***restocked, very last copies** "2nd and final set from that legendary concert, here's a review i found on the net about part I: Unbelievable previously unreleased live electric Miles blow-out from January 1974: this is a mind-blower, with the electric group at an insane high energy over-amped peak. Not many live recordings exist from 1974, the same era as Dark Magus etc. Here Miles is paired with Dave Liebman, guitarist Pete Cosey, Reggie Lucas, Michael Henderson, Al Foster and Mtume and the f…
**restocked, very last copies** "two things make this record so special: it fills a void in Miles' discography as during this period he stayed away from the scene for a while and 2nd these unissued tracks have such an unique sound that you'll not hear anything like that on any other Miles Davis albums (here he plays mostly organ). so futuristic and ahead of it's time (as it'll probably be also in the next few years)." punzmann
Ultra-limited early Robert Turman archival release, Macro was originally going to be titled Roots, because it really goes back to what I was doing 40 years ago, just more modernized technique. I had always taken small snippets of tape and records, repeated them, slowed down, modified, and layered etc, Macro was all done on the computer. I'd been thinking about how in the old days, pop songs were always between two and three minutes long. Most of my music has always been longer extended pie…
Saltern returns with a gorgeous new recording of Morton Feldman's Clarinet and String Quartet (1983) performed by Anthony Burr (clarinet), Graeme Jennings (violin), Gascia Ouzounian (violin), Che-Yen Chen (viola) and Charles Curtis (cello). This performance highlights Feldman's interest in notation by treating the slight differences in intonation and rhythm literally and specifically. Recorded by Tom Erbe in the living room of a friend of the musicians. Edition of 400. Housed in jackets print…
Edition of 200 copies. Screen printed heavy duty white Polarizer jacket. Each record includes a signed/#'d screen print and blank, white, Polarizer cassettes. By purchasing Polarizer the buyer agrees not to reproduce any part of Polarizer digitally but unlimited analog duplication is allowed and white Polarizer cassette tapes are included to encourage duplication.
Eleh's Polarizer is a two part series focused on the instant reality of the analog world.
In honor of groundbreaking American composer Terry Riley’s 80th birthday, Nonesuch Records releases One Earth, One People, One Love: Kronos Plays Terry Riley—a five-disc box set of four albums of his work composed for, and performed by, his longtime friends and champions Kronos Quartet—on June 23, 2015, in North America and July 10 for the rest of the world. Riley and Kronos met more than 35 years ago, and since then, the quartet has commissioned 27 works from him, more than from any other compo…
Homemade noise made by, among others, Philip Corner, Max Neuhaus, Steve Reich, James Tenney, Malcolm Goldstein, Jackson Mac Low, Dick Higgins, Alison Knowles, Carolee Schneemann, Jerome Rothenberg... the Technicians of the Sacred. Gift Event III: A Celebration for poets, musicians, and dancers, based on the orders of the Seneca Indian Eagle Dance and performed at the Judson Dance Theatre, Judson Memorial Church, New York City, March 21 and 22, 1967. A part of the Spring Happenings.
The legandary…
2013 release. No-Neck Blues Band member Pat Murano's work as Decimus has been a prodigious endeavor to dissolve the ego and conventional notions of form from the creation of music. Decimus 10 continues Murano's rigorous yet freewheeling cavalcade of bizarre sound events that baffle and beguile in equal measure. The 21-minute A-side is a fungal, fractured, dream-fever soundtrack that makes the Italian horror-flick scores of Goblin sound like Danny Elfman hackwork. Seemingly recorded in the sam…
Spherical collections of stars form around black holes in situ; that is, locally to their cosmic neighbourhoods. It is said that future space colonization will rely on sourcing supplies in situ. Construction in situ uses raw materials at the site: colossal sculptures such as Naqsh-e Rustam, the Leshan Giant Buddha and Mount Rushmore were built in this fashion. Wild, organic machine grooves, with a mind’s eye on naked treetops and an early sunset. Melody breathes out from dubwise fx, percussion b…
"A single sound by itself is neither musical nor not musical. It is simply a sound. And no matter what kind of a sound it is, it can become musical by taking its place in a piece of music. This point of view requires some adjustment of the definition of music which was given by my Aunt Phoebe. She hadsaid that music was made up of melody, harmony, and rhythm. Music now seemed to me to be the organisation of sound, organisation by any means of any sounds. This definition has the advantage …
2010 release. In 1977, Max Neuhaus turned a triangle of pedestrian space between 45th and 46th Streets in Times Square into an island of harmonic sound. The rich textures of that sound continue today, emanating from beneath the sidewalk grating, to anonymously reach an individual’s ears as if one has stumbled upon a secret. Known as Times Square, the celebrated installation was restored in 2002 with support from Dia Art Foundation, which further commissioned a site-specific piece, Time Piece Bea…
Max Neuhaus’ Program Notes records the aphoristic statements of the innovative sound artist as he redefined the boundaries of his new audio practice. Seeking to eschew the “small area music [had] been concentrating on for the past several hundred years,” Neuhaus consciously relocated his work in the late ‘60s to what he deemed “the realm of space” as opposed to that of time—choosing to present his music in public and communal settings, decidedly outside of the “proscenium situation.” This…
s, housed in a gatefold sleeve. "Volume 3 contains three albums sides which include Jackson C. Frank's demos for his unreleased second album, Marlene and his final recordings from 1997, which were to be part of a new record before his passing in 1999
s, housed in a gatefold sleeve. "Volume 2 contains Jackson's first recordings from 1957, the 'Blues Run The Game' 45 from 1965, his 1968 Peel Sessions and studio recordings from 1970, 1972 and 1974. Contains fourteen songs never before released in any form
**shipping on Friday** First of three double LP versions, housed in a gatefold sleeve. "While Jackson C. Frank's eponymous 1965 album and other material has enjoyed numerous official and unofficial reissues, Jackson C Frank: The Complete Recordings is the first to compile his entire recording career. Released in conjunction with Jim Abbott's book, Jackson C. Frank: The Clear Hard Light of Genius. Every song has been mastered or remastered, a number of them straight from the original, brittle…
A lenghty composition for four pianos by two legendary composers, African-American Julius Eastman, and Polish minimalist Tomasz Sikorski, here performed by Emilia Sitarz, Bartek WÄ…sik, Joanna Duda and Mischa KozÅ‚owski, and it's absolutely amazing for its strange combination of frivolity and darkness. It sounds light and repetitive, with phrases that move like long grass in the wind, almost dancing and joyful, only to come down again in dark rumbling chords full of dread and ill omen. As …
Four works by Alvin Lucier, Carbon Copies, Risonanza, Music for Pure Waves, Bass Drums and Acoustic Pendulums and Broken Line, performed by the Berlin-based Trio Nexus.
"No free music here but probably the most lyrical, warm, melanchonic and sophisticated playing by Mr. Brown, unreleased stuff recorded at the legendary Funkhaus, live!" ~Punzmann. Marion Brown - alto sax, Brandon K. Ross - guitar, Jack Gregg - bass, Steve McCraven - drums. Limited to 30 copies only with paste-on cover, so order fast!
2015 repress. Exact repro reissue on 180 gram vinyl. "The music on the record gives a strong indication of the willingness to experiment, the desire to take changes. You will hear young voices new to the test alongside the experience magnificence of Sun Ra and John Gillmore, the unsung tenor giant who has earned the praises of John Coltrane and Sonny Rollins, and if that isn't peer group recognition of the highest sort, I don't know what is. There's plenty of safe records all around you. But if …
One of those records that keeps cropping up on Greatest Albums of All Time lists, and one whose historical significance can’t be denied — the crazy rhythms, the spirit of unconstrained innovation - and it's pure listening pleasure. "Thought by many to be among the most revolutionary albums in jazz history, Miles Davis' Bitches Brew solidified the genre known as jazz-rock fusion. The original double LP included only six cuts and featured up to 12 musicians at any given time, some of whom were alr…