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Castles in Space are thrilled to present this deluxe special edition of the second Warrington Runcorn New Town Development Plan album, "People & Industry". Originally released in September 2021, this is a beautiful new edition featuring four bonus tracks on a second 12"disc which have never been released on vinyl before.
“It’s been amazing to revisit this album”, says Gordon Chapman-Fox. “It’s one that people didn't get chance to hear, and it was overlooked following the success of the debut alb…
*30 copies limited edition*
The CDr is contained in a black cardboard envelope measuring 13x13 cm. about (250 grams thick) with a 3x13,50 cm sticker on the front. The CDr has a small sticker, and inside the envelope there is a photocopied insert in the format of a mini poster of the dimensions of 22x33cm. open and 11x11 cm. closed, approximately (paper 80 gr. thick). Inside there is also a 12x12 cm. insert (200 grams thick) that reproduces in front and back two collages of M.B.
*42 copies limited edition*
Handmade packaging.The CDr is contained in a 14x20 cm embossed black cardboard envelope. A sticker is attached to the envelope.A small caution/danger sign printed on PVC is in turn attached to the sticker.Inside the envelope are:- a printed CDr- a full-color tri-fold cover- a bookmark- a sticker- a printed front and back page of Les Chants De Maldoror by Le Comte De Lautréamont. The front features the original title page from the first printing of the work, while the …
*30 copies limited edition*
The CDr is contained in a black cardboard envelope measuring 13x13 cm. about (250 grams thick) with a 10x10 cm sticker on the front. The CDr has a small sticker, and inside the envelope there is a printed bi-folded of 12x24 cm. open and 12x12 cm. closed, approximately (paper 120 gr. thick).
Subtitle: Exasperating sonata in three dissections for enharmonic pianoforte, industrial oscillations and digital emissions.
*36 copies limited edition*
Handmade packaging.The CD-R is contained in a 14x20 cm embossed beige cardboard envelope. A sticker is attached to the envelope.The envelope has a hole closed with two pieces of black satin ribbon holding a little bell in silver or gold metal.There are two editions of 18 copies each one: 18 have the silver bell and 18 copies have the gold bell.Inside the envelope are:- a plastic envelope containing the black vinyl-like polycarbonate CD-R. The CD-R is printed- 2 insert…
At the turn of the millenium the original „Astral Disaster“ subcription-only vinyl release was somewhat of an Unholy Grail for Coil collectors!
Virtually unobtainable in its original fiercely limited format of only 99 copies, it is the only album apart from the original „Musick to play in the Dark“ record to combine the genius of Balance and Sleazy with both Drew McDowall and Thighpaulsandra's talents. Like „Musick“ it is an essentially tidal/lunar record with literal washes of sound enveloping …
New Item is the debut album of Italonesian duo Arcibanda, composed of producers and musicians Roberto Chiurazzi and Kevin Silalahi (BAPAK, whoosah). With a unique attention to, and allure for, band-oriented approaches to digi-organic sound design and composition, the pair delivers nine tracks of pure, outbursting instrumental joy, traversing diverse constellations of sonic references and shifting across eras in ways that never feel tacky, as expert masters of their craft. Drawing inspiration fro…
“For the heads”. A pliable phrase to the point of cliché, but also one that happens to be particularly apt for Misha Hering’s debut LP under his own name, Cn[x]. The deep, exploratory music on Cn[x] was recorded in the aftermath of a heavy concussion that left Hering unable to do his day job as sound engineer at Holy Mountain studio on east London’s Hackney Road. With time to fill and daunting cognitive rehabilitation to complete, Hering returned to music making after a long absence.
Cn[x] refer…
“Över mitt ögas dag” by composer Lisa Stenberg and poet David Zimmerman is a collaborative text and sound work in which both past and future are constantly gravitating towards the present – a “now” as raging as it is inept.
The glacial electronics of Lisa Stenberg slowly grinds through both David Zimmerman’s lyrical segments and the adapted fragments of Vilhelm Ekelund’s ancient grave epigrams, all the while lamenting;
Nej / inga klockor märker ut / döda längre För allt är onödigt, en avsägelse
…
Ç (pronounced “cédilla”) is the name of a duo consisting of Italian-American audiovisual and performance artist Luciano Chessa and French multi-instrumentalist and sound explorer squncr (François Larini). It is also the title of their first, self-titled album, a scintillating collection of sound art, oddball orchestral movements and beautiful oeuvres électroniques. Each track unfolds with eerie precision, opening wide meditative sceneries. Ç was recorded in Monaco during Chessa's one-year artist…
Laure Boer & Franz Wrakhowitch did again. They left our lands, for being Édition d’Art, their free-floating project with no logic. This time harvesting industrialised drones, tones, n zones, where rhythm, melody, and the idea of musical form gets challenged. Some say, they say, that the album's concept was to create cut-ups from tea bag sayings, just to poke some fun at the effective and comforting healing of the soul. If “Déploiement de l’immuable” can heal, is yet to be decided. It can steal. …
*150 copies limited edition* On the website fancymoon.com, CON himself describes 'Windmills' as Electro Cosmic Metal Industrial. It comprises 33 tracks and represents a continuous body of electronic music. The album was recorded and performed in the same vein as 'III Kugeln', serving as its predecessor, and is made up of four “solo electric pieces”: Sack, Turbine, Raumknoten, and Fenster. As FdW noted in his review of 'III Kugeln', this is not ambient, not dance music, not musique concrète, not …
*150 copies limited edition* The music on 'Upwards' is constantly surprising and as always, it's expansive and incredibly captivating. The work comprises 19 "electric miniature" compositions, and one could say they all lead nowhere – and this is true, because CON has always valued the journey itself rather than the destination. It is intensely rich and beautifully remastered by Guillermo Pizarro at Vitória Régia Studios.
First studio meeting between two figures long circling each other in the Dutch experimental scene. The structure is itself a kind of mirror: Spiegeling is Machinefabriek's remix of Orphax's De Eerste Dag, Reflectie is Orphax's twenty-minute remix of Machinefabriek's 2007 piece Stofstuk, and the title track is the only fully joint composition. Long-form drone built through indirect dialogue, with each signature still audible but inflected by the other.
Ali O’May and Frazer Brown met in early 2018 at an Electronic Music Open Mic in Edinburgh and quickly discovered a shared musical sensibility. Ali later gave Frazer a USB of stems from his extensive modular system; over summer and autumn 2019 Frazer used about a dozen of those stems to shape tracks across techno, lo‑fi, breaks, acid house and ambient. This collaborative process—Ali supplying raw modular material and Frazer instinctively arranging and producing it—became the Dohnavúr method, driv…
On My Degeneration: Electronics 1974-1983, Pascal Comelade emerges not as the toy‑instrument miniaturist of later years but as a solitary electronics alchemist, charting a decade of raw, laboratory‑grade synth experiments that stretch from kosmische drift to fractured proto‑industrial pulse.
*150 copies limited edition* "Nusa" is the last part of a trilogy started in 2020 with Masao Yamamoto and Akira Uchida. A project that began with light (“Sasanami”, 2020), moved through darkness (“Kurayami”, 2023), and returned to the ambivalence of the two (“Nusa”, 2026), which ultimately sustain and complement one another in all their variations and complementarities. Both in terms of tones and in the humanity that runs through us in these times of such stark contrast. For this last part of th…
One of 12k’s most endearing artists is back with a new album. From Argentina, Federico Durand presents La Manzana Mágica, an album in signature Federico style inspired by his collection of Cinderlla stamps, in a way only Federico could do. Named after the folk-tale heroine, Cinderellas, throughout the last century, were considered inferior to official postage stamps, but became a sought-after collector’s item. There are some pieces whose origin, circulation context, or illustrator’s name are unk…
On Closed For The Festival, MIDI Janitor turns childhood memories of a Donegal Christian commune into warped, luminous hauntology: junkyard beats, dream‑logic electronics and uncanny “thin places” where pastoral bliss slips into quietly sinister wonder.