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LP version on 180 gram vinyl. After Curiosum (BB 038CD/LP, 1981), the last Cluster album to be released on Sky, Roedelius and Moebius turned their attention to solo work. It was not until the early 1990s that Cluster returned to the electronic music stage with Apropos Cluster (BB 171CD/LP, 1990) and One Hour (BB 172CD/LP, 1994). The duo also took to the road for live shows in Germany and Europe, followed by tours across the USA and Japan. Some of these concerts were recorded in digital quality a…
The third album from Wallenstein, originally released in 1973, stands as the band's definitive statement and one of the peak achievements of the entire Kosmische Musik movement. Led by keyboardist Jürgen Dollase and guitarist Bill Barone, the group had evolved from their earlier heavy progressive sound into something far more expansive and cosmic in scope.
Cosmic Century is exactly what its title promises - a journey through infinite space rendered in swirling synthesizers, celestial guitar work…
** The legendary debut album of the Krautrock-Folk outfit from 1972. Produced in the Dierks-Studios. What an amazing improvement in the sound of this 50-year-old recording. With the help of the original analog master tapes and state-of-the-art technical equipment, the sensitive melodies of the debut album appear in a light of romance and empathy. Remastered at Dierks Studios, where the recordings were also made ** Debut album by this legendary German folk outfit centered around the family core o…
Super Tip! LP version. Re-release of the second album by Annexus Quam, originally released in 1972. Transferred from the original master tapes and carefully remastered by HaGü Schmitz and Dieter Wegner. The timing was right: Five years earlier would have been too early, five years later would have been too late. But Annexus Quam from Kamp-Lintfort near Düsseldorf came along with the right music at the right moment. The seven-piece band formed in 1967 as Ambition Of Music; they were what was then…
LP version. Reissue of the 1970 krautrock classic. The timing was right: Five years earlier would have been too early, five years later would have been too late. But Annexus Quam from Kamp-Lintfort near Düsseldorf came along with the right music at the right moment. The seven-piece band formed in 1967 as Ambition Of Music; they were what was then called a "beat group." In 1970, working with a local trombone choir led to a dramatic change of direction. Trombone, clarinet, saxophone, scat-like voc…
LP version. The second album from Berlin-based electronic group Mythos, originally released in 1975, represents a crucial bridge between the cosmic folk of their debut and the full-blown Berlin school sound that would dominate the second half of the decade. Mastermind Stephan Kaske guided the band into deeper electronic territories here, crafting sound cascades and sequencer patterns that align them with the visionary work of Tangerine Dream and Ash Ra Tempel on the same Ohr label.
Dreamlab unfo…
Mythos was formed in 1969 on the initiative of Stephan Kaske (flute, keyboards, vocals, guitar), who found two comrades-in-arms in Harald Weisse (bass) and Thomas Hildebrand (drums). Various performances impressed label boss and talent scout Rolf-Ulrich Kaiser so much that the band was able to release their debut album on the Ohr label in 1972. This album was also re-recorded and remastered from the original analog tapes. Best sound!
The second album from Birth Control, originally released in 1971, captures the band at a crucial turning point - moving from their blues-rock foundations into far more adventurous progressive and experimental territory. Led by vocalist Bernd Noske, with Bruno Frenzel on guitars and keyboards, Reinhold Sobotta on drums, and Bernd Koschmidder on bass, the group delivered one of the most powerful statements in early German rock.
Operation showcases Birth Control's remarkable ability to blend heavy,…
One of Germany's longer lasting bands had first started as Blitzkrieg (until they found out a British band used the name as well) and changed their name to Wallenstein and kept their former name for the album, gracing it with a war-themed gatefold cover. Produced by the unavoidable Dieter Dierks and released on the ultra collectible Pilz label in early 72, this debut album is stunning effort that transformed the 200 MPH speed notion into music. Keyboardist Jurgen Dollasse's very international gr…
On Oscillations, Sol Sol stretch their free‑jazz vocabulary into something almost cosmic: ten pieces where Elin Forkelid’s four saxes, David Stackenäs’ guitar and the Agnas brothers’ rhythm team move from feather‑light drift to razor‑edged intensity with effortless precision.
30th anniversary edition. Revised and expanded printed book edition of The Crack In The Cosmic Egg. Thirty years after its original publication, Steve Freeman and Alan Freeman return to print with an anniversary edition of their encyclopaedic work on Krautrock - the most comprehensive and authoritative ever published on the subject. A long-awaited return: previous printed editions have been out of print for years and are now collector's items.
This new edition - A4, perfect-bound, 484 pages - is…
Lucky restock, few copies available! The new transmission from Turin's My Cat Is An Alien, Maurizio and Roberto Opalio's long-running cosmic project, issued in a hand-numbered limited edition of 99 copies on their own Opax Records imprint. Two long-form pieces built around what the Opalios describe as a genuine creative breakthrough: applying their established practice of spontaneous composition in reverse, working by subtraction once the "apogee of real-time creation" had been reached, in servi…
“Gaia-Songs” (1992 - revision 2015). Songs for the other half of the sky n° V - VI. For a soprano (or mezzo-soprano) solo and an actress voice (Sprechgesang technique) with electro-acoustic (fixed sounds). Anne-Lisa Nathan, mezzo-soprano. Helena Rüegg, actress voice. “First there’s this relation between sung voices and spoken voices with regard to the electro-acoustic parts. The sung v…
The Ring of the Seven Lights (Metametal, long version) (1994-95 / revision and new master: 2013). Seven continuous variations from a single Bonshô sample(Buddhist temple traditional bell from Japan), a tribute to Inayat and Vilayat Khan.
Jean-Claude Eloy: 'I created and partially realized it in 1994-95 during this conversion of Anâhata into an electro-acoustic version alone. I first made a short version out of it which integrated into Electro-Anâhata and became the fourth station within the firs…
* Limited LP edition * Sonoris is pleased to announce the release both on vinyl and cd, with a new mastering by Giuseppe Ielasi, of some important works from the influential and respected artist Steve Roden. These tracks, which mix conceptual composition and musicality, transcend the ambient or lowercase categories too quickly applied to his music, due to its ghostly beauty. In the tradition of John Cage’s Cartridge Music amplified objects, Steve Roden extracts a fine and delicate music through …
“On this, their second LP, P16.D4 solicited tapes from several artists from Europe, England, the U.S., Canada, and Japan, and mixed that with their own material. Though in the current digital age collaborations from artists thousands of miles apart is quite normal, this was a quite radical approach back in 1982, when work on this LP began – an interesting concept that actually works quite well, since these artists, which include Bladder Flask, DDAA, the Haters, Merzbow, Nocturnal Emissions, Nurs…
“Though this German group started out as a the new wave band P.D., by the time of Kuhe in 1/2 Trauer, their first LP under the P16.D4 name from 1984, they had developed far beyond into extremely experimental music similar to other post-industrial artists working with abstract avant-garde soundscapes. There’s a bleak industrial feel to the gritty, lo-fi electronics and tape loops, while the group throws in enough curve balls to keep it interesting. On some pieces, strange, looped choirs bubble ou…
L'art de la fuite is a selection of first recordings originally released on selftitled homemade tape in 1995 by eRikm. Mainly composed with turntables and prepared records (with various other sources), these recordings have laid the foundation for his future work as turntabilist / improviser / composer. 20 years later, this unique blend of musique concrète and post-industrial still sounds fresh today. Mastered by Giuseppe Ielasi. 300 copies.
On Bidule 2.0, eRikm tunnels into a cache of unheard Pierre Henry tapes, feeding analog “sound objects” from 1950–1974 through his custom digital apparatus to forge a dense, flickering work where early musique concrète and present‑tense signal processing fold into one another.
For those who loves the piece, this is a nice way to learn more about it. For those who don't know it yet, it will be a good introduction to listen to it. Gaku-no-Michi is an electro-acoustic work of wide proportions realised in 1977-78 at the Denshi Ongaku Studio (electronic music studio) of NHK radio (Nippon Hoso Kyokai), Tokyo. This work has been programed in numerous countries by various modern music festivals, as a full evening concert, from 1978 to 2006. This publication is made of a group…