Music from Switzerland

*100 copies limited edition* Phil Durrant // amplified objects, electronicsJason Kahn // voiceMark Wastell // percussionCaius Williams // double bass Recorded on September 12, 2025 by Dave Hunt in London.Mix, mastering and cover design by Jason Kahn.

*2026 stock* Zimoun returns to 12k with Wind Dynamic Organ, One & Two, a pair of longform pieces created with the Wind Dynamic Organ (Prototype III), located in Bern, Switzerland. Zimoun spent many sessions over a few years exploring and recording the instrument and recounts: “I have had the wonderful opportunity to engage regularly and over a longer period with the ‘Wind-Dynamic Organ, Prototype III’—a truly outstanding and marvellous instrument developed by Daniel Glaus and his team. In contra…

*2026 stock* Swiss artist Zimoun had the honor and joy to spend time with a unique instrument, the Wind Dynamic Organ (Prototype III), located in Bern, Switzerland. He was given access to explore and record over the past few years. The result is two albums of material: a solo work of more pure and unmaniuplated sound titled Wind Dynamic Organ, One & Two (12k2061) and this, Wind Dynamic Organ, Deviations, on which he collaborates with Taylor Deupree. On this latter work they use the organ’s tones…

2014 flexi-disc by a member of the aktionist art/noise Schimpluch group released in Brasil by Estranhas Ocupações.

On his Clarinet Quintet, Jürg Frey stretches time until it feels almost weightless, using soft clarinet breaths and hushed strings to trace a slow, luminous drift where tiny inflections become whole landscapes of feeling.

“Deep Time” is a tape composition commissioned in 1991 by the Deep Listening Institute for Deep Listening Band. Fritz Hauser’s tape features recordings of sounding stones (manufactured by Arthur Schneiter) and various watches and clocks (thanks to the Bucher family in Switzerland for permission to record that family clock!). The performers improvise with the tape. On October 26, 1994 Pauline Oliveros, David Gamper, Urs Leimgruber and Fritz Hauser recorded 2 versions of Deep Time. Both of these 3…

On changing bodies, Thomas Peter treats the world as a resonant instrument, folding field recordings, objects and synths into five patiently mutating pieces where motion, texture and silence feel as physical as touch.

Seven compositions for solo instrument, duos and orchestra, by the Swiss composer, spanning from 1963 to 1979,released on Bärenreiter-Musicaphon's "Basler Komponisten / New Music From Basle" contemporary music series in 1979.

Spiritual works for singers, chorus and orchestra by the two Swiss composers, released on Da Camera Magna in 1973.

On Tectonic, Simon Berz turns drums, electronics and electronically manipulated Icelandic basalt into a roaming, 15‑year travelogue: club‑pressured rhythms, gamelan echoes and cavernous ambience formed with stones as both instrument and co‑author.

The score Dotolim was originally realized in 2009 and composed for the performance space Dotolim. The musicians, Jin Sangtae, founder of Dotolim, and Joonyong Choi also performed on the 2009 version of the score. While on tour through Asia in 2023, I spent two nights performing and recording in Seoul at Dotolim. My idea was to realize a new version of the score with the current generation of experimental musicians active in Seoul. And unlike for the first version where I worked with electronics,…

Pioneering Swiss trombonist and composer Andreas Tschopp marries contemporary jazz with South African horns and homemade ocarinas, creating a record quite unlike anything you've heard before. "What if We Align Our Breath" disregards the curvature of borders, genre, and time itself - tugging a thread through the history of wind instrumentation with ghostly agility. At the heart of the record lie spiralling, bonelike kudu (antelope) horns - instruments that have lent their stirring calls to indige…

“These performances, by Heinz Holliger and Marie-Lise Schüpbach, are simply astonishing in their fluency,” wrote UK magazine Gramophone of Holliger’s album Zwiegespräche, and the description applies with equal pertinence to con slancio, with its inspired and inspiring play of energies. The title piece, which opens the programme here, was written by the Swiss composer and nonpareil oboist as a tribute to musical partner Schüpbach: “Since I began playing in duo with Marie-Lise, I’ve been fascinate…

With Convergence, his second solo album, Swedish-born bassist Björn Meyer further develops music on the blueprint established with his recording Provenance (2017), making use of the technical potential of the bass guitar to establish striking sonorities and grained textures while also being acutely aware of the acoustic space in which his sounds emerge. In its review of Björn’s previous solo statement, London Jazz News found the bassist demonstrating “that melodic high-jinks and emotional intens…

Three 1979 compositions respectively for string quartet, chorus and cello solo, released on Wergo in 1979.

1971's apocalyptic oratorio for chorus, speaker, tape and grand orchestra backed with 1970's concerto for violin and orchestra, released on Wergo's great "Studio Reihe Neuer Musik" experimental music series in 1973. With insert.

2006 release ** Limited edition of 150 copies.

2015 release ** "Two works, Frey's third string quartet (2010-2014) and a piece for string quartet and two percussionists (2004-2006), with Quatuor Bozzini on each, assisted by Lee Ferguson and Christian Smith on the latter. I get the impression that if you half-listened to the string quartet, you might get the impression of stasis and self-similarity though nothing could be further from the truth. In his notes, Frey compares it to "the silence of a square, a room, a wall or a landscape" and tha…

Another Timbre presents five essential releases exploring the furthest reaches of contemporary composition and electroacoustic investigation. This special bundle brings together works that exist beyond conventional categories - music demanding patience, recalibrated listening, and willingness to encounter sound in its most essential states.   Jakob Ullmann - Solo I & Solo IV (at250)Marja Ahti - Visiting Cloud (Two Translations) (at247)Jürg Frey - Je laisse à la nuit son poids d'ombre (at249)Eldr…

How does music inhabit the space between two worlds? Jürg Frey confronts this question directly in Je laisse à la nuit son poids d'ombre, a composition for ten musicians that exists in deliberate suspension, refusing the security of solid ground. Commissioned by ensemble]h[iatus, the piece emerged from extended collaboration between composer and performers, particularly in navigating two specific challenges: the distinctive voice of Thomas Lehn's analogue synthesiser and the relationship between…