Plastic Love
*40 copies limited edition. 2022 stock* Can noise be romantic? Is it true that high volume sound helps to meditate? Can noise music be highly emocional? Will density make us float? It is these and others questions that Peak Bleak propose to answer in “Plastic Love”. Created from electric emanations, from three transformers captured with an electromagnetic pickup, modulated and reworked in real time in Desterro’s basement. Roughness, feedbacks and hauntings from fragmented melodies. Ephemeral noi…
Atrocity Decay
*50 copies limited edition* 'Hailing from Bristol (UK) The Savage Morality introduce themselves as a ‘collective of Industrial anarchists born from the ashes of the cassette underground.’ They already have several works and are now back with this new album featuring ten tracks. The first part of the album is clearly driven by good-old Industrial elements getting the listener back to the 80s. The tracks are mainly carried by strong Industrial percussion mixed with dark sounds and noises. You’ll n…
Aldan
*2022 stock* These are images of a dark and cold Siberia engraved in the memory of a child. It is about a high mountain where the snow never melts, about empty streets, about an exploited mighty nature, abandoned with its guts spilling out. It is about a shattered nuclear plant, and black mornings when the freezing air stings the skin with its chilly needles. Landscapes that the child observes quietly, within a very slow motion of time, on which children hover.
Things That May Not Be Connected
Enigmatic musician David Wesley Sutton, better known under his LXV alias, joins Warm Winters Ltd. with a pair of process-oriented pieces. Both revolve around very short samples played through various different devices, which allowed Sutton to reconfigure them in a live “playing” kind of environment. Rather than endlessly repetitious, these loops are like amorphous forms, constantly shifting, evolving, always drawing your attention to a different moment within their short duration. The title “Thi…
Winter War
2022 Stock. In process of stocking. Petrozavodsk is a dub-metal trio based in Moscow and Barcelona. The sound of their debut combines venomous guitar chords, ultra-heavy bass frequencies, and mind-numbing primitive drums with dub effects on the snare and the hi-hat. Side A, “Winter” is slow-churning dubbed-out drone metal, with feedbacking jet-engine guitar lines that at times sound closer to Ellen Fullman than metal riffs. Caveman drums on side B, “War” possess a tribal feel, and are punctuated…
All Auspices
*2022 stock. 40 copies limited release* "In the Spring of 2021 we were finally able to travel outside of 5km from home. To take much needed breaks from being in the city, my colleague and I would drive to the seaside, choosing a new beach, a new town each trip as we were both foreigners in a new city, observers to the landscape. Walking and listening, we would take in the fresh air, the smell of saltwater, the call of gulls, and the drone of the ocean. The field recordings on this album are fro…
Elegie
*2022 Stock. In process of stocking.* This cassette is the first installment in the label's Death Series, and it is, indeed, a eulogy. Italian artist and media anthropologist currently residing in Bergen, Norway. Gabriele de Seta (Naturalismo) has recorded three beautiful compositions for Zev Asher, Aube, and Zbigniew Karkowski respectively.
“I’ve worked on these pieces from around 6 years ago. Mostly as turning points, trying out new things & compositional approaches, and realized I was basical…
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*In process of stocking* Tanzprocesz presents the new Rirette self titled EP. Baroque electricity & laser gregorian chants, sound surveillance & futuristic raised fists. The dream soundtrack of a dystopian fiction.
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*In process of stocking*Tanzprocesz presents Patrick Lombe self titled new EP. Back in solo after a neverending wait. Forbidden manipulations, secret guitars and vocal shamanism, years of mental fabrication finally in your hands
Kyo Mu / Hochtöner
Tip! ‘Kyo Mu’ and ‘Hochtöner’ both reveal a mesmerizing symbiosis of innovative sound exploration and visionary interior music, a sublime compound of fine-drawn intricate arrangements skillfully projected in space and time, or perhaps beyond space and time. Johannes Fritsch (1941–2010) was an award-winning composer, musician, publisher, studio owner, author and music teacher. He studied viola and composition with Bernd Alois Zimmermann and was member of the Stockhausen Ensemble from 1964 to 1970…
Revolve
*Limited edition of 555 copies.* "Revolve" is the fourth collaborative project between DiN label boss Ian Boddy and the acclaimed Norwegian composer and guitarist Erik Wøllo. Their previous two studio albums "Frontiers" and "Meridian" were both very well received. They also played live together at the Electronic Circus Festival V and released this performance as the digital album "EC12". As with their other work together "Revolve" is a continuous sonic journey, with the tracks joined together by…
Of Which One Knows
Of Which One Knows is a collection of works by Natalie Beridze that sit outside the easy categorisation of ‘al-bum’. They are of course, an album, but they are more than that, in that they represent a kind of multiplicity in sound, an accumulation of experience, of emotion, of life, transposed into sound. It is only together that the stories that sit between them might start to be assembled. Spanning a decade and a half, these works chart a trajectory of investigation and curiosity that charts t…
Singles
Finland’s Sasu Ripatti aka Vladislav Delay has been responsible for some of the most radically positioned rhythmic electronic music of the past few decades. His willingness to abandon mea-sured and progression senses of repetition in favour of multi-layered unfolding pulses has become a touchstone for a new sensing of time. In a similar way, Norwegian guitarist Eivind Aarset has reappraised the harmonic and timbral ca-pacities of his chosen instrument, the guitar, and unlocked new perspectives o…
Deafened By The Noise Of Time
Pierce Warnecke’s work springs forth from the nexus of sound and vision. With Deafened By The Noise Of Time, he undertakes a deep interrogation of sound, which mirrors many of his approaches to visual ma-terials. Seeking to test how elements of music are altered through interference and deterioration, he uses a range of methods to reveal new densities, timbres and melodies from within his original source materi-als . Rather than becoming fragmented or overtly degraded though, Warknecke’s work on…
Spectral
Madeleine Cocolas’s Spectral is a reimagining of the familiar. It is an attentiveness to the inciden-tal, and a reaching out towards the unheard. Taking these acoustic microcosms as a source of focus, she unpacks these transient flickers and memories, and repositions them; exploding them outward and shifting perspective. Spectral, celebrates the shadows of melody and the after-thoughts of rhythm. It breaths with a sense of calculated intensity that reflects on Cocolas’s focus throughout the proc…
Too Ne
Yui Onodera’s work is patient. He invites a sense of dwelling with his pieces, an encouragement to pause and to allow sound to swell up around you. On Too Ne, he charts out a very specific sonic exploration. Across these five works he creates a lilting passage of sound, a liouidous flow that confirms the adage of Ambient music existing as constant, but never solid. Too Ne also invites a sensing of the self, in that the works ask us to examine our own memories as a way to unlocking a deeper reson…
Everything Wrong is Right
*In process of stocking* Imperfect Stranger is the pseudonym of Glasgow based soundtrack composer and producer Kenny Inglis. “Everything Wrong is Right” is his debut solo album for Castles in Space.
In early 2020, Kenny made a return to focusing on his own music under the pseudonym Imperfect Stranger. A tweet from Colin Morrison from Castles In Space regarding a charity compilation album 'The Isolation Tapes' caught his eye. Kenny had made a start on his debut album as Imperfect Stranger and su…
A Group for Experimental Music
In the mid 1960’s, there was a collective of contemporary musicians in Osaka, called Art Zyklus. Because Hajime Yamashita, one of the core members, had sold a part of his privately stored sound source over the Internet, the whole picture of amazing and completely unknown activities was revealed. The release compiled works created by Art Zyklus as well as Yamashita. Worth mentioning is that ‘Music for Electric Metronomes’ by Toshi Ichiyanagi was premiered in Japan. Apart from that, the fact that …
Newfoundout
*In process of stocking. 2022 stock* 'Over the last decade, Toronto-based composer Nick Storring has become well known for his unique, painstaking compositional style of layering performances on a plethora of objects and musical/electro-mechanical instruments to deeply moving effect. ‘Newfoundout’, his seventh album, follows last year’s lush and nocturnal ‘My Magic Dreams Have Lost Their Spell’ (Orange Milk Records) with more rhythmical material and an almost theatrical, phantasmal sensibility. …
Image Langage
*In process of stocking* 'Felicia Atkinson’s music always puts the listener somewhere in particular. There are two categories of place that are important to Image Language: the house and the landscape. Inside and outside, different ways of orienting a body towards the world. They are in dialogue, insofar as in the places Atkinson made this record—Leman Lake, during a residency at La Becque in Switzerland, and at her home on the wild coast of Normandy—the landscape is what is waiting for you when…