Music from United Kingdom

Orignal edition on Woof of the 1980 debut LP by experimental post-punk group with RIO connections featuring Henry Cow's Tim Hodgkinson and Catherine Jauniaux. With insert.

Rare 1979 unofficial re-issue with different cover of the 1970 very experimental and singular debut solo LP by Soft Machine drummer and vocalist. NWW list.

1983 re-issue as a double LP set on Virgin of Soft Machine's drummer and vocalist's two mid-1970's masterpieces of unclassifiable beautiful music only a drummer could do. Essential albums on the NWW list.

Original edition of the 1981 Italian compilation on Base Record collecting the beautiful early 1980's singles on Rough Trade, later re-issued worldwide as Nothing Can Stop Us with different cover.

Italian edition of the 1984 album compiling the beautiful Shipbuilding and Work In Progress EP's on Rough Trade.

Original UK edition of the 1981 political single on Rough Trade.

One-sided single on red vinyl with a previously unrreleased song composed by Charlie Haden included in the 1987 book on Wyatt published by Stampa Alternativa. No book.

Sniffin' Glue may have been the closest thing to perfection ever achieved by a magazine. Untroubled by the demands of owners, publishers, designers and production editors, it was a one-man enterprise that perfectly mirrored the spirit and manners of its subject matter - punk rock - by being intentionally amateurish, passionate and crude.Mark Perry’s first issue (1 of 12) set the tone for an exercise in kitchen-table publishing that did not even have a kitchen table. Boldly scrawled in his bedroo…

'May Spring Last a Lifetime’ is the first duo release from improvising tenor saxophonists Tom Challenger and Evan Parker. The album emerged after years of informal practice sessions; then, following two live performances, the duo recorded this session at Arco Barco in Ramsgate. The album is Evan Parker’s fifth appearance on the False Walls label. Evan: “Duo is the simplest form of group playing. And so it’s the simplest, the purest in a certain sense, and the most challenging. There’s nowhere to…

Tip! *120 copies limited edition* Our first personal contact with Bryn Jones was in 1995 when the Muslimgauze album "Silknoose" came out on my Daft Records label and the contact was always excellent. He knew that Eric, who did the mastering, and I loved his music since the beginning. Later on we planned a mini CD with 4 Muslimgauze / Sonar and 4 Sonar / Muslimgauze remixes so we exchanged some audio pieces to work with and to our great surprise Bryn sent us two DAT tapes with 16 remixes in total…

Tip. Teleportations is the debut solo LP by Dan Leavers (Danalogue), known for The Comet Is Coming and Soccer96. Conceived and performed entirely by him as a continuous, journey-like piece, the album transforms personal loss and upheaval into a warm, playful science-fiction voyage that moves through celestial ambience, kosmische shimmer, space disco, liquid jazz-funk and deep Detroit house. Sequenced as a single trip rather than separate songs, it invites listeners to join a self-styled “telepor…

"Cotton may expand folk’s raw emotions into more avant garde territories, but they still feel possessed by a blood-red muscle memory that goes back centuries." - The Quietus Alison Cotton’s fifth solo album is a mesmerizing weave of haunted atmospherics and avant-folk songcraft. Built around her viola, harmonium, and transportive vocals, the album moves between stark drone passages and more layered arrangements with piano, percussion, and synths. The Gods Laugh is a work of quiet, sublime intens…

On Lunng, Sam Slater weaponizes his own contradictions, crashing drone metal, brass bands, industrial folk opera and black‑metal flashbacks into a volatile, hyper‑emotional surge of sound that feels both deeply personal and magnificently unstable.

Who’s Gonna Buy? by The Lemon Dips is a shadow‑streaked 1969 relic of UK library psych, where fuzz garage, freakbeat hooks and eerie cues for film and TV collide into a strangely compelling, collector‑beloved ghost of the De Wolfe catalog.

*300 copies limited edition* There is a particular kind of strangeness that arrives on long drives across Europe. Flat light, service stations and fields stretching endlessly past the window. It might look mundane at first glance, but becomes faintly surreal when the tiredness of touring blurs the edges of everything. That feeling became the quiet engine behind Driving Through Belgium, the debut solo album from Anton Pearson, best known as one of the guitarists in respected post-punk outfit Squi…

Quartet Records presents its fifth newly recorded release of a classic film score, and its third devoted to the music of John Barry, following Séance on a Wet Afternoon and the three television films starring Katharine Hepburn. The unforgettable music of this five-time Oscar-winning composer continues to be celebrated around the world, and the impact of his innovative scores for dozens of films from the 1960s through the ’90s still reverberates today. The Ipcress File, directed by Sidney J. Furi…

On Oakland Coliseum, May 9, 1977, Pink Floyd deliver a legendary "In The Flesh" tour performance, working through Animals and Wish You Were Here before closing with "Careful With That Axe, Eugene" - the last time the band would ever play the explosive 1968 rarity together.

On Tearing Down The Coliseum Wall, Pink Floyd deliver The Wall in full at Nassau Coliseum on February 28, 1980, captured in a limited bootleg edition that documents one of rock's most elaborate spectacles during the album's brief, expensive first tour across three vinyl discs and Gerald Scarfe artwork.

On United For Live 8, Pink Floyd's classic lineup - David Gilmour, Roger Waters, Richard Wright and Nick Mason - reunite at Hyde Park on July 2, 2005 for a charged, twenty‑minute set that proves both redemptive and bittersweet, the first time in twenty‑four years and the last ever together.

On Rest In Peace: The Final Concert, Bauhaus capture their 1983 Hammersmith Palais swan song across two discs, delivering gothic rock's founding quartet - Peter Murphy, Daniel Ash, David J and Kevin Haskins - at their theatrical, darkly charged peak before dissolving into legend.