Music from Germany

"This disc represents the outcome of an improvised concert from February 2000 featuring double bassist Peter Kowald, saxophonist Daunik Lazro, together with the voice of Annick Nozati. Having had to resort once more to Google Translate I apologise in advance for misunderstandings and mistranslations. Comparing the French to Google’s English I can recognise the correctness of it but suspect that the nuances of language have been overlooked. The liner notes start with Nozati saying that she does n…

*Packaged in a 6-panel digisleeve with 16-page booklet.* "Live In Brighton 1975" is the second album of a curated series of Can live concerts. Available in full for the first time on triple vinyl, double CD and digitally. Originally recorded on tape, this carefully restored live album comprises the entirety of the show in the format of a story with a beginning, middle and end, bringing CAN’s performance to life.

Rlw (aka Ralf Wehowsky ) whose work deals in the transformation of prerecorded sound material, the permutation of the senses and the metamorphosis of the sensitive, has been a proponent of long distance collaborations for decades, long before lockdown made this manner of working popular. This goes way back to his beginnings with Permutative Distortion or P16.D4 and the Selektion label. He is a strict and disciplined composer, a formal organizer of discernible objects.Tunnel presents five pieces …

The abrasive, epochal debut. Moebius and Roedelius push organ, guitar and homemade electronics through banks of effects into three untitled slabs of proto-ambient drift. Year zero for German electronic music, still startling fifty years on.

Nico’s iconic post-Velvets return to rock! As one critic memorably put it, when Nico spoke it was like coffin-lids creaking. When she sang it was like listening to ravens taking off 13 at a time. Nico was like nothing rock music had ever seen or heard before or since. In Paris in the seven year gap between the recording of The End and the release of Drama Of Exile, Nico appeared to be doing little more than feeding a heavy heroin habit. When she met Aura Records founder Aaron Sixx after a gig th…

“Kontraktion” and “Extruder” are the results of various tape-sessions by Conrad Schnitzler and Siegmar Fricke in Con’s former studio Leberstrasse in Berlin.The soundscapes on both records (produced in November 1986 and July 1987 with EMS-Synthi A, Korg MS 10 + MS 20 + delays) contain all the machinistic energy and infernal industrial sound-eruptions similar to Conrad’s first three albums “Schwarz”, “Rot” and “Blau” and to the rumbling train wheel rhythms of “Zug” (from the “Red Cassette” 1974). …

** 300 copies in a 4-panel laminated ecopak with two-sided insert. ** A collection of rare and deleted tracks by Troum taken from compilations; Vol. III (2003-2007) in a series that includes Symballein, (Part I, 1997-1999) and Syzygue (Part II, 1999-2002). Collected during autumn 2019 by Baraka[H]. Artwork based on a painting by Stefan Knappe.

An evening of free improvisation recorded in Berlin at au Topsi Pohl in 2020 from the Swedish trio of Euro Free Jazz legend Sven-Ake Johansson on drums, Niklas Fite on acoustic guitar and Joel Grip on double bass, performing two extended and dynamic improvisations, and then settling into jazz standard form for "Isn't It Romantic" and "Out of Nowhere" sung by by Johansson. The novelty and warmth of the songs aside, the serious work heard in Sets 1 & 2 of shows the trio in fine form, evolving thei…

"Much like their previous incarnation Maeror Tri, Troum are masters of the slow progression, be it in terms of intensity, volume, style, or all three, as in the case of this release. Sen, which consists of one hour-long track, begins quietly with delicate reverberations and soft metallic ringing: sonic architecture so subtle that one might not even notice the gradual accumulation of the duo's trademark sound. Troum's skill as artists in field of drones truly lies in their ability to craft them w…

678 records are proud to present an historical concert recording of the legendary ethnic kraut-jazz formation Pork Pie. It is difficult to define the music of Pork Pie. It ranges from rhythmic Jazz-rock and meditative Indian sounds to Brazilian songs, and from acoustic improvisations to electric “space” sounds. Paris, December 1973: Pork Pie was founded by piano player Jasper van 't Hof (then 27 years old) and guitarist Philip Catherine (then 31 years old). They had met up with Charlie Mariano, …

This date by the Globe Unity Orchestra featured pianist Alexander Von Schlippenbach, guitarist Derek Bailey, drummers Paul Lovens and Han Bennink, saxophonists Peter Brötzmann, Evan Parker, Rüdiger Carl, Gerd Dudek, and Michel Piz, bassist Peter Kowald, trumpeters Kenny Wheeler and Manfred Schoof , and trombonists Paul Rutherford and Günter Christmann -- a completely gone lineup at the height of Euro free jazz in 1974. To add to the drama, the band is joined by the Choir of the NDR Broadcast und…

All in all Mahlzeit is a collaborative release, but in a special way as some tracks were created by Ralf Wehowsky (of P16.D4 fame) using sounds by TITO and vice versa, but some were just done by one part of the project, assimilalting suggestions from the other part. It mixes electroacoustic composition, early electronic music and bizarre Kraut-era avantgarde.

Carsten Nicolai concludes Alva Noto’s UNI-prefixed release cycle with Unieqav, the 3rd and most dancefloor-focussed instalment of the series. The follow-up to Unitxt [2008] and Univrs [2011] pairs pendulous minimal techno and electro rhythms with wide, sheer electronic drones in a way that strongly recalls recent Monolake output as well as Ilpo Väisänen in full swang. Comparisons aside, though, it’s unmistakably Alva Noto.  Pursuing the project’s roots in the dancefloor of Tokyo’s UNIT club to a…

* small repress available*This special bundle collects the latest Be! Jazz / FMP vinyl represses, namely the following three LP: Globe Unity Orchestra and Guests "Pearl" (1977)Brötzmann / Oliver / Kellers feat. Manfred Schoof "In a State of Undress" (1989)I.C.P. Tentet "In Berlin" (1979)Globe Unity Orchestra and Guests "Pearl" (1977) **Edition of 200 copies.** For fans of European free jazz, Globe Unity Orchestra needs little introduction. The project is nothing short of legendary, carving a pat…

About the Con-Struct series: Conrad Schnitzler liked to embark on daily excursions through the sonic diversity of his synthesizers. Finding exceptional sounds with great regularity, he preserved them for use in combination with each other in subsequent live performances. He thus amassed a vast sound archive of his discoveries over time. When the m=minimal label in Berlin reissued two Conrad Schnitzler albums at the outset of the 2010s, label honcho Jens Strüver was granted access to this audio …

Before Camouflage: teenage demo tapes, 1984-86, from synth-pop craftsman Heiko Maile. Bedroom sequencers and bright melodic hooks capture a gifted talent forming, a charming, revealing document of German synth-pop in the making.

* 2021 Stock * A never earlier released duo recording that was played back in 1987 at Kassiopeia, Wuppertal brings these two great musicians and composers together for this unique and unforgettable session. The late great saxophonist Julian Hemphill and bassist Peter Kowald ate their peak

The common factor linking these recordings are projects that were never fully realized. The basic recordings started in 2005, however the period of reworking and transformation (2016 to 2017) is more important. All vocal parts and general revisions were done during this period. Agnosticism was the basic idea for the vocal/musical re-working of the pieces with the vocals implanted into the basic pieces, not just as simple overdubs, but inserted in a dialectical confrontation with the basic sounds…

* In process of stocking * Part 4 in the series of hydrophonic pieces, Seuchengebiete, by Asmus Tietchens  Seuchengebiete 4, the continuation of Asmus Tietchens’ almost legendary series of treated water sounds, consists of six Hydrophonies. The sonic palette ranges from deep gurgling bass pulses to fragile movements of showering bright particles. The overall mood is earnest, contemplative and dark. Seuchengebiete 4 is perhaps the ultimate soundtrack for our crises-ridden times.   Asmus Tietchens…

Faitiche releases an album version of the radio piece Vom Rohen und Gekochten (The Raw and The Cooked) originally composed and produced by Jan Jelinek for the state broadcaster SWR2. The album The Raw and The Cooked brings together five sound collages that deal with the consistency of material and its mutability.  Solid, raw, boiling, powdery, liquid, broken and folded - categories which describe the nature of material. They can also be read in a chronological sequence: solid becomes broken beco…