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*2023 reissue* Last year, Kenyan sound artist Joseph Kamaru (aka KMRU) and French digital alchemist Niamké Désiré (aka Aho Ssan) were invited by Berlin Atonal to collaborate on a project for the festival's Metabolic Rift edition. The duo had already been working together, but the offer provided the momentum to shift the conversation into another gear. Initially, they looked for thematic connections within their individual practices that might match Kamaru's meditative soundscapes with Désiré's c…
Out of print in the U.S. for more than four decades, Don Cherry‘s meditative, inventive outsider jazz classic, Brown Rice, is available on vinyl once again as of today via Verve/Universal Music. The album is pressed on standard weight black vinyl and housed in a replica sleeve with original liner notes from acclaimed jazz critic Stanley Crouchuite reach this level of wild invention again. Brown Rice contains the apogee of Cherry’s influences: African, Indian, Arabic and American music are all th…
Morning prayer. Children playing. Cooking dinner. Singing a lullaby. The quotidian sounds that form our everyday experiences are those recorded in Tashkent, the capital of Uzbekistan, while visiting Mahallas. Following "Siberian Field Recordings", his recent dazzling cassette release on Second Sleep, and his contribution to the "MMXX" series on Matière Mémoire Éditions, we are glad to offer copies of what is possibily Carlos Casas' most 'hidden' release. Released on occasion of his cross-discipl…
**Double LP, limited edition** In 1967, 1968 and 1969 most of my works were happenings loosely based on Lewis Carroll’s The Hunting Of The Snark, a not-so-cryptic poem that, to my mind, gave clues to free the theatre in the same way the “new music” had freed jazz. It never made it to record and I gave up on the idea when I met Sunny Murray and Alan Silva when they arrived in Paris in the summer of ‘69. Few concert venues would have anything to do with us but we didn’t want that kind of connectio…
**Edition of 250 copies: comes in additional Silkscreened Outer Sleeve and includes 2 clear vinyl LPs, a clear vinyl 7'', a DVD and a 20 page Booklet.** Originally issued by the seminal imprint Saravah in 1972, and among the most uncategorizable and sought after artefacts of the French avant-garde, Barney Wilen’s Moshi is nothing short of a masterpiece - long holding a coveted spot in the hearts of adventurous listeners and record collectors alike. A wild unkept cultural collage. A series of son…
Alexandre Bazin is a member of the Groupe de Recherches Musicales, better known as the GRM, for which he writes documentaries about music for the radio. Due to his background as a classical and jazz pianist, Alexandre Bazin is also passionate about instrumental music by the likes of Steve Reich, Erik Satie, Brian Eno. This album attempts to synthesize these two worlds that are so dear to the composer, either in symbiosis or in opposition to one another with simple and loose melodies as its main …
**Edition of 300 copies** In 1958 the painter Isson Tanaka (°22 July 1908 –*11 September 1977) moved to Amami Ōshima, an island in the Ryukyus. There, in self-chosen isolation, he committed himself exclusively to his art until his sudden passing in 1977. In 2018 Seiha Kurosawa, Kanako Azuma and Hideki Umezawa visited Amami Ōshima to create a video installation about Tanaka’s insular life. The work, entitled “Dokkyaku” (tr. The Lone Visitor), shifts between the texture and materiality of Tanaka’s…
Dedicated to the life and work of Robert Lax (1915-2000), the American poet who lived on Patmos, Greece, as a self-exiled hermit since the 60s. Jack Kerouac called Lax “one of the great original voices of our times, a Pilgrim in search of beautiful innocence”. The Chi Factory would like to give special thanks to his good Patmian friends Ulf Knaus and Nikos Eliou, who showed us his house on Patmos (everything is still the same since he left) and also his favourite old wooden door (see leaflet). H…
**300 copies, green vinyl** (((vlubä))) present A-Mu-Kia: a new cosmic drone ritual (and first on LP). (((vlubä))) is an Argentinian paranormal art project founded by Müriscia Divinorum and Aphra Cadabra. Since their initiation in 2001, their ritual, cosmic, drone and free music has been documented on recordings issued on diverse labels around the world (Chocolate Monk, Ikuissus, Pseudoarcana, Foxglove, Phase!, RootDonLonie, Musik Atlach, Buh… etc) and have appeared on numerous compilations, sp…
Tip! Lucrecia Dalt channels innate sensory echoes of growing up in Colombia on her new album ¡Ay!, where traditional instrumentation encounters adventurous impulse and sci-fi meditations on atemporality in an exclamation of liminal delight. Dalt’s introspective approach to composition, last surfaced on her entrancing 2020 album No era sólida, refracts across ¡Ay! in a subconscious spectrum of the music genres she absorbed as a child. Treasured sounds and syncopations of bolero, mambo, salsa, and…
Hot blood in the frozen wastes, tormented sleeps, no rest, no peace, always some war to be fought. Blackdeath keep fighting, living life as war. On this new album, all of the wildness and violence that Blackdeath have been renowned for have now hardened into an idiosyncratic and cracked style: manic vocals that switch between black rasp and psychotic singing, Nordic style riffs that are somehow bent into a weapon with sharper angles, and a song progression that is equal parts percussive brawl an…
New music from XT (saxophone player Seymour Wright and percussionist Paul Abbott) in the form of an exhilarating, super compressed, reflective re-assembling of a dozen years working together. Re-animating free improvisation with a Chicago house palette, Deorlaf X is made up of frenetic slabs of mutated multiphonics and triggered percussion, suspended in bouts of possessed reflexive quiet.
Where the duo’s 2019 release Palina'tufa on Empty Editions focused primarily on a response to the real (and …
III (pronounced /el/) is Daichi Yoshikawa, Paul Abbott and Seymour Wright. This recording includes two bare 20-minute excerpts from separate performances at Café OTO. Daichi Yoshikawa (feedback); Paul Abbott (drums); Seymour Wright (alto saxophone). gjerhan began from subterranea, sweat, haze and dedication emerging out of intimate and intense weekly meetings begun in 2009 -- their first, 2012 public performance, squeezed into a London basement was a sheer, vexed and exhilarating smack of organi…
** Last copies ** In (heavy and over-sized) wooden box of 80 copies, hand numbered. Ten audiotapes with interviews/statements, tape collages, electronic music, interview, live events with new and some old material. By Charlotte Moorman, David Tudor, Fernad Kriwet, Joe Jones, Robert Filliou, Carolee Schneemann, Allan Kaprow, Richard Maxfield, Emmett Williams, and many more.
What is Fluxus? Fluxus was launched in 1962 as an interdisciplinary, neo-avant-garde artist collective, whose organized act…
Welcome to Silberland – where the streets are paved with strobes. Home to neon lights, straight lines and open roads, this futurist fantasy was ï¬rst founded in the mid-seventies, when Germany's creative class chose musical therapy in order to indulge their shared hallucination of a new Europe. Fuelled by the catalytic fusion of globalisation and new technology, the world was turning ever faster and the kosmische generation were ready to keep the pace. With synthesisers, rhythm computers and hu…
Recorded live in 2007 at the WIM free music festival,here we have Spring Heel Jack's penultimate live concert. This beautifully recorded set featuring the great Pat Thomas, Alex Ward and Paul Lytton captures the vivid and multilayered musical imaginations of this quintet brilliantly.An essential record.
Some time ago a colleague emailed me and informed me that an artist made a short video of herself knitting to The Rita's 'Thousands of Dead Gods.' I watched the short video and thought it was interesting, but then also noticed that the woman had a link included on her 'Instagram' account for her sculptural works. I had a look at her work and was instantly taken by the sheer immensity and power of her structures, all exemplary of long hours of labour and provocative patterns behind the material…
** Ltd 300, deluxe silver silkscreen on black cardboard + tissue golden paper (plus sticker) as original tape release** Incapacitants are the best noise band to ever come out of Japan. The group was formed in 1981 in Osaka, as the solo project of Toshiji Mikawa, a member of the amazing noise group Hijokaidan. Mikawa, a bank employee who then became a deputy general manager of one of the largest securities brokers in Japan, later moved to Tokyo, where he joined with government office worker Fum…
For over 20 years Black Leather Jesus has been there, watching, waiting, playing in small, poorly-lit rooms. Founded by Richard Ramirez in 1989, everything they do is harsh, chaotic, and completely unlistenable to the sane mind. Ramirez was inspired by the gay S&M scene to create something that will haunt the hallowed halls of your soul. Seattle's incredibly prolific doom metal outfit Blue Sabbath Black Cheer, consisting primarily of members Stan Reed and wm.Rage, have released a slew of Lp,7-in…
** Deluxe double vinyl LP version. Limited edition to 299 copies ** The Kansai based noise band Hijokaidan, come with the first ever vinyl reissue of Modern, originally released on 1989 in CD format. Resting at a fascinating juncture between space-harsh progressive, impro and noise, it was years ahead of its time when it first appeared becoming one of the great holy grails of Japan noise. Creatively thrilling - filled with emotive highs and lows - it’s a crucial piece in the puzzle of Japan’s wi…