We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

Back in stock

Tonics & Twisted Chasers
Originally released in 1996 as a limited fan-club pressing for Rockathon, Guided By Voices' Tonics And Twisted Chasers has always existed as an anomaly in Robert Pollard's vast discography. In many ways, the album serves as the tail of a creative comet that in just two years included the "classic line-up" trilogy of Bee Thousand, Alien Lanes, Under the Bushes, Under the Stars and countless singles that crammed endless hooks in their grooves. In the intervening space, Tonics And Twisted Chasers h…
Feldman Edition 14: Complete Music for Cello & Piano
Huge Tip! This release brings together all of Morton Feldman’s compositions for cello and piano, including unpublished works and a first recording. Together, these works tell the story of Feldman’s music. They span 35 years — over half his lifetime — from when he was searching for his voice as a student to when he was opening new doors in the last years of his life. The album is bookended by two realizations the graphic score “Durations 2” (1960), giving an opportunity to hear what the flexibili…
Tempi Agitati
On April 6, 1327, a 22-year-old Italian poet named Francesco Petrarca caught a glimpse of a young woman, Laura, in a church in Avignon. He later reported that “living sparks issued from two lovely eyes”. Those sparks enflamed Petrarch such that he spent the rest of his illustrious career coming to terms with them. Madrigals were developed in the 16th century by Adrian Willaert and Cipriano de Rore, which took Petrarch’s agonized images as justification for violating the rules that had guided mus…
The Complete Cello Works
"This album collects for the first time four of the most important works from Horatiu Radulescu’s later period, all composed for cello, and all performed by his widow Catherine Marie Tunnell. Radulescu and Tunnell began working together almost immediately upon meeting in 1995. By the time they were married in 1997, Radulescu had already composed for her two of the pieces on this disc (the solo Lux Animae and the cello sonata L’Exil Intérieur), and revised and rededicated her a third, older work …
Works for Organ & for Cello
"Mode’s Horatiu Radulescu Edition, curated with Radulescu’s widow Catherine Marie Tunnell and his publisher Lucero Press, continues with a collection of his works for organ and works with cello.Radulescu’s complete organ works are performed here by German organist Christoph Maria Moosmann, a long-time Radulescu collaborator with a great understanding of his music and sonic goals. Some of the works were written for or dedicated to him. Further definitive recordings are guaranteed by performances …
Works 1939 - 2000
We were saddened to learn of the passing of Lou Harrison as this disc just entered production. It is perhaps fitting that it provides an overview of Harrison's work, from 2 movements of a mass composed in 1939 to 3 vocal arias composed in 2000. Mass to St. Anthony was begun when Hitler invaded Poland; a mass for voices and percussion expressing both outrage and hope. Harrison completed the Gregorian-like chant for the entire 5 movements of the work, but only finished the percussion accomp…
Volume 1: Electronic Works
*2022 stock* Although this might be labelled 'Volume 1', this large collection of Morton Subotnick's work (featuring three of his pieces - 'Touch', 'A Sky of Cloudless Sulphur' and 'Gestures') actually showcases some of his most recent compositions. The pioneering electronic composer shot into the public eye with his very well known album 'Silver Apples of the Moon', but his work didn't end there and here we get 'Touch' which was composed just after 'The Wild Bull' in 1969 set next to 'A Sky of …
Noi Vi Odiamo
2004 release (NB: item has storage wear) ** "A miniCD containing four tracks plus two remixes of the homonymous “Noi vi odiamo!”: “Gib alarm!” is an intro consisting of overlapping samples, on a dark ambient base, of the Italian translation of the homonymous lyric by Heinrich Böll read by Simone Salvatori, characterized by an excellent success in terms of sound, which creates a nice feeling of uneasiness. “Noi vi odiamo!” was born as a very rhythmic electronic piece, close to an electrowave less…
4 Oder 5 Hässliche(Klavier)Stücke
2002 release ** "The chronicle, divided between neo-dada and "fluxus", of some life-scenes. Luca Miti works for the deconsecration of the artist's role, and guide us thru the "delicate" representation of a domestic and personal art, near both to the artist and the listener. The four (or five) pieces of the title (compositions of two friends Otfried Rautenbach and Matthias Maas and Miti itself), performed by Anna Guidi and Luca Miti (piano, sax and live electronics) are mixed with the joyous "int…
Chitin
"Created by Slavek Kwi, Ireland during July-Sept 2011 from physical and stridulation sounds of various invertebrates: termites, ants, sting-less bees, leaf-hoppers (Amazonas, Brazil 2008-2009); electric insect (Pantanal, Brazil 2006 + Tasmania 2011); hermit crabs (Amhemland, Australia 2009); bee-hive (Czechie 1994). All sounds rec. by Kwi except ants inside tree-nest rec. with Francisco Lopez. This is a commission from "Les Instants Chavirés" (Montreuil, France) for "L'Audible Festival" 2011. De…
Gather & Release
2016 release (RARE) ** Edition of 200 in printed cardstock sleeve with needle and thread stitched through cover packaged in a poly sleeve with sticker attached. "Gather & Release is the result of years worth of composer Sarah Hennies' exploration of the vibraphone in synthesis with her experiences of identity, obsession, anxiety, tension, grief, and loss. Over the course of an hour, Hennies entangles highly focused percussion playing with field recordings, sine waves, signifiers from her persona…
(Z)Rost (CDr)
2010 release ** Folded and stapled cardboard sleeve.
///
2006 release ** Elaborate cardboard sleeve. Xavier Charles, clarinetist and electro-acoustical experimentalist (he uses variety of objects, which he throws into vibrating loud-speaker), played on the first edition of legendary Musica Genera Festival in 2002. Back then, he deeply impressed the polish audience with his charisma, therefore we were waiting for his firther performances with great anticipation, and now we are happy about this album. It's a recording of a live performance on board of M…
Impact + Aftermath
203 release ** Letterpress printed / hand numbered edition of 200. "Mark Cetilia is a media artist who often focuses on designing and implementing complex generative art and sound creations systems. This latest release, only 200 copies of which were printed, presents two suites both recorded live in Providence, Rhode Island at two different locations. The straining climax of the first track, “Impact”, is characterized by a hissing continuum of signals, which are used as source material and a hyp…
Ice Skating Elephants
2007 release ** "Cones features Marcel Turkowsky and Ulf Schutte both members of Datashock and involved in other projects/labels like Aosuke, Tapetektoniks, UUHUU, Hui Tales Collection, Leo Mars and more. Their "Iceskating Elephants" shows four different cosmic soundtravels taken from their March Recording Sessions. When they are not parading into burlesque musicalia of beautyful underwater storiedrones read in muddy submarines floating to Kurosawa´s spiderwebcastle, they are visiting more concr…
A Black Op'era - Dedicated To Chairman Fred Hampton
2007 release (RARE)  ** "A Black Op'era (dedicated to Chairman Fred Hampton), written, directed and performed by Ernest Khabeer Dawkins (one of Chicago's most famous improvisers and president of the well-deserving and celebrated AACM), leader of the Chicago 12, which includes some of the best and most famous soloists on the Chicago scene. Ernest Dawkins, one of Chicago's leading artists (he has collaborated with musicians and groups such as Ramsey Lewis, Muhal Richard Abrams, Richie Cole, Jack M…
Vignette Amplifié
2011 release ** "The first ever collaboration between prolific american composer Tomas Phillips and prominent italian newcomer Luigi Turra, "Vignettes Amplifie" presents a sequence of subtle sound constructions characterized by minimalistic and contemplative approach. Quiet field recordings, soft acoustic sounds and organic electronic arrangements builds panoramic view on two levels. The acoustic gestures like bells, manipulated objects and drone fragments are coming from silence and disappearin…
In Offret
2009 release ** ""In Offret", Swedish title for "The Victim", probably inspired by the 1986 film of the same name by Andrei Tarkovski, is a CD of ambient electronics, dark, minimal, without beats, immersed in an atmosphere of fear, on which reciting voices emerge, sampled or not. Echran, a duo from Milan, do not hide their cultured inspiration: not exactly popular films (Antonina Woicik's "Slepa Paga" for "Sister Vk"), books of a certain depth (Amelie Nothomb's "Métaphysique des tubes" for "Anod…
Archaic Spines
2007 release ** "Brad Rose, the man behind the Digitalis and Foxglove labels returns with another solo album. Archaic Spines is an album that utilises only a bouzouki and a hint of vocals, spreading five celestial ragas over forty minutes of improvisation. Unlike the open tuned raga variations we've come to expect from the Takoma lineage, these pieces tend to be strummed with droning open strings as you'd find in classical sitar music. For all the nods toward Eastern harmonic patterns and improv…
We Could For Hours
2008 release ** 199 copies limited edition. Original 2007 CD copies repackaged in a new cover. The old A Silent Place warehouse was flooded by water, so a big amount of goods has been destroyed, in particular the original covers and all printed matters. Few original CD copies were saved and now found, so a new edition has been released. Packaged in a new redesigned cover. "We Could For Hours is instability. It represents the will to open the gates of unknown. It is the dark, whispered sounds and…