release  ** "Bolognesi has expanded her group this time out - featuring a core group of bass, drums, trombone, saxophones and percussion surrounded by other performers on various saxes, flutes, clarinets and trumpet, to form an 11-piece ensemble. This "open-ness" opens up a wide range of sounds and colors that is centered by Bolognesi's vibrant yet substantial bass tones. […] The result is a cohesive whole that displays Bolognesi's surprisingly mature writing that combines traditional with …

2005 release  ** "Brasil and the Gallowbrothers Band is the new, second project by the collective after One Inch of Shadow - Dominic Savio, Mirt - musicians known for numerous productions released under the banners of various labels, including the Cat Sun they founded. The musicians have been creating together and solo since the mid-nineties. Live, they participated in joint improvisations with, among others, American psychofolk musicians from Black Forest/Black Sea and Stwory Wodne Jaszczury. T…

2005 release  ** "Looking up Jesus of Nazareth's "The Shame of Being a Child", I found it oddly classified as grindcore.  I suppose some of the music has a disposition in common with such freaked out 'cyber grind' bands as Agoraphobic Nosebleed, but here guitars (usually the focus of the genre) are completely absent, replaced with excess distortion on the monkey-simple drum programming and numerous forboding samples and electronic sounds which come at the listener in a rapid fire barrage, one af…

2010 release  ** "The cd Chain of Events is a collection of nine pieces composed by Lars Bröndum. The music was recorded between 2006-2010 and has been performed in Japan, USA, England, Scotland, Spain and Sweden. Lars Bröndum composed the pieces using an analog modular system, Theremin, effect pedals and computer treatments. Featured guest musicians are violinist George Kentros, pianist Lisa Ullén, Emil Strandberg on trumpet and Yann Le Nestour on contrabass clarinet."

2011 release  ** "Live recordings from Syntjuntan’s first two years. Music especially composed for textile accessories. The music is tangled with lace and long stitches, embroidered with electronic sounds, square waves and curled noise. Syntjuntan is an ensemble of female composers, musicians and instrument builders. Our purpose is to meet women’s curiosity about technology and electronics, to encourage them to build instruments by themselves and otherwise facilitating their own experimentation.…

2007 release ** "Tanake is unexpected music, hearth lungs sweat (even brain but kept in a hidden place), is music mentally physic, is music physically mental, is twilight at dawn, bitter honey, fresh decomposition, joy in crying. tanake is music generated by her 3ree sweethearts... In the early days [by the way: in the first album "tsu.zu.ku" (2000) tanake meant to reach structure by means of improvisation, but time left the songwriter soul all alone, and tanake's been surrounded by the never en…

2005 release  ** "Compiled by @c's Miguel Carvalhais, Essays on Radio: Can I Have 2 Minutes of Your Time? brings together 39 artists from the experimental electronica scene, paying tribute to or drawing inspiration from the oldest electronic media. Each piece is exactly 120 seconds, which creates a rather frantic pace; the listener soon loses track of whose contribution will play next and the music turns into a nearly uninterrupted continuum of juxtaposed sonic statements. The artists touch base…

2006 release ** "Fourth album from the Italian Neofolk 'n' Pop / Darkwave act Thelema. On "Burnt Memories" there are still traces of the past dark atmospheres from their early works. The new album is enriched with gothic / rock sounds as well as industrial influences and a good dose of new pop / folk attitude. 12 Impressive ballads stand for the best and most essential album by Thelema to date. Reminds of Spiritual Front in places. Digipak with booklet. "

2003 release  ** "One of the first albums by mysterious extravagant darkwave project [2003], that sounds somewhere between melancholic psychosis and a child’s play - like a bizarre orchestra from an alien world, charming with multidimensional electronic magic, exotic ethereal vocals, positively hypnotizing layout, yet maintaining an esoteric charge that lurks deeper, delving into caballa and magic of numbers, hidden under macabre jolly mask, equally inspired by 80-ies flavored electronic avantga…

A bone-fide underground legend, Witcyst has been creating completely unique noise music from the isolation of smalltown New Zealand since the late eighties. For three decades Witcyst has been an infamous prol yet mysterious force of the deep noise underground, sharing handmade cassettes, lathe cut singles, CDRs and art objects via the post, but never touring or appearing live. Witcyst’s mysterious career is marked by a complete absence of live performances and a massive prolificness in rec…

**200 copies. Double LP version of "Smiles" pressed on black vinyl. Includes 8-page booklet printed on yellow Fedrigoni Sirio paper** Recorded live on April 28, 2014 at Outside Inside Studio, Montebelluna. Alan Zignoto: bass. Dave Easlick: drums. Tom Greenwood: guitar, vocals. Jeffrey Alexander: synth, chalumeau. Michael Whittaker: saxophone, flute, trombone. Dave Siebert: violin, lap steel. Mixed and mastered by Matt Bordin. Photos by Lorenzo Ferraro.

Long unavailable only documentation of the tape work by conceptual artist John Perreault on Slowscan's collectable artist's records series, limited to 300 copies.

A document of pure sonic magic and stunningly organic creativity, Holidays Records drops the first ever vinyl reissue of Jean-Yves Bosseur's visionary 1982 LP “Musiques Vertes”, recorded by the legendary French ornithologist and wildlife field recordist Jean-Claude Roché. Utilizing handmade instruments constructed from plants and other natural materials, played by collective of children and untrained musicians, its radically experimental sounds build a revelatory bridge between the avant-garde a…

Liam O'Gallagher's audio work, People's Opera aka Aerosol/or the Computer That Couldn’t Hear: An Inter-Media Opera, features nine transistor radios (four tuned to FM stations and five to AM stations), a telephone system, and soloists on tambourine, flute, oboe, and French horn. Here are the notes on the presentation, by O'Gallagher's himself: “The ‘conductor’ signals the operators of the radios to approach the microphones or recede from them. Soloists play according to any predetermined plan. Tw…

** Edition of 250 copies on black vinyl, embossed lettering on cover** Ghérasim Luca (Bucarest, 1913 – Paris, 1994) was a Romanian-Jewish poet, co-founder and theorist of the Romanian Surrealist artists group. Harassed in his country, after World War II and a local exile he finally moved to Paris through Israel in 1952. His work on French language - characterized by the stammering effects described by Gilles Deleuze - attains its highest degree of expression during the public reading of his writ…

** Edition of 300 copies ** Since a few years Alessandro Bosetti has been collecting voices that become part of the Plane/Talea archive. The creation of the archive stems from dozens of individual meetings and recording sessions, in which each voice is detached from its owner or originator and anonymized. With each new iteration and performance, Bosetti plays the archive as if it were an instrument. He searches for hidden details and correspondences through exploration, immersion and contemplati…