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Felt by Jonas Olesen & Rune Søchting is a minimal lower_case audio explorations. The album Felt is the result of a joint effort of the composers and artists Rune Søchting and Jonas Olesen. In their collaborative work they have explored the sonic potential of electromechanic movements, resonance and different modes of transmission of sound. This work has been presented at a number of concerts and can now be experienced on the vinyl release FELT. In their artistic investigation they have focused o…
"Jonas Olesen is the musical mind behind a series of projects (BIN, Batch Totem, IR, OOC) that gradually positioned him as a discreet underground noise pioneer in Denmark, known especially for his work with modified instruments and an archaeological approach to sound art. For the Infrastruktur EP he resuscitated his Hector Rottweiler alias; a nod to the influential thinker Theodor W. Adorno, who published a number of his writings on jazz under the pen name Hektor Rottweiler.In this four song 12”…
In 1994, Klaus Schulze was able to look back on a long, successful and highly influential career, but he was also able to embrace the new.He was in the midst of his 'digital phase', fascinated by sampling technology, and had a clear idea of where he could go with the technology, which resulted in albums like Beyond Recall; the Royal Festival Hall recordings; The Dome Event and even to an extent his opera Totentag.By contrast Peter Kuhlman a.k.a Pete Namlook had just started. In 1992 he had found…
For this collective release, Martijn Comes and Giulio Aldinucci neither worked in the same studio together, nor did they share and exchange materials. The two pieces on this LP were composed privately and without any sonic input of the other. And yet, it is far more than just a 'split'. Both pieces were loosely based on a pair of opposites first proposed by Nietzsche: The moral codex of society, as represented by the Christian church. And the realisation that only by surrendering completely to e…
Two long drone pieces based on improvised saxophone by James Fella and Jozef van Erve. One intense mind-melting business. Saxophone Studies is an album that took multiple years to form. Already in 2006 I asked friends and other musicians if they could send me audio files to make music out of this. This music never really happened, but one of the files I received was some saxophone recordings by James Fella (Soft Shoulder / Gilgongo Records). In 2017 while browsing my computer for audio files I c…
Caveman is a recorded representative sample of Tasos Stamou’s live sound. Both tracks are complete extracts of improvised solo performances using his portable electroacoustic music studio. Both tracks have been carefully selected for their sound and narrative qualities, also taking in consideration the blend between acoustic and electronic elements. The album’s titles reveal an additional interpretation to the music, being inspired by two prehistoric ancestors who lived in caves during the same …
Gerald Biggs developed Filthy Grin as a living sound journal to document explorations in the sonification of sculpture and body movement. Currently located in Montreal, over the past decade he has self-released a series of cassettes, performed as a member of Pigeon Religion, collaborated with various artists (J.S. Aurelius, James Fella, etc.) as a sound engineer, in live performances, and through sound design. Saturn In The Mirror collects two long appreciated pieces from many, many years ago, c…
"A truly mystical exploration of sound, René Aquarius creates shimmering worlds with Transmutation. Forgoing traditional melody and rhythm, instead René Aquarius lingers about with pure texture. The clever drone work recalls Thomas Koner’s darker impulses, while the metallic sheen further gives the two elongated pieces a feeling of ominous dread. Keeping things quite minimal, René Aquarius ensures that at no point is anything overdone, but rather made to be infinitely eerie. Ghostly imagery cros…
Dauw, the great tape label based in Ghent, invited me in 2015 to do a release for them. This resulted in two 18 minute tracks, Dwaal and Wold. Both are exercises in creating an auditory space or sphere rather than sculpting a structured composition. With its orchestral washes amidst a barrage of radio static and erratic noise, Dwaal is the noisy brother of the two. It's a balancing act or battle perhaps between disruptive tumult and serene calm. On Wold, with its sparse piano notes spread out ov…
Edition of 300, comes with download code. Prolific experimental music purveyor Machinefabriek and droning free jazz combo Dead Neanderthals team up for the second DNMF album entitled Smelter. Clocking in at nearly 40 minutes, Smelter is a highly dynamic amalgam of metal, drone and dark ambient and is hard to compare to anything else out there. Have a listen and enjoy!
Amsterdam CS by Cinema Perdu consists of various spaces in the station: for example the various roofs, the three tunnels with access to the platforms, the IJ-passage. Even while everywhere there are similar sounds, like talking people, the announcements, loud headphones, rolling suitcases, cleaning machines, etc. acoustics and dynamics change per space.This specific acoustics and dynamics are the starting point of the works on this album. Stop and take some time to listen, in the way of John Cag…
It was late 2004 when Spanish label CONV released Textures and Mobiles, by Jos Smolders, in a limited run of only 100 CDr’s. This amazing album was based on a limited set of sounds: dtmf and ccitt tones that were generated by telephones and pure sine waves that interfere with each other. It came in like a wrecking ball! For us at least. A couple of years later, at Jos’ birthday party, we used samples of this album in a celebratory live performance. A couple of more years and years later we decid…
First time LP reissue from the original 1985 master tapes on 180gr vinyl. Including liner notes. On 'III Hymne' Jean Hoyoux further explores the electronic instruments he also used on 'Planètes' which results in a marvelous album that in some way connects the dots between ambient, library, cosmic and spiritual music. Two years after his debut double LP 'Planètes' Jean Hoyoux recorded three new compositions in the home build studio, Madame Bois. In his later published book 'Noos, la naissance à l…
Originally conceived for live context employing high volume playback and extended duration, Conduit pushes the parameters of musical composition and perception. Minimal in construction, applying high frequency staccatissimo that gradually turns in on itself, Kaori Suzuki's latest output delivers a striking twenty-six minutes of intoxicating computer music. A remarkable statement. Kaori Suzuki (b. Tokyo) is based out of Oakland, CA. Her musical works are concerned with our inner-sensory responses…
Remastered from two private tapes (1990 "Absolutely Electronic" and 1992 "Memories From Times To Come") that Michel Nolet - the one man band - used to share in the 90's with other music collectors and hometapers from Canada, England and Germany only.
**100 Copies in light Blue vinyl** “La Camera Astratta” is the result of the amazing collaboration between
Piero Milesi e Daniel Bacalov with the experimental theatre-performance
of the Studio Azzurro and Giorgio Barberio Corsetti. An idea of
immersion in a dimension devoid of gravity, the desire concerning a
soft, ethereal, articulated and perfectly interpenetrated reality. It's
an evocative ambient sound, with rhythmic cadence, soft and repetitive,
full of airiness; the music expresses t…
The folks over at The Institute for Danish Sound Archaeology have been blowing our minds for the last couple of years. There output is slow and careful, quickly become one of our favourite catalogs emerging today. First they brought us the incredible reissue of Knud Viktor’s two LPs from the early 1970s, Ambiances / Images, then a short while back we were graced by the conception breaking Danish Tape Amateurs. Now they return with another marvel from the forgotten realms of Danish underground mu…
"Mellow Toes comes as the second excerpt from my Schnarcharchiv (snoring-collection). This growing collection contains audio-recordings of sleeping humans, friends, and animals in all places and states of rest, sleep and nap, captured during night- and daytime since 2009. It all started during my daily afternoon-naps when I observed my own body getting hyper-sound-sensitive on its way to sleep. In these situations my chest, my arms, my toes turned out to become my biggest ears. It made me search…
Black vinyl, 500 copies. With liner notes by renowned musicologist and sound researcher Petri Kuljuntausta. Love Records (of Sperm fame) owner Otto Donner saw the commissioned work by electro-acoustic musicians Åke Andersson and Antero Honkanen, who in their daily life were sound technicians at the Finnish Broadcasting Corporation, and immediately wanted to produce an album of the project. The 1977 album, which has ended up a very costly collector’s item, hasn’t been reissued in any format until…
Don't Hold Onto The Clouds is the fourth release on Kutiman's own record label Siyal following Space Cassava (2015), the White Monkey 7" (SYL 003EP, 2017), and 6AM
(SYL 002CD/LP, 2016). In the era of the brand, Kutiman is an anomaly. A
musician who's a video artist, a producer, an animator, and also the
unwilling star of one of Israel's most successful recent documentaries,
every one of his records contrasts with whatever it was that came
before. But that's fundamental to his appeal: no one…