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Huge Tip! Sfere Luminose is a rare and breathtaking masterpiece that stands as a pinnacle of Italian Library music. Featuring the mesmerizing vocals of Nora Orlandi and the legendary jazz drumming of Franco Tonani, this album is an essential gem from the cult label Record TV - Firmamento, a name revered for iconic releases from the late 1960s to early 1970s. The album is produced by maestros Giancarlo Gazzani and Roby Poitevin, with contributions from the acclaimed studio group I Marc 4 and Ales…
Pioneering, magisterial compilation, which turned many of us here onto Mustafa Ozkent, Fikret Kizilok, Erkin Koray, Temiz and co, a decade ago. Still dazzling, fresh, essential.
First worldwide vinyl edition of Schedars's self-titled debut, originally self-released in 2023. A five-piece Tokyo no-wave / post-punk band that brings the lineage of Friction and Chance Operation into the present tense - a hyperactive blend of sharp, abrasive guitars, propulsive rhythms and unflinching vocal delivery.
First-ever official reissue of Machizo Machida and Kitazawagumi's Harafuri, originally on Tokuma's WAX imprint in 1992. Eleven years after the foundational INU classic Meshi Kuuna!, Machida (now better known as the novelist and Musashino University professor Kō Machida) channels literary ambition into a tight, modernised post-punk setting. With newly retranslated English lyrics included.
First-ever vinyl reissue of Mizutama Shobodan's legendary 1981 debut A Maiden’s Prayer DA-DA-DA!. A wild theatrical mix of avant-post-punk worked out by one of the most uncompromising women-led ensembles ever to emerge from the Japanese underground, an outstanding document from "another Japan". With printed inner sleeve and four-page fold-out insert.
On Romancing The Music, Hip-See-Kid reanimates Japanese New Wave as a jittery, neon‑lit fever dream: punk‑funk basslines, soul‑scarred melodies and splashy jazz inflections squeezed into a compact mini‑LP that feels like a lost 80s club classic beamed into the present.
Reissue of Daisuck & Prostitute's Dance Till You Die, expanded from a 1980 7-inch into a full-length the following year. Equal parts ritualistic groove and No-Wave abrasion: one of the most uncompromising statements of early-80s Japan, and an obvious cousin of the New York DNA / Contortions axis. With insert and lyrics.
Definitive 2LP overview of Dendö Marionette, gathering the band's complete studio legacy: the cult 1981 7-inch flexi, a previously unreleased EP recorded in 1982, and an array of demos that captures the group as they evolved towards their fullest sonic identity. Essential for anyone tracking the Osaka synth-wave scene at its peak.
First-ever vinyl edition of Dendö Marionette's Juvenile Rock, a 2LP collection of unreleased recordings, alternate versions, studio experiments and live captures previously circulated only on a tiny CD-R run and a cassette via Brooklyn's Bitter Lake Recordings. The definitive companion to the band's self-titled studio overview, opening a window onto one of Osaka's most singular synth-wave units at its creative peak.
First international vinyl reissue of Chiko Hige's Trap, his second solo album, originally on Japan Records in 1985. A tense, hypnotic record of hyper-kinetic grooves, clipping guitars and twisting saxophone lines: one of the cleanest distillations of the Japanese No-Wave idiom at its peak, and a record that still sounds startlingly contemporary four decades on.
First 12-inch edition of Chance Operation's Spare Beauty, originally a double 7-inch on Jeep Records in 1982. A dense four-track EP of hypnotic, infectious, sax-driven Japanese post-punk by the Higo Hiroshi-led project, finally laid out in the format the music has always demanded.
First-ever reissue of Chance Operation's self-titled 1981 debut 12-inch on Jeep Records. A foundational document of Japanese avant-funk and post-punk that captures the Higo Hiroshi-led project at the moment of its formation.
First vinyl reissue of Akebonojirushi's Paradise Mambo, originally on the influential DIW label in 1987. A six-piece formed in Hakata before relocating to Tokyo in 1984, the band fused new wave, jazz-funk and unconventional pop into a record that is unmistakably of its moment yet remarkably forward-looking, sitting somewhere between the city pop sophistication of late-80s Tokyo and the unrulier corners of the same scene.
The second part of Matador’s reissues of the essential early records by Texas’s Butthole Surfers continues with three of their most insane slabs -- 1985’s ‘Cream Corn from the Socket of Davis,’ 1987’s ‘Locust Abortion Technician’ and 1988’s ‘Hairway to Steven.’ The period during which these records were first issued parallels the Buttholes’ transition from being weirdo Texas outcasts to becoming internationally recognized smut-kings of the American underground. In 1985 they were still the sole p…
First time on CD for this classic Merzbow duo album from 1983. Material Action is a favorite among early Merzbow free-music, junk-noise workouts. Psychedelic improvised instrumental energy abounds on this essential early recording that is Pure Merz. Masami Akita plays tapes, percussion, electro-acoustic noise, organKiyoshi Mizutani overdubs tapes, synthesizer, violin, machine noise
Brian Eno's Ambient album from 1982. Standard 1 LP version.. Though not the earliest entry in the genre (which Eno makes no claim to have invented), ‘Ambient 1 (Music For Airports)’ was the first album ever to be explicitly labelled ‘ambient music’. Eno had previously created similarly quiet, unobtrusive music on albums ‘Evening Star’, ‘Discreet Music’, and Harold Budd's ‘The Pavilion of Dreams’ (which he produced), but this was the first album to give it precedence as a cohesive concept. He gav…
In true ‘Ex fashion’, If Your Mirror Breaks picks up where 27 Passports left off, and erupts like a musical short story collection, a ten-part series of surrealist daydreams, calls to action, ominous warnings and bursts of vitality tapped into the pulse of time. What time could be more appropriate to release this album in, as the current one? Arnold de Boer, Katherina Bornefeld, Andy Moor and Terrie Hessels once again impress with their trademark urgency and creativity.
Starting from a stacca…
Another gem from the extensive Flipper Music catalog, more precisely from their Flower sublabel, "Dreams For Sax" is possibly one of the most stand-out productions from their studio ensemble Gruppo Sound, this time around featuring saxophonist Paolo Russo with keyboardists Stefano Galante and Vittorio Quattrini. First released in 1987, the songs recorded for "Dreams For Sax" are a beautiful melange of easy-listening electronic and jazzy vibes, from mellow tunes such as "Dawning" and "First Class…
* Deluxe Hardcover Triple-Gatefold 3xLP. Gold Vinyl, sold-out at source * In 1991 Coil released the third of their early classic full-length albums "Love's Secret Domain", seemingly casting aside the gloom and funereal beauty of its predecessors in favour of a painstakingly multi-layered hallucinogenic electronic beast, which unlike some of their fellow ex-industrial contemporaries' releases of the time wasn't an attempt at easy accessibility or (the-gods-forbid) danceability, but a vibrating ps…
If Eternal Rhythm was Don Cherry's world fusion masterpiece of the '60s, then Brown Rice is its equivalent for the '70s. But where Eternal Rhythm set global influences in a free jazz framework, Brown Rice's core sound is substantially different, wedding Indian, African, and Arabic music to Miles Davis' electrified jazz-rock innovations. And although purists will likely react here the same way they did to post-Bitches Brew Davis, Brown Rice is a stunning success by any other standard. By turns hy…