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Field Recordings from Mali (Bush Taxi Mali)
Bush Taxi Mali: Field Recordings from Mali is an aural tour through the heart of Mali. These field recordings were made by Tucker Martine in 1998 while traveling throughout the West African country. This blend of bluesy ngonis, clamoring street sounds, the stunning voice of Jalimusa Amanita Diabaté (of the famous Diabaté family), passing radios, Fulani flutes, runaway sound systems, and chants from the Dogon country creates a unique portrait of Mali's rich musical heritage. Eventually Martine fo…
Live at Metro Al-Madina
Restocked again, very last copies, hurry up....Awesome one! This one is very easy to describe: among all qbico and a-star records combined together (around 150/200 LP), this is among the three most powerful ones. imagine a cross betw Kluster and Taj Mahal Travellers with a Middle East feel (musicians are from Egypt, Turkey and Lebanon); their 1st record, rec. live in Beirut. the sound that you hear at the end of the second clip it's not a monster's breath. THE ticket to the ride.
Electric Lotus
This epic double set combines an LP of all-electric rock mayhem with a CD of subtle drum/shakuhachi tracks. Electric Lotus is the Youngs and Neilson's self-proclaimed 'rock' album, and it is a mind-boggling clutch of guitar/bass/drums demolition. Coming off like an amphetamine-fueled Guru Guru, the music tumbles out in a crazy quilt of stun-level attack zonage, especially on the side-long Electric Lotus. Neilson's staggering freedrumming hits a new peak here, stepping beyond his laudable work wi…
Hot Box 1974-1994
Destroy All Monsters are known by some for their role as a bastion of resistance of Detroit's rock; for being, during their second period, the band in which Ron Asheton would reappear. For others, they are a pivotal reference point in the copious but relatively unknown avant-garde underground from the same city, after Thurston Moore and Byron Coley dug up their first recordings in 1996 and the original line-up reunited. Destroy All Monsters comprises two complementary and interconnected po…
Fourth World Music Vol. I: Possible Musics
Gatefold LP version on 180 gram vinyl with CD. Originally released in 1980, Jon Hassell and Brian Eno's collaborative album Fourth World Music Vol. I: Possible Musics is a sound document whose ongoing influence seems beyond dispute. Not only is the album a defining moment in the development of what Eno coined as "ambient music" but it also facilitated the introduction of Hassell's "future primitive" trumpet stylings and visionary "Fourth World" musical theories to the broader public. These v…
Paintings
"The much-revered avant-garde guitarist John Fahey (1939-2001) incorporated influences ranging from folk, blues, and bluegrass to classical music, musique concrete, and noise in his primarily acoustic guitar-based compositions. Considered a legend by many, Fahey released upward of three dozen LPs in his lifetime. Relatively late in life, Fahey extended his so-called 'American Primitive' approach beyond music, and into the creation of a substantial body of paintings. Painting on found post…
Cold/Burn
Superstar live drone fiesta time here. Recorded in Oslo, during an Aurora Borealic night of January, 2010, this beauty thrums with a majesty-vibe arising deep from within the earth. Each of the participants has been horn-blown around the globe for mastery of individual string/machine attack. C. Spencer Yeh's violin arcs have powered a million strange improv scenes. Jon Wesseltoft is clearly the king of Norwegian harmonium dudes. Okkyung Lee is a Korean polymath re: formal cello innovations, …
Below Sea Level
Below Sea Level is the first 12k release from seasoned musician and electronic sound artist Simon Scott. The inspiration behind Below Sea Level, including its music, title, artwork and photography (see accompanying journal) originally derives from Scott’s desire to musically explore the desolate and controversial environment of the Fens in East Anglia, UK. The memories Scott has of visiting this area as a child make this a poignant and highly personal project that explores nostalgic familia…
The Endless Change of Colour
"The Endless Change of Colour exists somewhere between our future and the mistakes and accidents we've made along the way. It is a celebration of both the system and the unexpected. Marsen Jules' latest work is a generative music piece upon a single phrase of an old jazz record split into three audio streams. These streams are transformed into loops which break the original instrumentation down into sound resembling pure waves, harmonics, and overtones. These loops play to different time …
Live in Paris 1975
Souffle Continu is very excited to present two special vinyl editions of live recordings of French heavy space prog band Heldon -- this 1975 recording and Live in Paris 1976 (FFL 008LP). This historic recording documents one of the rare Heldon concerts of the mid '70s era. Formed at the time of guitar loop master Richard Pinhas (Mellotron, ARP 2600 synthesizer, AKS, and guitars) and Alain Renaud (guitar and analog keyboards), Heldon deliver five tracks of guitar freak-out melded with hypnotic …
Live in Paris 1976
Souffle Continu is very excited to present two special vinyl editions of live recordings of French heavy space prog band Heldon -- this 1976 recording and Live in Paris 1975 (FFL 007LP). Heldon took rock music and mixed it with analog synthesizers in a very special and unique way. Recorded live at Le Palace, Paris, 1976, this two-track recording documents the raw, acidic, psychedelic sound of Heldon, consisting at the time of Richard Pinhas, Patrick Gauthier, and François Auger. The fantasti…
Sounds from There
Swiss electro-acoustic artist Israel Quellet's fourth opus on Sub Rosa: a complex and mysterious work for symphonic bass drum, symphonic tympani, organ, Tibetan horn, homemade horn, triangle, tubular bells, shocks inside the church, anvil metal tank, and church bells. A challenging listen, but so rewarding.- "Music of expectation and experience, controlled recklessness. In his obsession with the possibilities of sound, Israel Quellet takes us to exciting places." --PopMatters - "Quellet's …
Popeth
Awesome LP from two masters of tectonic psycho-acoustics! "It is with great pride and pleasure that Glistening Examples announces the newest collaborative efforts of Aaron Dilloway and Jason Lescalleet. Recorded at Tarker Mills in February 2014 then mixed and mastered at Glistening Labs, this 38 minute LP was carved deeply into 150 grams of virgin vinyl via Direct Metal Mastering at GZ Media in the Czech Republic. These records are sheathed in deluxe poly-lined inner sleeves and presented in …
Parchman Farm: Photographs and Field Recordings, 1947-1959
In 1947, '48 and '59, renowned folklorist Alan Lomax went behind the barbed wire into the Mississippi State Penitentiary at Parchman. Armed with a reel-to-reel tape deck -- and, in 1959, a camera -- Lomax documented as best an outsider could the stark and savage conditions of the prison farm, where the black inmates labored "from can't to can't," chopping timber, clearing ground, and picking cotton for the state. They sang as they worked, keeping time with axes or hoes, adapting to their …
Longing for the Past: the 78rpm Era in Southeast Asia
Compiled and edited by David Murray.Longing for the Past: The 78 rpm Era in Southeast Asia is the first survey of the 78 rpm record era in Southeast Asia. It is a kaleidoscopic collection featuring 4 CDs with 90 tracks of music spanning six decades (1905-1966), accompanied by a 272-page book with essays and annotations by leading ethnomusicologists that is richly illustrated with more than 250 vintage photographs, record labels, and sleeves.
"The consistently amazing Dust-to-Digital label presen…
Teslam
LP version. "The Invisible Hands is a transcontinental collaboration between Alvarius B. (Alan Bishop of Sun City Girls) and four stellar young musicians from Cairo, Egypt: Cherif El Masri, Aya Hemeda (both formerly of the popular Egyptian group Eskenderella), Adham Zidan and Magued Nagati. On Teslam, The Invisible Hands expand the already panoramic range of their eponymous debut LP with a haunting set of melodic, impeccably crafted songs whose vintage psych/hard-rock edge conjures up early …
Sunday Night, Sunday Afternoon
Sunday Night, Sunday Afternoon is the debut LP by the duo of Marcia Bassett and Samara Lubelski. Both musicians have played crucial roles in the development of underground sound over the last 20 years, tinting the broad waters of abstract folk, chromatic noise and long form drone, and cementing themselves as cornerstone artists in the process. Sunday Night, Sunday Afternoon is the perfect synthesis of Bassett and Lubelski's individual crafts - two sidelong forays into deep black string medi…
Absorb / Fabric / Cascade
Restocked / Second solo LP from Causa Sui guitar player and producer Jonas Munk. This is pattern music, characterized by slow builds and subtle, but refined transformations, where gradual tectonic shifts and tiny harmonic gestures generate vivid emotional responses. Instead of imposing any direct intention or meaning, it's an album that can create a mental environment for the listener to expand and open up into. "Absorb," taking up the entire A-side, is a piece of meticulous balance, stru…
Sombras Incendiadas
Portuguese multi-instrumentalist David Maranha has made no secret of his appreciation for Tony Conrad’s music over the years, and so it’s not so much of a shocker that this duo encounter with Sweden-born, Philadelphia-based cellist Helena Espvall renews that association. After all, the pairing enables him to explore the productive clash of bowed, amplified strings, a friction that’s at the heart of Conrad’s sound. But this music doesn’t really behave much like Conrad’s mathematically der…
Orchestra Omar
Restocked, very last copies...Initiated by Charbel Haber, Orchestra Omar is now the very first guitar ensemble to emerge from the Middle East. though the core of the ensemble is Lebanese, the line-up (7 guitar players + 1 electric bass) includes Egypt's Maurice Louca and Turkey's Umut Caglar. this is their very 1st album, consisting of three tracks loosely based on Omar Khorshid's music." ep