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Masayuki Takayanagi, electric jazz guitar. Nobuyoshi Ino, contra bass. Hiroshi Yamazaki, drums. Recorded live at Yokohama Airegin on August 26, 1984. Remastering and remix by Yukio Kojima from Takayanagi's private tapes. Linernote (in Japanese) by Kazuo Imai.
Hand-numbered LP limited to 300 copies - On November 8, 2016, Genesis Breyer P-Orridge and Edley ODowd performed an intimate and dynamic set to a sold-out audience at Cafe OTO in London. These multi-track recordings will be mixed by Psychic TVs Jeff Berner and Edley ODowd and issued as a very limited 12” vinyl edition by Old Europa Cafe. Expect darkness, light and the occasional humor as these two collaborators glide through a set of improvisational words and sound.
**500 copies, coloured vinyl** Enter thee psychedelic world ov Genesis Breyer P-Orridge (Throbbing Gristle / Psychic TV / Thee Majesty ...) and Bryin Dall (4th Sign of the Apocalypse / Hospitality on Parade / Hirsute Pursuit / Thee Majesty ...) Thee landscape that they live in transcends both time and space. A land that will be both fascinate and confuse. Where thee war ov thee sexes is simply a mirage that transforms into unconditional love.Fall into thee majesty ov it all. Joined by family mem…
* 2020 Stock * Jinya Disc presents a double live album initially recorded to cassette tape by Yoshihiro Tanabe, a student of Takayanagi Juku on November 25, 1979 at jazz club Taro, Tokyo. The album includes 12 tracks performed by Masayuki Takayanagi - Guitar, Kenji Kosei - Electric Piano, Hiroshi Yamazaki - Drums, and Yasuhito Mori - Bass. Initial copies came with a limited edition bonus disk by a trio version of the group containing a mono version of "Froggy Day" recorded on May 27, 1979.
The …
* 2020 Stock * Not Blues is a live recording of the contemporary jazz group Masayuki Takayanagi Jazz Contemporary 4, which was formed in February 1969. It was the year when the group New Direction was formed and the first recording "Independence" under the name of New Direction was released in September the following year. In other words, this work is a record of "jazz performance" just before Masayuki Takayanagi moved to free jazz.
According to the commentary by guitarist Kazuo Imai (that studi…
Speed, Glue & Shinki's second release, originally released in 1972 on Atlantic and often referred to as Tiger, brought together a number of tracks not included on Eve, as well as some new recordings that took a very different musical slant. Joey Smith decided that since he could he handle himself admirably on drums, it was time to challenge a new instrument, so he bought a synthesizer. Drafting in friend Mike Hanopol to take over the bass-playing duties from the departed Masayoshi "Glue" Kabe, S…
**2006 release, long out of print, very few copies available** One of the rarest albums ever from the mighty Masahiko Satoh, a composer and arranger,as well as a key figure in the avantgarde music from Japan. Originally issued on Japan Columbia in 1970, the two sides of very free piano show a sensitivity that's really amazing – still moments of freedom that reflect Satoh's connection to the avant garde of the time, interwoven with his own sense of cosmic creation, in ways that are similar to his…
**2006 release, long out of print, very few copies available** OK, if obscure and hard to track down Japanese avant-garde and free jazz is your thing then look no further. This disc, released in 1969 is a hard nut to come by since due to extremely poor sales only a handful of copies and some promo copies are known to have hit the streets, making it now one of the hardest free jazz documents to track down. This one comes on bloody red wax. But all this idle talk aside, it's the music that really …
Akira Sakata is a legendary Japanese jazz musician active since the early 70s (Yosuke Yamashita Trio, Akira Sakata Trio) and also an ocean-biologist. Among others he has toured and recorded with The Thing, Jim O’Rourke, Bill Laswell, Merzbow, Chikamorachi, etc.On this album originally released in 1985 he teamed up with vocalist Akira Emoto to create an incredible record which is rooted in Jazz and explores an entire world of sounds. You got to listen to believe it!
**2006 release, long out of print, very few copies available** Trumpeter Itaru Oki Trio's landmark debut album from 1970 reissued, a flamed out free jazz masterpiece. Itaru Oki (trumpet), Yoshiaki Fujikawa (alto sax), Keiki Midorikawa (cello, bass, piano) for sure one of the earliest free jazz players and albums from Japan. And this album is possibly his finest effort, eclectic and saturated with ethnic elements, quirky, free form.Japanese trumpet player Itaru Oki represents one of the very firs…
**2006 release, long out of print, very few copies available** This album's a pretty great testament to Satoh's durability as one of the great composer arrangers – sublime stuff from the late 70s, and a record that really works nicely alongside Masahiko's music for films. An obscure murder mystery, given a great deal of depth and class from the music – which is often surprisingly jazzy, despite the setting of the film and kinda avantgardish in some passagesBut all this idle talk aside, it's the …
2013 release. CD reissue of a cult LP from a early 80s weird Japanese oddity, an amalgam of synthesizer and vocoder processed vocals reciting Missa Ordinarum (!) dusted with bright electronic sound and plenty of reverb. Includes a 16-page booklet with Latin lyrics and Japanese translations, a discussion between Shigeaki Saegusa and Hiroyuki Namba, and liner notes by Shigeaki Saegusa and Hiroyuki Namba
First vinyl reissue of Eiji Nakayama’s incredible 1978 album, a crate diggers dream find for many years, this is deep spiritual jazz, post-modal impressionism and grooves at the top
Blind musician Hrant Kenkulian (1901-1978), generally known as Oudi Hrant was a master of the oud (fretless lute) who was probably best known for his taksims. He was an Armenian born in Adapazar, a city close to Istanbul which had a large Armenian population before the Genocide of 1915. After WWI, Hrant's family settled in Istanbul. Hrant started out singing in the church choir, but soon moved on to the oud. He made his career in Istanbul, but he toured the US in 1950, and did a world tour in 19…
The long-awaited first analogue reissue of the legendary noise compilation album 'Doomsday Processing Plant', released in 1980 on Unbalance Records, which was headed by the late Naoto Hayashi of INU - Auschwitz! This album features three bands active in the Kansai underground scene at the time, which is referred to as so-called noise and industrial. The album was released two years before the famous "Hijokaidan" album "Zouroku no kibyou" (1982), so it is regarded as their first album. "NG" is a …
Big Tip! Originally released in 1983 through Apollon Music industrial corp’s alty sublabel, Mule Musiq sub-label Studio Mule presents the first official digital reissue of Shinsuke Honda 本多信介’s rare Silence = サイレンス (夕映え) album. recorded as part of alty’s resort mind music series, Honda-san’s contemplative guitar instrumentals tint the air with nostalgia, longing and a gentle sadness at the impermanence of all things, transporting the listener to an eternal sunset of the mind.
A masterful guitari…
Geregerigegege 1st single from 1988, then expanded and remixed to the point of overkill with all songs from multi-tapes! All songs remastered from the master tape to the point of overkill! 2 miraculous NG takes of the popular "first song on B-side" are released for the first time! All 12 tracks, including the remastering of "Aijin" used in the legendary " Flexi-disc Burning Live at Enoshima Beach" (which they said they would release, but changed their minds after pressing and decided to burn it)…
The combination of Jorge Ben and Trio Mocotó had already produced great things when Força Bruta first appeared in 1970. Ben's self-titled album of the year before had reeled off a succession of Brazilian hits, including "País Tropical" and "Cadê Teresa," and made the four musicians very busy as a result. Força Bruta was a slightly different album, a slice of mellow samba soul that may perhaps have been the result of such a hectic schedule during 1969. One of the hidden gems in Jorge Ben's discog…
Rob Franken was a talented Dutch, journeyman keyboardist of the 70s. Among other things, he is considered the first Dutch jazzman to make ‘good use’ of the Fender Rhodes and synthesizer.These 3 CDs compile a full six vinyl lps worth of previously unreleased commercially music. Much of the music is electric trio, but some sessions use extra percussion and even sax or trumpet. The description below explains what this music is, but it’s much better than simply ‘music for elevators’ and it certainly…
New output from Primorje, the collaborative project between Giovanni Donadini (Ottaven, Canedicoda) and Matteo Castro (Mercury Hall, Lettera 22, also founder of Second Sleep label).