Music from United States

Donaueschingen, 17 October 1970, and Berlin, 7 November: Sun Ra's first German concerts, commissioned by Joachim-Ernst Berendt, with the Black Forest Myth written for the astrological moment and never played again. Berendt cut five hours of tape into…

CD eissue of Don Cherry's classic Eternal Rhythm Group, recorded at the Berlin Jazz Festival, 1968. An amazing line up of: Cherry (cornet, gender and saron [gamelan], flutes), Albert Mangelsdorff (trombone), Eje Thelin (trombone), Bernt Rosengren (te…

Big tip! Sixty years after the groundbreaking premiere of In C forever changed the course of contemporary music, Terry Riley celebrates the work's enduring legacy with a historic live recording captured at Kyoto's Unesco World Heritage site, Kiyomizu…

** 'Olive Drab' coloured vinyl with interior print, lyrics insert, and massive poster with unseen photos from the time. Digital download included. ** Hospital Productions has finally reissued the classic G.R. by Deathpile, the true crime album that s…

*150 copies limitede edition* Originally released by Umor Rex on cassette in 2018, Rafael Anton Irisarri’s Sirimiri is now available on vinyl for the first time, newly remastered for this edition. This LP marks the fourth and final installment in a s…

A double LP drawn from the Columbia recordings of Miles Davis with John Coltrane between 1955 and 1961, from So What to Someday My Prince Will Come, with Cannonball Adderley, Bill Evans, Wynton Kelly and Jimmy Cobb. First time on vinyl.

The 2000 Grammy-winning box of the complete Columbia recordings by Miles Davis with John Coltrane, 58 tracks from 1955 to 1961, reissued as six CDs in individually designed minijackets with a 116-page book.

The 2000 Grammy-winning box of the complete Columbia recordings by Miles Davis with John Coltrane, 58 tracks from 1955 to 1961, on vinyl for the first time outside Mosaic: nine LPs cut from the analog tapes, in a slipcase with a 60-page book.

Joe Henderson's quintet live at the Lighthouse in Hermosa Beach in 1970, with Woody Shaw, George Cables, Ron McClure, Tony Waters and Lenny White. Deluxe 3LP edition with five unreleased tracks and new liner notes.

Montreux, 7 July 1973: Gary Bartz brings the NTU Troop on stage as a quartet and plays the first half of the concert as one unbroken suite. Langston Hughes turned into song, alto and soprano over electric piano and bass. First vinyl edition since 197…

Stanley Cowell's only ECM album, recorded in 1972 with Stanley Clarke on bass and Jimmy Hopps on drums. Reissued in the Luminessence series, tip-on gatefold jacket with new liner notes by Ethan Iverson.

Ahmad Jamal's 1973 album for 20th Century, his first on electric piano, with an orchestra arranged by Richard Evans and versions of Superstition and The World Is A Ghetto. Verve Vault reissue, all-analog, 180 gram.

Rudolph Johnson's second album for Black Jazz, from 1973, with Kirk Lightsey, Kent Brinkley and Doug Sides: free, expressive playing in the wake of Coltrane, with little of the fusion of its time. Real Gone reissue on black vinyl.

Rudolph Johnson's 1971 debut for Black Jazz, a quartet date with John Barnes, Reggie Johnson and Raymond Pounds moving between bebop, soul jazz and Coltrane-like tenor. Real Gone reissue on black vinyl, remastered.

The 2018 debut by Chicago saxophonist Isaiah Collier with The Chosen Few, recorded when he was 20: 66 minutes of spiritual jazz after Coltrane, between gospel, free improvisation and heavy rhythm. Japanese edition.

Cage was in his late twenties, a Californian, who had served an unlikely apprenticeship under two of the century’s great opposites: Arnold Schoenberg, who thought him gifted but harmonically hopeless, is said to have called him “not a composer, but a…

Five minimalist pieces by Al Margolis' If, Bwana, built from baritone saxophone, alto clarinet, hammered dulcimer, cello, violin and voice, modulated and looped into cosmic soundscapes and drones. Limited to 400 copies.

Dariusz Wojtaś (Hati) recorded Tibetan bowls, field recordings and vintage reverb units in Toruń; Z'ev processed and mixed them in London into two long, shifting metallic drone pieces. A5 gatefold cover, limited to 350.

Two long ambient improvisations facing each other: a 2014 session by Chihei Hatakeyama and Hakobune in rural Japan, answered by zakè and From Overseas in a single take. 160g black vinyl, edition of 400.

Edition of 100 copies. Zach Cooper’s Hi Viz Cantaloupe feels true to the unlikely image in its name. It’s sticky, not-too-sweet, and has pronounced qualities that make it feel realer-than-real. Fans of Cooper’s previous work as ½ of King Garbage, as …