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Known by a select few as one of Canada's most intriguing cult artists, Bruce Haack always strived for mainstream acceptance. But Haack's true ambition may have been fully realized when it was discovered that he left behind a whopping 213 reels of recordings after his death in 1988. Preservation Tapes confusingly collects just ten of these tracks, with the majority coming from a session recorded for American Christian label, Sparrow Records, during his creative peak in the early '70s. In 2016, af…
Death Waltz Recording Company is proud to exhume another classic from their catalogue in lieu of demand from the dead and the living. From the twisted mind of Lucio Fulci comes ZOMBI 2 aka ZOMBIE FLESH EATERS. A notorious gore classic and the poster child for the video nasty generation, the film gently transports the viewer from the concrete jungle of New York City to the mysterious Caribbean island of Matool, with some shark versus zombie shenanigans along the way. Our musical guide for th…
Politico dub-collage practitioners Guerilla Welfare came from Edmonton, Alberta, coincidentally the birthplace of prophetic media sage Marshall McLuhan. Armed with vanguard ideas taken from Steve Reich, Fela Kuti, Robert Fripp and Material, the duo of Curtis Ruptash and Brian Schultze adopted the “studio as instrument” mindset of Brian Eno and King Tubby creating complex textural and polyrhythmic sonic insurgencies. They overdubbed drum computers, guitar, bass, noise-makers, mallet percussion, s…
Unavailable since the film’s release in 1982, Susan Justin’s music for Forbidden World – produced by the legendary Roger Corman – mixes the electronic influences of the time with splashes of new wave, creating a score that fuses the eerie tonalities and avant-garde sensibility of Alien with the straight-up funk of ASSAULT ON PRECINCT 13. Birthed from this is a cult classic score that deserves to be held up alongside the works of Richard Band and Alan Howarth.
What immediately stands out from the…
A lost paradise, a lost innocence, and a lost culture; these are the dominant themes presented in Nicolas Roeg’s 1971 masterpiece Walkabout, a survival story of two children lost in the scorched Australian wilderness. Together with other seminal Australian surrealistic outback films, (e.g. Wake In Fright) Walkabout was a film that reshaped the Australian film industry and defined the country’s New Wave. On the cusp of the film’s 45th anniversary it is pertinent to observe that the film’s origina…
**400 copies, pressed on 180g black vinyl housed in its faithfully restored original packaging and newly remastered from the original reel-to-reel tapes.** First ever vinyl re-issue of the incredibly rare Gruppo di Improvvisazione Nuova Consonanza 1975's album, which comes in a fully remastered version with new sequence / structure as per recently discovered original tapes. Copies purchased from Soundohm also include an exclusive 30x30cm 12-page booklet with never seen before pictures and essays…
**Incredible pioneering recording of extended synthesiser and percussion technique from the Australian experimental underground. Edition of 500** Welcome to the strange musical world of Tolley & Dara, an experimental duo whose incredible music held a marginal yet vital position on the fringe of the Australian music industry during the late 1970s and early 1980s. Consisting of jazz bassist and synthesist David Tolley and percussionist Dure Dara, their union was a relationship of romance and inten…
Regarded as the link between Italian acid folk, Library music and Krautrock, Living Music was a collective of Italian Musicians, artists and poets active in the counterculture and student movement of Rome in the late 1960s and early 1970s. Taking their name and concept from the New York experimental theatre group ‘Living Theatre’ husband and wife duo Umberto Santucci (jazz critic, graphic designer (Brainticket) and photographer, library composer) and Gianfranca Montedoro (Jazz and rock singer, m…
2019 repress. Originally released in 1968, and selling less than 500 copies -- according to Robert Fripp's royalty statements -- The Cheerful Insanity of Giles, Giles, & Fripp is, of course, the pre-cursor to King Crimson. Drawing its influence from folk, pop, classical, and religious music, the album is a masterpiece on par with the greatest records that the British psychedelic and progressive movements had to offer. Reissued on LP by Cherry Red Phonograph.
***180 gram orange vinyl, 2019 stock*** Phoenix Records present a reissue of Flower Travellin' Band's Anywhere - originally released in 1970 - the debut album from the legendary Japanese rockers fronted by Yuya Uchida. Although consisting mainly of cover versions, Anywhere still exhibited many of the musical traits that were to come to the fore on the band's next release, the classic Satori, an album of original material delivered with panache by the increasingly confident Uchida in 1971. Anywhe…
Enigmatic UK-based singer and pianist Bill Fay's dark and haunting work gained him a strong cult following in the late 60s and early 70s. He released two albums on the Deram label in the early 70s and promptly disappeared into relative obscurity for 30+ years. In the last 10 years or so those albums have finally begun to get the recognition they deserve, and 4 Men With Beards is proud to be able to bring them back into circulation on 180g vinyl. First up is his self-titled 13-track debut from 19…
Exact replica, officially reissued by EMI. 180 gram audiophile pressing with printed inner sleeve; digitally remastered from original tapes. This reissue was "researched, spearheaded and co-ordinated" by Tom Recchion who has supplied rare artwork for the inner sleeve -- and, in general, this is a state-of-the-art edition. The fourth and final album to be released during Faust's original lifespan, originally released by Virgin Records in 1973. "As an album, IV matches the band's trajectory: Jumbl…
Selva Discos returns to the LP reissue game with a bang – by giving a new life to the stunning and very sought-after Memória das Águas album by Fernando Falcão. Originally recorded in 1979 in Paris but only released independently in Brazil in 1981, the album comes complete with genre-hopping explorations that swirl around ambient soundscapes, lively jazz, experimental-leanings, Afro-rhythms and a unique blend of Latin grooves and French pop with a Brazilian accent, but it also comes with a story…
First 200 on Red Transparent Viny. LP Gatefold 180 Gram + Poster. 500 hand numbered copies. The original soundtrack of the 1976 cult movie 'Napoli Violenta', composed by Maestro Franco Micalizzi, sees a deserved reissue. A classic 70s Italian crime soundtrack – presented here in full format for the first time ever, and filled with wonderful tunes in a variety of styles! There's a quality to the music that really matches the badass image on the front – a bold, forceful approach that has th…
LP Gatefold 180 Gram + Poster | 33 RPM500 Hand-Numbered. A driving Italian soundtrack from the height of the cop/crime years – done with really full arrangements by Franco Micalizzi, in a way that easily rivals some of the best American work of the genre in the 70s! This score from 1976 (here reissued on wax) features an amazing band, spacey grooves, some jazz atmospheres, timeless brass-crescendos, the charm of '70s funk and the untameable talent of the maestro! Most of the orchestrat…
LP 180 Gram. Black vinyl edition. Easily comparable to the vaste number of movies from the erotic-dramatic genre popular between sixties and seventies, Alessandro Fallay’s Le Altre – a pretty much unknown director of Iranian origins – boasts an amazing soundtrack from the unforgettable Piero Piccioni, one of the acclaimed masters of the genre. The album moves between easy listening atmospheres to jazz and lounge, among Roma and Cinecittà’s summers parfumes. Everything topped off with woods, Hamm…
Brian Eno's masterwork album from 1982. Standard 1 LP version. On ‘Ambient 4 (On Land)’ – the final edition in Eno's ambient series – his palate shifted from electro-mechanical and acoustic instruments towards “non-instruments” like pieces of chain, sticks and stones. “One of the big freedoms of music had been that it didn't have to relate to anything – nobody listened to a piece of music and said, ‘What's that supposed to be, then?’, the way they would if they were looking at an abstract painti…
Continuing the twisted pop explorations of Here Come the Warm Jets, Brian Eno's sophomore album, Taking Tiger Mountain (By Strategy), is more subdued and cerebral, and a bit darker when he does cut loose, but it's no less thrilling once the music reveals itself. It's a loose concept album -- often inscrutable, but still playful -- about espionage, the Chinese Communist revolution, and dream associations, with the more stream-of-consciousness lyrics beginning to resemble the sorts of random conne…
First 200 on Orange Marbled Vinyl. 180 gram audiophile vinyl LP; Gatefold sleeve + movie poster. Second release from the vaults of Spettro and another classic Italian gem of the late Sixties, a wonderful score from the genius of Bruno Nicolai, renowned for his long collaboration with Ennio Morricone and for countless and beautiful works for tv and cinema. Femmine insaziabili – also known as Carnal Circuit – is a 1969 Alberto De Martino giallo flick (with a young Romina Power) whose best part is…
First 200 on Transparent/Pink Vinyl. Rome was, of course, the pulsating heart of Italian library music – it is the place where tv and movies are made, so editors and musicians tend to gather there. But we must not forget what was happening, at the same time, in Milan – where there was a very active music industry, but leaning more on the pop and jazz side. The Roman style was more connected to the classic and orchestral tradition, but the musicians in Milan adopted …