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Second installment in a reissue programme for this excellent UK band. C Cat Trance were formed by multi instrumentalist John Rees Lewis after his departure from Medium Medium, taking the band's drummer Nigel Kingston Stone with him. The band are seen as members of the post-punk movement, but that's not all that is to say about their sound.
C Cat Trance incorporated ethnic music into their compositions before world music became a popular genre. Their influences come mainly from Northern Africa an…
CD digipack. From Mille Plateaux to Leaf, Staubgold, and Raster-Noton, ~scape, among others, or on his own label Ripatti, the Finnish artist Sasu Ripatti, aka Vladislav Delay, has been exploring various iterations of the "dub culture vs. electronica", since 1997. His sonic crafts and unique signature sound have been sought after by an eclectic range of bands and artists, ranging from Massive Attack, Hauschka, Black Dice, Autopoieses, Animal Collective, or AGF. Vladislav Delay met Sly Dunbar and …
**200 copies** Studies / Studien / Etudes' is a collection of pieces on synth by Rotterdam-based artist Joost M. de Jong jr., inspired by the first wave of Krautrock, Wendy Carlos and straight-to-VHS soundtracks. His music is both abstract and melodic, playful and austere, highly experimental and endlessly replayable... TEXT ↓ It turns out that ‘Joost M. de Jong, Jr.’ is just one of the incarnations, in name and character, of the man sitting in front of me. As a person, he is apologetic about…
Vestals is the avatar of Los Angeles based artist Lisa McGee, whose debut album Forever Falling Toward the Sky was released by Root Strata in 2012. She has also discreetly operated in U.S. underground music for the last decade as a member of the dream-drone duo Higuma with Evan Caminiti, while making vocal contributions to acclaimed albums by Jefre Cantu Ledesma and Sarah Davachi. McGee is the sole producer and performer on her sophomore effort, Holy Origin. Since her last offering she has evol…
NYZ on the recording: "The Buchla 100 experimental session begins with a documentary recording of the noise generators. Something I find endlessly fascinating is listening to different noise sources, so I always feel compelled to record them. The remaining tracks are sequenced by my MANIAC Cellular Automata sequencer. First up are three little sequenced ditties that also incorporate the ARP 2600 modular interconnected to the Buchla 100. After this is an ultra-minimal setup using MANIAC and the m…
**2020 stock** Chance combinations, accidental themes, chaos in general—these are the musical modes that Tod Dockstader uses in composing electronic pieces. Blending oscillating electronic sounds with natural sounds is like being "confronted with a potential orchestra of thousands of instruments," he says, and the task becomes one of "improvising."
This CD is a custom made copy from Smithsonian Folkways collection. Every effort has been made to preserve its historical and aural integrity. The or…
**2020 stock** This 1974 recording by electro-acoustic music composer Jon Appleton is designed to take the listener to different musical landscapes. Appleton notes differences in context that will make the music more and less effective (“not everything I intended will be heard by the listener because no two listeners share the same aural experiences…because we are continually expanding our aural vocabulary, the sounds used assume a different significance as time passes”). Liner notes contain a b…
**2020 stock** This 1979 record is a five-movement composition for large chamber orchestra by David Cope. First presented by the Santa Cruz Chamber Symphony in 1978, the work attempts to demonstrate the relationships between sound and physical space and to translate them to recorded sound as well as performance. The tapes in the piece were composed at Stanford’s Artificial Intelligence Laboratory and were “spliced” digitally rather than physically. Liner notes contain drawings of the way that Co…
**2020 stock** Israeli Electroacoustic Music collects the works of six musicians from varied backgrounds, all recognized for their musical activity in electronic music and in Israel at the time of the album’s recording in 1981. These composers exemplify atonal 20th century music and musique concrete in a mixture of acoustic and electronic instrumentation, ranging from album producer Robin Julian Heifetz’s dark and frantic A Clear and Present Danger (which “attempts to symbolize the fear of a mot…
**2020 stock** Turkish-born musician and composer Ilhan Mimaroglu worked extensively with electronic (tape) music. The two programmatic pieces paired here are "To Kill a Sunrise," a dirge subtitled "Requiem for Those Shot in the Back" with words borrowed from a poem by Guatemalan guerilla poet Marco Antonio Flores, composed in Columbia-Princeton Electronic Music Center (New-York, N.Y., 1974). And "La Ruche" composed at Groupe de Recherches Musicales (Paris, France, 1968) an experiment of reminis…
**2020 stock** This 1976 Folkways release by David Cope presents modern music based on Cope’s intensive research into—and respect for—Navajo ceremonies, and Navajo music in particular. Ranging from pieces for large chamber ensemble to a work scored for a single performer, the four compositions are unique interpretations of Native American Indian myths and culture. The liner notes include detailed explanations of the inspiration, organization, and arrangement of each of these complex works.
This …
**Released in a limited edition of 500 numbered copies** A compilation of live recordings specially released for a Die Stadt label night feat. Released in conjunction with a live performance on the 29. April 2012 on the MS Stubnitz in Bremen.
Initial copies were given away for free to ticket holders on the night of the concert.
Track listing:
1. Ditterich Von Euler-Donnersperg - Die Schnarrmaus Des Kleinen Fritz 5:372. Asmus Tietchens - L10RA 11:033. Thomas Köner - Le Bateau Ivre 3:48
This bundle gathers together the four recently issued Vanity Records Box Sets, and includes 27 CDs in total:Various - Vanity Records 'Music, Tapes & Demos' (11CD Box)Various - Vanity Records 'Demos' (6CD Box)Various - The Vanity Box Vol. 1 (5CD Box)Tolerance - Vanity (5CD Box)Here's details about the contents of each box-set:Various - Vanity Records 'Music, Tapes & Demos' (11CD Box)CD-1 & CD-2 Various - Music 1 & 2Music (or Musik) was a compilation originally released in 1981 as a double vinyl b…
The Vanity Box Vol. 1 present an anthology of releases by legendary Japanese DIY label Vanity, active in the late '70s and early '80s. The box includes 5 CDs which offer the following contents:CD-1 R.N.A. Organism - R.N.A. Organism Meets P.O.P.O.(Vanity 0006, originally released in 1980)This is the only album by the anonymous unit, R.N.A. Organism. The album is based on a cassette tape which was airmailed from London. It also happens to be the first group produced by Kaoru Sato of EP-4. R.N.A. O…
This box-set collects a series of recordings recently discovered in Agi Yuzuru's archives and never released before. It offers further insights about legendary Japanese cult DIY label Vanity Records and some of their groups. The box-set includes the following contents:CD-1 Densei Kwan - P' (unpublished)An unpublished album from the cassette tapes owned by Aki Joe. The Densei Kwan's crashing style of Pocket Planetaria (CD-5) recurs in a more intense form with increased compositional power. An alb…
As per title, The Vanity Records 'Music, Tapes & Demos' box-set features a selection of releases culled from the catalogue of legendary Japanese cult DIY label Vanity Records, along with never before released demos recently discovered in Agi Yuzuru's archives. The box includes 11 CDs which offer the following contents:CD-1 & CD-2 Various - Music 1 & 2Music (or Musik) was a compilation originally released in 1981 as a double vinyl box. It is a selection of thirteen artists’ tracks that were chose…
Fantastic debut LP from France's pioneer avant-electronic unit, Art & Technique. Clima-X was originally released in 1981 by Hi-Tech Records. Haunting obscure minimal electronic sounds, ambient and atmospheric ventures, minimal wave with some ethnic elements. And excellent use of rhythm boxes, sound generators and strange vocals, reminiscent of 23 Skidoo's "7 Songs", early Muslimgauze or O Yuki Conjugate's sound.
**Edition of 250** Music nowadays is a crime. The whole dark art consisting in whether the composer opts for death by suffocation (maximalism) or death by strangulation (the perennially fashionable anti-fashion that is minimalism). Jon Doe One’s debut record, Small Numbers, involved layer after layer of obsessive construction. Faced with its delirious palimpsest of rhythm and sound, listeners — those curious lost souls, I count myself amongst their ranks, alas — had no choice but to gag on the e…
**Limited edition of 500 copies on heavy clear vinyl in clear plastic cover** Based around digital lock grooves this work by Digital Terrestrial is also observed by composers like Steve Reich (Minimalist/Systems music) and will eventually be performed by a String Quartet. It could be thought of more as a piece of conceptual art rather than just a piece of music. This vinyl only release could well be described as 'a lock groove record without the lock grooves...'. Playing time over 38 minutes.
I…
Leaving the rigid beats behind this time, Richard H. Kirk introduces a new alias through a new (for him) label. The first Orchestra Terrestrial release comes from Die Stadt and is packaged exquisitely with a fold-out CD case and six prints of digital artwork representing six of the eight songs here (three by Naked Art, three by Designers Republic). While Kirk has has contrasted his usual style by creating an atmospheric soundbath with lengthy delays heavily absent of drum machines and thumping b…