We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Mausoleum is the latest release by David Jackman, following the eight-part David Jackman / Organum Electronics Subscription Series issued by Die Stadt between 2023 and 2025. While continuing concerns explored throughout the Subscription Series, Mausoleum also recalls aspects of earlier Organum recordings such as Horii and Rasa. The spatial placement of sound, use of low frequencies, and distinctive sense of duration remain central to the work.
The recording is built from recurring elements inclu…
Big Tip! This is one for the faithful. An Afternoon With Victor Dimisich gathers a set of recordings that until now existed only as rumour - an unearthed afternoon from the legendary pre-Flying Nun underground of Christchurch, New Zealand, surfacing more than four decades after it was first committed to tape, and never issued in any form before now.
The Victor Dimisich Band took shape in 1980, when Stephen Cogle and Peter Stapleton broke away from Bill Direen's Vacuum to follow their own songwr…
**Gatefold black vinyl, remastered** One year on from Opal, the Munich collective threw open a window that would never quite close again. Embryo had announced themselves in 1970 with a debut steeped in dark, psychedelic murk. Embryo's Rache - their second, issued on United Artists in 1971 - is the sound of a band stepping into the light and looking east. Founded by drummer and keyboard player Christian Burchard with multi-instrumentalist Edgar Hofmann, the group here absorbed flutist Hansi Fisch…
Diriaou (“Thursday” in Breton) captures the singular collaboration between Kristen Noguès-pioneering Celtic harpist and explorer of Breton tradition-and legendary British saxophonist John Surman, renowned for his atmospheric jazz on ECM. Recorded live in 1998 at the Dre Ar Wenojenn festival, this album presents the duo weaving together original compositions and traditional melodies into a tapestry of free folk, modal improvisation, and ambient soundscapes.
Noguès, deeply rooted in Breton music y…
Recently celebrating his 80th birthday and one of Europe’s foremost jazz musicians, John Surman is a masterful improvisor, composer, and multi-instrumentalist (baritone and soprano sax, bass clarinet, and synthesizers/electronics). For nearly 60 years, he has been a major force, producing a prodigious and creative body of work that expands beyond jazz. Surman’s extensive discography as a leader and a side man numbers more than 100 recordings to date and has featured dozens of prominent artists w…
On Maris Stella, Tristan da Cunha turns isolationism into liturgy, reimagining the Marian figure of Our Lady, Star of the Sea as a beacon inside abandonment. A single, slow‑burning minimalist opus folds post‑drone, neoclassical gravity and choral haze into a seaborne ritual where guitar, viola, bass and drums behave like a reconfigured orchestra.
The third album from Levon Eskenian’s remarkable ensemble is its most adventurous to date. As well as reclaiming the music of esoteric teacher G. I. Gurdjieff for folk instrumentation, Zartir situates Gurdjieff in a tradition of Armenian bards and troubadours including Ashugh Jivani, Baghdasar Tbir and the legendary Sayat-Nova. In parallel, an emphasis on pieces for sacred dance reaches its apex in The Great Prayer, an entrancing collaboration between the Gurdjieff Ensemble and the National Cham…
“This is the time that we, who have benefited from the Last Poets should be able to say, ‘it’s the Last Poets. It’s them we should be honouring, because we did not honour them for so many years…” KRS One wasn’t just addressing the hip hop fraternity when he uttered those words by way of introducing the video for Invocation – a poem written thirty years ago, around the time of the Last Poets’ last significant comeback. He was speaking to everyone who’s been affected by the word, sound and power i…
LP version. Composer and conceptual artist Conrad Schnitzler (1937-2011) was one of the most influential figures of the electronic avant-garde in Germany. In 1967/68, the Joseph Beuys student founded the Zodiak Free Arts Lab, which became a playground for Berlin subculture. In addition to many other musical stations, bustling Schnitzler was a member of the kraut-electronic formations Tangerine Dream and Kluster. Numerous solo releases complete his extensive oeuvre. One of them is Con 84, probabl…
Går I Kras is the fourth album from the Gothenburg-trio Amateur Hour that consists of Hugo Randulv, Julia Bjernelind and Dan Johansson. While in many ways continuing where the massive Krökta Tankar Och Brända Vanor double left off in 2022, the new 11-song album is arguably the most accessible and refined recording yet from the group, with some of their strongest tracks to date. Still blending dreamy lo-fi pop music with electronics and crude sound collages, The Cannanes through a meatgrinder and…
Released on Polydor in 1972, this is Roy Ayers hitting his stride. The Ubiquity sound has clicked into place: jazz improvisation, funk underneath, soul harmony, spiritual weight, all of it pulling in the same direction. The vibraphonist leans hard into groove without losing the openness, soul-jazz tipping over into the jazz-funk that would carry him through the decade. The band is loaded - Harry Whitaker on electric piano, organ and voice; John Williams on bass with Ron Carter stepping in on "We…
"The Wiregrass Singers' Dewey Williams began learning the shape-note tradition in his childhood. He studied under Judge Jackson, who authored the landmark 1934 hymnbook The Colored Sacred Harp. In 1971, Williams formally organized The Wiregrass Sacred Harp Singers to preserve the music full-time. This unified troupe began touring nationally and leading workshops, which ultimately launched them onto stages at the Smithsonian and Newport folk festivals up until Williams' passing in 1995 when the g…
Jazz saxophonist Akira Miyazawa was known for his unparalleled love of fishing, and here he gives a masterful performance that conjures the image of silvery fish scales reflecting light through the cold and clear water of a small mountain stream. “Yamame” (the Japanese name for a kind of freshwater salmon) was recorded in 1962 and was Miyazawa’s first album, but the sharpness and avant-garde modernity of the music creates a completely timeless quality. Miyazawa is one of a group of musicians who…
Derek Bailey - guitarSabu Toyozumi - drums
Recorded live on November 2nd, 1987 at IMAI-Tei, Fukuoka City, Japan by Hidenobu EharaConcert produced by Masahiro TomiokaMastered by Arūnas Zujus at MAMAstudiosDesign by Oskaras AnosovasPhoto by Yumi Mochizuki at Taruho Jazz, Yamato CityCover art by Sabu Toyozumi
2025 repress. Originally released in 2019, this essential 4CD box set documenting one of the rarest trio meetings in the history of European free improvisation is finally available again.
Eleven years after the legendary The Topography of the Lungs (Incus, 1970) - one of the landmark early albums of English free improvisation, co-founded the Incus label itself - the trio reunites at 28 rue Dunois in Paris. Almost three and a half hours of non-idiomatic free improvisation captured by Jean-Marc Fo…
On Il ras del quartiere, Goblin reroute their horror‑prog DNA into neon‑lit funk and sleek electronics, rescuing a cult 1983 Vanzina film from VHS purgatory with a newly remixed, visually lavish edition that finally gives these four pieces their own stage.
The album “St. John Green” is the only release by the American band of the same name, and is regarded as a minor cult classic of 1960s psychedelia. It was released in 1968 by the small label Flick-disc. Released at the height of the flower power era, the record perfectly captures the musical and cultural atmosphere of the late 1960s. The album blends various elements typical of psychedelia with sonic experimentation, garage lysergic influences and a free-spirited approach to songwriting.
This is both a blueprint and a definitive masterpiece. Effortlessly transcending eras and genres, Terumasa Hino continues to captivate audiences around the world. His sound and presence are truly top of the tops. Long before Japanese jazz was labeled as “Wa-Jazz”, and even before the rare groove movement emerged, Hip Seagull has been shaking dance floors, stimulating listeners, and fascinating collectors alike. Since his debut album Alone, Alone and Alone, Terumasa Hino has remained at the foref…