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"Vinylization of the first cassette released by Tony Pasquarosa's incredible scuzz-punk project Burnt Envelope. Tony is well known for his multifarious guises (Crystalline Roses, World Domination,Gluebag, etc.) and membership of Frozen Corn,Aerosols, and whatever else might have happened this past week. Alien Nation documents the first imaginary seven singles by the 'band,' ranging from garage-spew in the proto-punk vein to brutalist groin thunder. Version Sound's Bob Moore has compared Burnt En…
** 2021 Stock ** Feeding Tube Records presents Cassette by Les Conversions. All sounds by David Shuford, Pat Murano, & Jason Meagher. Recorded at Black Dirt Studio, march 11-12 2017. Mixed by Pat Murano.
160-gram DMM LP version. Limited edition of 350. Includes download code. Immortal Light is the debut solo album by psychedelic folk guitarist-singer-songwriter Buck Curran. Since 2005, Curran has recorded and performed as one half of the psych-folk duo Arborea. To date, Arborea has released five albums, including 2013's ESP-Disk' release Fortress of the Sun (ESPDISK 5002CD/LP). Curran's music has developed through a decade of playing with Arborea, and the experience of playing blues and folk thr…
Realistic IX, the third full-length by the duo of Michael Jones and Turk Dietrich aka Belong, is both an expansion and excavation of their signature acid-washed songcraft. Bleached guitars, metronomic drums, and buried voices rev, swirl, and seethe across shifting gradients of haze and hypnosis, alternately driving and diffuse. Melodies surge closer to the surface, flexing their form before resubmerging into quickening currents of feedback. Elsewhere the elements dissipate into a dusk of murk an…
An original member of Soft Machine, Kevin Ayers embarked on a solo career following a US tour with the Jimi Hendrix Experience in 1968. He was one of the first signings to EMI’s Progressive imprint Harvest and recorded his debut album in the Summer of 1969 at Abbey Road studios.
‘Joy Of A Toy’ is a classic of psychedelic and progressive rock, featuring contributions from his former Soft Machine band mates, David Bedford and such wonderful songs as ‘The Lady Rachel’, ‘Stop This Train (Again Doing…
Vinylization of the splendid 2021 cassette, issued by Garden Portal. The music was recorded partially out west in San Francisco and Point Reyes (hence the title), as well as in Jeffrey Alexander's current locale of Philadelphia. An instrumental addition to Alexander's canon, the music was mostly generated on guitar, but other sonic elements include -- bass, pebbles, fake mellotron, waves, moog, shells, fife, magnetic tape, and talking book phonograph. The results are a sweet, rural stroll throug…
2001 release. Chris Mann, an Australian poet, writer, performer and composer relocated to New York City, brings a recording of his signature works to Lovely Music. With the participation of Christine Bard, Anthony Coleman, Christian Marclay, Jim Pugliese, Mark Stewart, and David Watson. Chris Mann's works for voice are based on complex texts, freely composed to allow a play of wit and humor. He explores the textures and gestures of Australian speech, with its rhythms and qualities of color, pitc…
1990 release. Some of "Blue" Gene Tyranny's greatest keyboard works/performances can be found here on Free Delivery. The Nocturne With and Without Memory was commissioned by Lois Svard and has also been recorded by her for Lovely Music (LCD 3051CD, 1994). Sunrise or Sunset in Texas is from Philip Makanna's film The Crack of Dawn (1983). Personnel: "Blue" Gene Tyranny - acoustic and electronic keyboards; Timothy Buckley - accordion; Joel Ryan - computer analysis.
Pioneering extended vocal techniques from the 1970s: sensory deprivation experiments, multiphonic investigations, circular breathing adaptations. La Barbara liberates her classically trained voice to discover untapped sonic material, building orchestras from layered vocalisations. Essential document of radical vocal experimentation.
Monumental reissue of Lucier's four-part investigation into acoustic interference. Musicians sustain tones against fixed sine waves, creating audible beat patterns that reveal the hidden architecture of sound itself
Three works investigating interference between instruments and oscillators. When closely tuned tones sound together, their oscillations create audible beats that spin through space. Lucier reveals acoustic phenomena through minimal means
Recorded on December 22, 1973 in New York City at the famous Town Hall, this eclectic ESPDisk-sponsored celebration of the Comet Kohoutek featured a fire eater, talking drums, and dancers in platform shoes, in addition to Sun Ra's Arkestra. After taking the stage ninety minutes late, the band expertly navigates its way through cosmic free playing, big-band romps, and didactic vocal numbers. Compared to the original pressing, this re-issue is digitally remastered by Joe Phillips and includes brie…
Live At Café Montmartre Volume Three features more great music from the Don Cherry Quintet. Recorded in March 1966, Don Cherry joins forces with Gato Barbieri, Karl Berger, Bo Stief and Aldo Romano for two exciting, extended performances of "Complete Communion" and "Remembrance". A recording that will surely be known as classic, Volume Three is essential music for all fans of improvised music.
"In 1966, the late Steve Lacy visited the new ESP-DISK office at 156 Fifth Avenue with a master tape of his concert in Buenos Aires with his quartet... He offered to sell the master for what I thought was an exorbitant price. I bought it. ... In 1992, the master tape was brought to engineer Ken Robertson at the Sony Studio, who observed that it had been recorded out of phase, and he corrected the phasing." - Bernard Stollman
"Soprano saxophonist Steve Lacy's impressive career was filled with man…
2025 stock Coming from the same Lower East Side scene that had already delivered the Fugs to ESP-Disk’, when the Godz went into the studio in 1966, there was no precedent for what they did. The first albums of the Velvet Underground and the Stooges lay in the future. The title Contact High with the Godz might suggest psychedelia, but even that freewheeling style, still yet to blossom, would come nowhere near the freedom and sheer avant-gardeness of the Godz' first LP. They were not afraid to sou…
2013 reissue; originally released in 1966. The first North American CD release of the "electric newspaper," an archetypal '60s counterculture "happening" from August 6, 1966, this is also the first edition anywhere since the original vinyl to include the lengthy closing track, "Interview with Hairy." A legendary all-star cast of performers got together to make an anti-war collage of words and sounds that defies mere track listings -- one of the elements is "Silence" by Andy Warhol, which, contr…
Two years following his work 'Monumento Fiume', Giovanni Lami returns to Kohlhaas with a new release, once again investigating the intricate relationships between memory, the sonic medium, and decay. 'Eikon' originates from a series of acoustic cello recordings, subsequently disassembled and transformed by Lami, resulting in a unique deconstructed and layered object, lying somewhere at the intersection of soundtrack, decomposed ambient and video game music, shaped through the use of samplers, a …
"In a trajectory full of about-faces, Music for Four Guitars splices the formal innovations of Bill Orcutt's software-based music into the lobe-frying, blown-out Fender hyperdrive of his most frenetic workouts with Corsano or Hoyos. And while the guitar tone here is resolutely treble-kicked — or, as Orcutt puts it, "a bridge pickup rather than a neck pickup record" — it still wades the same melodic streams as his previous LPs (yet, as Heraclitus taught us, that stream is utterly different the se…
2004 release ** Oversize card sleeve. Ulrich Böttcher: percussion, electronics. Uwe Buhrdorf: clarinet, electronics. Ulrich Phillipp: bass, electronics. Since 1994 Maxwells Dämon has been playing improvised music with electro-acoustic instruments. The trio works beneath the surface of cleanly structured contexts to explore the molecular structure of music. With the music on 'Stillte post', Maxwells Dämon expands their fragmentary approach extending it to the field of postproduction. The recorded…