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The first thing that should strike any attentive listener of Gary Mundy’s work as Kleistwahr is that this new collection of nine songs features drums on the opening two tracks. Combining a manic rhythm with searing white noise, a post-punk guitar chopping angular sounds like it belongs to the debut Banshees’ album, and despairing vocals, ‘Cold Blood Cold Night’ sets the tone for most of the album. While not every song is bound to this same pulverising beat at its core, there’s a lot of untamed n…
Reemerging three decades on, C.C.C.C.’s Love & Noise hits vinyl for the first time, a still‑devastating artefact where Mayuko Hino’s charged electronics and Hiroshi Hasegawa’s Moog storms turn harsh sonics into something crushing, psychedelic and strangely exultant.
In a new duo collaboration that defies conventions and background, Midori Takada and Jakob Bro took up residence in Tokyo’s Avaco Studios to record their first album, あなたに出会うまで / Until I Met You. The title, taken from a Midori Takada composition, refers to the spiritual bond that arises in every new friendship, whether in music or in life. Until I Met You is pure acoustic music, a tapestry of dreamlike compositions with beautiful melodies that sees ambient music icon Midori Takada on grand piano…
On Bivabippabualukka, Sofie Birch turns a spiritually transformative period with her brother Alfred into a bossa‑tinted pocket of joy: playful, childlike songs where intuition, myth and healing spill out like fish from a cup of dreams.
Original 1984 copy of self produced studio album from 1984. Recorded and mixed at Conny’s Studio. Insane instrumentation, expanding the boundaries of percussion. Michael Ranta is an american percussionist based in Cologne since early seventies. Known for his one off collaboration with Toshi Ichiyanagi, Takehisa Kosugi, live performances with Hartmut Geerken and his own improv group Wired. This one is a solo recording of Ranta playing Sha-tik, Mu-yu, Mok-eo, Mu-ban, Bamboo Tubes, Bungkaka, Tongat…
Errands is the first duo recording from Marja Ahti, Swedish-Finnish sound artist and electroacoustic composer, and John McCowen, a native of Southern Illinois, now residing in Iceland, whose work centres on a radical exploration of clarinet multiphonics. Working without the aid of electronics, McCowen has spent years finessing performance techniques that allow him to layer beating patterns and split tones that belie their source in a monophonic instrument. Ahti, in contrast, has built up a stunn…
* 180g, double LP on Black Vinyl in gatefold sleeve* Remastered by Dierks/Flüchter. Walter Wegmüller (1937 - 2020) was a Swiss-Jenish artist who grew up in difficult circumstances in Bern. After training in Basel, Bern, Paris and London, he began his artistic career. In addition to painting and sculptural works, Walter Wegmüller occupied himself with the entire spectrum of art. He gained widespread international attention, especially from 1974 onwards, with the publication of his "Zigeuner Tarot…
Recorded 3rd June, 1971 at the Jazz Workshop, Boston. Sam Rivers - tenor and soprano saxophones, flute, piano, Cecil McBee - bass and Norman Connors - drums. "Musician discographies are like icebergs. Commercially released recordings often only represent a surface-visible and procurable fraction of actual output; a reflection of those comparatively few instances when resources, fortitude, and good fortune aligned to yield salable product. Samuel Carthorne Rivers situation was no different. Despi…
Set in the heady atmosphere of revolutionary Moscow, The Twenties is the young poet and communist Varlam Shalamov’s celebration of the new culture of the Revolution, the brave crazy brilliance of his generation of writers, the mass poetry readings, the boundless optimism and creativity. Shalamov writes of them all with the wonderful subtlety and empathy and humour that secured him his place with these dazzling new talents, and have made him known as one of the greatest writers of the twentieth c…
Almost Starlight is the extraordinary new album by Jem Finer (hurdy-gurdy) and John Matthias (violin). Produced by Jay Auborn and recorded in a Medieval Church, deep in the Devon countryside, in the Summer of 2025, the music is suffused with light, heat and the natural acoustics of the space.
The album defies categorisation; forced to pigeon hole it the nearest approximation would be ‘modern-classical’ but this ignores its myriad influences and explorations which encompass inspiration from Arvo …
For a while the trio just called itself "Me, you and Sue", which suited them - none of the three has ever seemed especially concerned with naming things. Adam Bohman, Sue Lynch and Crystabel Efemena Riley found each other through London's Horse Improvised Music Club and have been playing together in various rooms for years. This is their first record as a three, and it needed a real title. Lynboril Lisinopril takes Lyn(ch), Bo(hman) and Ril(ey), puts the invented word into a search engine and ke…
Swiss saxophonist Gilles Torrent may have been initially smitten by the sounds of US jazz giants like Coltrane, Shepp and Sanders, but as he’s developed and matured he’s cast his creative net much wider. After teaching himself the sax at 21 he spent the next 11 years studying the concepts and innovations of Coltrane before moving on to take the next logical step - exploring and soaking up the many styles music from around the world, and incorporating them into his Coltranesque vision of jazz.
A…
Eternal Rhythm: Conversations and Travelations with Don Cherry and Graeme Ewens is the book on Don Cherry we have been waiting for - not a biography written from the outside, but a portrait built from the inside, from hours of cassette-taped conversations recorded since 1979 by writer Graeme Ewens, a confidant, travel companion, and close friend of Cherry. Published by Ars Nova Workshop, this is an intimate, free-flowing document of one of the most unique and innovative voices to emerge from the…
2026 Reissue. LP version. Originally issued in 1983, Midori Takada's debut LP Through The Looking Glass has long remained one of the most coveted artifacts to emerge from the fertile soil of 1980s Japanese experimental avant-garde. A near-perfect work - a window into the unquestionable singularity of its era and geography. For many record collectors, this is the great holy grail, the unobtainable gem. Its reemergence has been long awaited.
For Japanese experimental avant-garde musicians, the 198…
A Colourful Storm's Fleetway Tapes series follows classic entries from Time Is Away, Vladimir Ivkovic, Felix K, Young Sparks and others with a heart-stopping selection put together by Berlin-based film journo Florence Scott-Anderton, a fathoms-deep, laser-focused mix that doesn't come around often, engulfing high-art/low-culture TV samples with a series of cues excavated from film - think of it as a sort of Blockbuster Video nostalgia-tinted answer to Time Is Away's flawless thematic mixes.
Modern Apartments arrive on Dark Entries, with Light on Water, an LP featuring 8 cuts of instrumental cosmic-kosmische analog synth workouts. Modern Apartments is Ryan Ambridge, the musician and producer best known for his work with dark synth projects Linea Aspera and Lust Pattern. While both of those outlets lean towards the greyscale and robotic, Ambridge wanted to explore a more colorful palette with Modern Apartments, a livelier, looser sound.
The medium of film plays a major role here; Amb…
On And the birds sang…, Larry Stabbins revisits two of his deepest musical friendships, paring everything down to duets with Keith Tippett and Louis Moholo‑Moholo, where tenderness, ferocity and crooked song coexist in fiercely alive, small‑room intensity.
"After Aktor and Quietism last year, the Scotsman is in top form, churning out albums that are stunning in their intelligence and pop refinement. If Mannequin is so good, it's for three main reasons. The first is that Momus has returned from his experiments that saw him playing around with AI or composing K-pop songs. We welcome with delight his return to the basics of a pure and perfect pop characterised by a certain economy of means, a DIY ethos — a synth-pop hodgepodge that suits him perfectl…
Bo Harwood (1946–2022) was one of those behind-the-scenes figures of American independent cinema: a self-taught musician, composer, sound editor, sound mixer and songwriter.
Harwood started out as the lead singer and guitarist of a Southern California rock band before a chance meeting with John Cassavetes changed the course of his career. He scored his first feature, The Bach Train, in 1969, and later joined Husbands as an inexperienced assistant in the editing room. He gradually became Cassavet…
Broken Flag was never only a noise label. Never Say When, the compilation Gary Mundy assembled in 1987 as the imprint neared its end, is the evidence: ten tracks mapping a network that ran from Croydon to Udine, almost none of them behaving the way the label's reputation would predict.
Mundy founded Broken Flag in 1982, out of a bedroom in South London, alongside his own project Ramleh. Across the decade it issued early work by The New Blockaders, Consumer Electronics, Skullflower, Maurizio Bian…