Music from United Kingdom

After leaving London in 1999 for the sleepy seaside retiree town of Weston-super-Mare, Coil co-founders John Balance and Peter “Sleazy” Christopherson set up shop in a palatial eight-bedroom estate to pursue the outer reaches of the group’s heightening cabalistic chemistry. Among the staggering string of late-era masterpieces they produced is lunar opus Musick To Play In The Dark, widely hailed as an artistic zenith upon its release. The sessions that birthed it were in fact so fruitful that a s…

*300 coipes limited edition* Since 2014 Gary Mundy of Ramleh has been releasing most of his solo work through Fourth Dimension Records. 'In the Guts of a Year' is his sixth such album for the label (not including a reissue of 2009's 'The Return' album, originally released as an LP by USA's Noiseville, and the reissues of the Broken Flag LPs 'Mobility' and 'Do Not' that are also presently in production) and brings together another six lengthy new cuts. Keeping in line with where his work has been…

Psychedelic visions, blackouts, and blinding lights reveal an unusual, sick, and feverish musicality. (…) Hospital-like beeps transmit a subtle uneasiness, as electrodes applied to the brain draw bewildering tracings. And while Athanasia represents the idea of immortality in Greek mythology, here the gods come back from the dead only to ensure us an existence nurtured by the freezing rays of a black sun. - Massimiliano Busti, Blow Up

Contains the full Opium Cabaret album plus an additional 40 minutes previously unreleased studio material. Housed in deluxe full colour digipack with new art by Santini.

Trippin’ Musik’ is Nurse With Wound’s most significant new dose in a while, collecting 3 epic discs of steeply psychedelic sonics that may well alter your breathing and heart rates and mental state. No tracklisting provided, play however tf you like.

A photographic essay by David Sylvian. A limited edition publication: 500 copies signed and numbered by the artist. 50 signed, unnumbered copies randomly distributed among the remaining edition.

"The Syd Barrett of the avant-jazz scene" - the comparison is inevitable, tragic, and apt. Mike Taylor, British jazz composer, pianist, songwriter, died tragically young, leaving just two albums and co-writes with Ginger Baker for Cream's Wheels of Fire to his name. A talent that burned bright and brief, gone before most people realized what they'd lost. Under the direction of Neil Ardley - himself a significant figure in British jazz composition - several performers who had worked with Taylor g…

"The three musicians seem to exchange and overlap tones, creating the feeling of a single and continuous arc extending, curving in space, a kind of bridge or thoroughfare outward." – Stuart Broomer (liner notes) Magda Mayas piano John Butcher tenor and soprano saxophones Tony Buck drums

"If this quartet most resembles a jazz band among these Berlin recordings, it might be in its speculative assembly. [...] It’s akin to a novel, Julio Cortazar’s Hopscotch, designed with multiple reading sequences, or Nanni Balestrini’s Tristano, in which the order of paragraphs is different in every single copy." – Stuart Broomer (liner notes) Liz Allbee trumpet John Butcher tenor and soprano saxophones Ignaz Schick turntables, sampler, electronics Marta Zapparoli tapes, reel to reel tape machin…

Tip! "Lehn and Robair are particularly well-matched. Lehn is a musician who came to electronics from the piano, while Robair’s resources include both electronics and percussion. Each matches readily with acoustics and circuitry and creates a remarkable bridge between the two with Butcher, whose saxophone playing can assume both percussion and oscillator-like characteristics." – Stuart Broomer (liner notes) John Butcher tenor and soprano saxophones Thomas Lehn analogue EMS Synthi AKS Gino Robair …

"… a kind of ideal duet, no imitation conversation but two simultaneous composers each repeatedly provoked and silenced, prodded and enchanted by the other…" – Stuart Broomer (liner notes) Sophie Agnel piano John Butcher tenor and soprano saxophones

"Improvised music at this level of concentration may touch the roots of human culture, the transformative power of the cave and the paintings of Lascaux and Altamira." – Stuart Broomer (liner notes) Burkhard Beins percussion John Butcher tenor and soprano saxophones Werner Dafeldecker double bass

*2022 stock* Ferial Confine is an early Andrew Chalk experimental, somewhat noise-based project. Meiosis was originally released as a cassette on Broken Flag in 1985. You can certainly hear the influence of The New Blockaders and, to some extent, Whitehouse (no shouting, though), but Meiosis is a fine example of what was 'in the air' for a small amount of people scattered around the world at the time. I think the thing that keeps a lot of this music so relevant is the purity and uncompromising n…

An abandoned silence. Dreams of drifting, living a fatefull solitude. Wrapped around a grey and foaming voice, reaping impulse and mass like forgotten beats. Lost to countless days and nights, rocks and soil, sand and stars, in the sadness of being standing apart. Remember the rising flame from time long ago, a sound thqat shook deeply from the bottim of a boiling ocean. On e voice of Mother Magma, formless lava fashioned a primeval landscape. Ash, smoke and seething seas, a red-hot avalanche ca…

"David Jackman’s music, both as Organum and under his given name, is typically characterized by repetition, brevity and a deadpan aloofness. He’s made plenty of extremely short (sometimes one-sided) 7” singles, albums containing multiple slight variations on a single piece, and albums of compositional (if not sonic) minimalism. It’s Jackman’s typical move to provide very little information beyond a word, or sometimes an image. Lately, he’s been predisposed to not even providing an image; just as…

Latest missive from the recent wave of D.Jackman releases. This one is sure to please fans of early Organum releases with it’s rolling churning drone industrial electronics. Again, music made by Jackman, in a world conceived by Jackman, sounding exactly like a part of this immense Jackman language. A new staggering piece to this immense ongoing project. A constant flow of wavesCold, light and flourescentCrystallise empty feelingsThe howling echoes of a foxSomewhere in a vast open plainAn asteroi…

In the birth of the universeTime stands still amidst a wild and untamable energyRadiant light bathes and purifies solid stone pillarsBoth ancient and modernWild vibrations touch our most innermost core and perceptionOrganum Electronics exists in the clear moment of the presentBut its mysterious compositions lay hidden in a timeless pastModulating oscillations mirror our most fundamental sense of beingAs though a living and breathing entity would Communicating with a life-force and language we ha…

Raven is the first new Organum album release since that of Sorrow in 2010 (Siren Records) and was recorded in 2017.For the realisation of Raven, Organum was comprised of David Jackman, Alan Jones, and Daisuke Suzuki.The first Organum 12-inch release 'Tower of Silence' (LAYLAH-1985) was a work of multi-layered bowed sound and scraping metallic objects, but there was an innate silence within this wall of noise - as Basho’s Haiku poem echos :“Deep silence, the shrill of cicadas, seeps into rocks.” …

"Devoting more than forty years to the painstaking development of an individual style doesn’t mean that British tenor saxophonist Evan Parker eschews new challenges and collaborations. Live is notable, however, because Parker manages, without altering his distinctive reed patterns, to seamlessly match his contributions to those of the Paris-based trio Marteau Rouge. And Parker does so without upsetting the perceptive strategies that members of the trio have developed during their years together.…

A momentous 2020 concert at London's Cafe OTO, presented in two discs, the 1st with label leader Jean-Marc Foussat in a solo improvisation on synth and voice, the 2nd in a trio with Daunik Lazro on tenor & baritone sax, and Evan Parker on soprano sax, the 2 saxophones weaving and responding to Foussat's remarkable alien soundscapes and vocalization in an immersive extended improvisation.