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Un'Estate Senza Pioggia
2006 release ** "Un'estate senza piogga is a charming, poetical and intuitive electronic rock album released by Matteo Uggeri with a few guest musicians and friends such as Andrea Marutti or Giuseppe Verticchio. The poetical operation explores memory traces and micro-events of the past that find a serene peace in the interior-nostalgic experiences of the self. The concrete-natural noisy sequences taken from the "cinema" of everyday life is manipulated by the imagination to create a sort of visio…
Iris
2005 release ** "During the seven-million years of the Cyclops' sleep, the rutile mountain became a flower. The ocean-cloud has crossed the Pangaea, transformed to the rainbow dewdrop of a petal. Spiracle: An aperture for breathing, such as a whale's blowhole, the opening behind the eye of sharks, rays, and skates, or the tracheal openings on the sides of the bodies of certain insects and spiders."
Bogotá
2019 release ** "The “Elder Statesmen of Neo-Krautrock”: Electro-duo Klangwart was thought-provokingly labelled as such by an inventive music journalist when presenting their previous album “Transit” (named, among others, Record of the Year in the “Avant-Rock” section of The Wire’s 2016 Critics Poll). The tag responds to an understandable attempt at finding a category for one of the most singular phenomena of the electronic music scene. It might be more passing to call them the “Under-Statesmen”…
Tibet
Grey-area LP reissue, originally released as Eternal Now on Sonet Records in 1973. Don was living in Sweden at the time and made 2 great spaced-out records (in the freeform "Universal Music" style) for Sonet (Live Ankara being the other) -- the prior CD reissue of this material has seemingly disappeared into the wind. If this album had been made by some Vietnam vet living in a windowless cove in Northern California -- with a picture of leaves on the cover, no less -- it would have made the NWW l…
Plum And Cherry
Following the April 2022 reissue of the album Shrimp Boats, We Are Busy Bodies presents companion titles Plum and Cherry and Deeper in Black to round out a Lionel Pillay and Basil Mannenberg Coetzee “trilogy” as part of the label’s As-Shams South African jazz archive series. The connection between these three albums is tight as the 1987 release Shrimp Boats compiled unreleased recordings from both the 1979 session for Plum and Cherry and the 1980 session for Deeper in Black. These two rare recor…
Music Is the Healing Force of the Universe
Music Is the Healing Force of the Universe is a powerful and often ignored 1970 recording from the American avant-garde jazz saxophonist, singer and composer Albert Ayler. Apart from the posthumous album The Last Album, this was to be Ayler's last studio album, recorded and released before his death in November 1970. The album was initially judged as too difficult by Down Beat, then recognized by the most as “an important portrait of a man facing a life and death inner struggle beyond the bounda…
Western Culture
*2025 warehouse found* On vinyl, this is a reissue of the final Henry Cow record, originally released in 1979 after the group had officially disbanded. The LP features guest appearances by Irene Schweitzer and Anne-Marie Roeloffs. Following their split with Virgin, the group's history became complicated; bass player John Greaves left, and after a dispute in the recording studio, what was intended as the next Henry Cow album mutated into the Art Bears' much respected Hopes and Fears. In 1978 the …
The Electric Prunes
Formed in 1966, The Electric Prunes had a novel approach to being a band: deciding to be a recording unit rather than a live performance band. They discovered their signature sound -- reverb-drenched, beautifully chaotic garage pop -- and released one of the most fantastic, fuzzed-out singles of all time, 'I Had Too Much To Dream Last Night.' Guitar effects drip and splatter throughout (the band had landed an endorsement deal with Vox, who were the leaders in wild effects pedals at that time), a…
Mass In F Minor
In 1968, The Electric Prunes collaborated with classically-trained musician David Axelrod to create Mass in F Minor, a religious-based rock opera. Even though the album is a head-scratcher side by side with their previous records, this has become one of the era's most bizarre and hypnotic releases. Sung in Latin with the band hanging onto Axelrod's ambitious arrangements; you've never heard anything like it. It created enough of a cultural mark that the lead track 'Kyrie Eleison' was even used i…
Underground
Due to their successful debut, the band's producer was in demand, leaving little time to devote to the Prunes. The band took full advantage of the adults not being in the room and created an incredible follow-up of original material on 1968's Underground. Here is where the band really leaned heavily into their knack for challenging pop. This album came to define what later gravediggers of the garage genre came to devour: Iggy Pop, The Ramones, and Patti Smith all took a riff here; an attitude th…
Space Solo I
2025 stock Originally released on CD by Staubgold side-label Quecksilber in 2007, Space Solo 1 is Rafael Toral's second release in his ongoing Space Program, a venturesomely bold series of recordings. Internationally-acclaimed for his experimental drone and ambient guitar work, the Space Program is completely divergent from his past output. Equipped with handmade instruments, Toral's project is a performance-based discipline, which he calls "post-free jazz electronic music." Following the Space …
Space Elements Vol. III
2025 stock According to Rafael Toral, the Space Program is all about a simple idea: to perform abstract electronic music under jazz values. The result is full of fascinating paradoxes: "melodic without notes, rhythmic without a beat, familiar but strange, meticulous but radically free." Taiga now releases its most eloquent example so far: "Space Elements Vol. III is the strongest and musically most diverse statement within Rafael Toral's Space Program to date. You will experience "jazz on electr…
Endgame Of The Anthropocene
2025 stock “Antarctica shall be used for peaceful purposes only (Art. I).” “No acts or activities taking place while the present Treaty is in force shall constitute a basis for asserting, supporting or denying a claim to territorial sovereignty in Antarctica or create any rights of sovereignty in Antarctica. No new claim, or enlargement of an existing claim to territorial sovereignty in Antarctica shall be asserted while the present Treaty is in force (Art. IV ).” - The Antarctic Treaty Talibam!…
Gravity's Joke
Cardinal Fuzz and Feeding Tube Records have the pleasure of unleashing the sizzling contact high sounds of Yerba Mansa’s new LP release - ‘Gravity’s Joke’. As the heppest of you undoubtedly know, Yerba Mansa are Edwin Stevens (guitar and member off - Irma Vep, Klaus Kinski, The Web of Lies ) and Andrew Cheetham (drums - Richard Dawson, Jane Weaver, Waterless Hills) as well as both been members of Desmadrados Soldados de Ventura, and are purveyors of raging, mind-bending primitive garage infused …
The World Of Harry Partch
180 gram exact repro reissue, originally released in 1969. Classic Harry Partch, and the kind of record that's a great introduction to his music. There's lots of Partch's weird invented instruments – like chromelodeon, diamond marimba, mazda marimba, cloud-chamber bowls, gourd tree, and the crazy "spoils of war". "The World of Harry Partch collects three of his best short pieces. 'Daphne of the Dunes' (1967) is a side-long update of 'Windsong' written for dance. The melodic segments are given mo…
Delusion Of The Fury
Gatefold 180 gram vinyl reissue, originally released in 1971. "In this long-awaited masterwork, Harry Partch rises above all attempts at descriptive containment and becomes quite simply heroic. Delusions Of The Fury, proceeding from tragedy to comedy, is nothing less than the full, ritualistic expression, in vocal instrumental and corporeal terms, of the reconciliation by the living both with death and with life. It is a total Partch statement, incorporating voices, mime, his celebrated instrume…
60 Years
Previously unreleased recordings from every decade of the Arkestra’s history, kicking off with a session in Horace Tapscott’s garage in 1961 (involving Linda Hill and Arthur Blythe, amongst others), and running right through to the new generation of young musicians, in a rambunctious closer recorded live in Los Angeles during 2019, featuring Angel Bat Dawid on bass clarinet. Highlights in-between include the surging, militant Nation Rising in 1971 — check Juan ‘Jujigwa’ Gray’s electrifying vocal…
Set Scene Sound
Amazing, captivating and disconcerting live performance, recorded at the cave12-même in May 2022 by the fantastic and brilliantly switched-on English UFO-performer Merlin Nova.
Musician and sound artist based in London, Merlin Nova is mainly interested in the intersection between real facts and fiction, creating during her interventions, absurd-dadaist-zany oblique story-characters with total freedom, ease and mastery, transporting the listener into a maze of sonicotheatrical atmospheres-situati…
Flee Past's Ape Elf
*2022 stock* Splendid, expanded reissue of this monster album, which most people know from its placement on the NWW List. Stapleton even went so far as to name a track of his ("Fashioned to a Device Behind a Tree") after a mis-hearing of one of Flee Past's' many memorable lines. The music has its roots in Hampshire College's Electronic Music Studio in the early 1970s. While taking a class on electronic composition, Robert Carey was smitten by the potentialities lurking inside piles of reel-to-re…
Duets 1992
2024 stock Trumpeter Bill Dixon and pianist Cecil Taylor, friends going back to their Truman-era school days, associated copiously in nearly every artistic fashion -- except making music together. Duets is their only meeting in studio apart from both artists appearing on Taylor's 1966 landmark Blue Note LP, Conquistador. In 1992 they made the briefest summer festival tour to Italy and France, budgeting in two additional days for this recording session. That musical output was prepared for a rele…