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LP version. Bureau B present a reissue of Tyndall's debut album, Sonnenlicht, originally released in 1980 on Sky Records. The two electronic sonic inventors Jürgen Krehan and Rudolf Langer founded Tyndall in the year 1980, naming their duo after a light scattering phenomenon in physics. Armed with an impressive array of instruments, devices, and home-made synthesizers, they created free and easy electronic music in the style of the Berlin School (Berliner Schule), much to the liking of the legen…
180-gram LP. Includes printed inner sleeve. Like some ingenious combination of John Cage's chance operations and the numbers station data stream captured on The Conet Project, Strategy's Information Pollution immerses listeners in baffling sonic waters. It's a riveting work that converts the enigmatic effluvia of shortwave and dispatch radio chatter into thrumming, static-riddled clouds of ambience. An undercurrent of unease wafts through Information Pollution's four lengthy tracks, as barely au…
"After embracing the virtues of collaboration on their 2009 album +1 (with artists such as Steve Roden, Jan Jelinek and Frank Bretschneider) and the recordings featured on their upcoming full-length album with Stephen Vitiello (Age of Insects on Dragon's Eye Recordings), Mem1 returns to its core. The duo's fourth full-length album, Tetra, was recorded over a brief but intense period of time in Spring 2010. The album is indicative of the ensemble's evolution and high calibre results arising from …
Nadaanda is an Israel Martinez's project for Musica Moderna including three new pieces composed with field recordings to be printed on vinyl. In these works Martinez explores three approaches: slight modification of the source in the studio, unprocessed sounds recorded in movement, and "cut&paste" composition without big processing; at the end, three different ways to enjoy the soundscape. Israel Martinez (Guadalajara, Mexico 1979) is a sound artist, empirical composer and has developed his work…
**Second edition - pressed on black vinyl, don't missi it!** Rainforest Spiritual Enslavement is the ambient techno project of Dominick Fernow. Focusing on slow paced bass studies and synthetic dub textures, surrounded by collaged and looped field recording environments, RSE shrouds sound over image to target the sector of brain where fear supersedes rationality -- the imagination. As RSE appears live for the first time, it has transformed into an entity with rotating contributors on stage and o…
Released 2010 by At War With False Noise: Second in the At War series of early CD issues of tapes by noise legend Maurizio Bianchi. This has been a long time coming and I promise the next installment (Mectypo/Blut since you ask) won't take so long and should surface early next year. Both these albums are lofi, featuring very primitive use of synthesizer, tape loops and tape manipulation. There's a real charm and otherworldly feel to them, There's something very prescient about MB's explorations …
Lionel Marchetti (1967) is a notable French electroacoustic improviser and musique concrète composer, visual-sound artist, a writer and a poet. Self-taught at first, he later studied musique concrète with Xavier Garcia. Lionel Marchetti is a pioneer improviser, using various electronic instruments, analog systems with modified speakers, REVOX reel-to-reel recorder etc. He has collaborated with musicians like Jérôme Noetinger, Xavier Garcia, Xavier Charles, Seijiro Murayama, Emmanuel Holterbach, …
A colossal and epic post-ambient symphony in three movements, where echoes of string instruments, deep drones of indecipherable origin, layered synthetic waves, slowed-down and distorted dark sonic masses challenge time with a para-immobility in constant turmoil, in an unpredictable, progressive and sometimes cyclic combination of statuesque sonic forms whose physiognomy is often known and familiar, while at the same time elusive, disturbing, arcane and mysterious... Another highest and unmissab…
Considered a high-water mark of early industrial, Maurizio Bianchi Aktivitat went against the grain prevalent at the time; rather than pushing the boundaries of volume and pummeling rhythm (for example), the album goes for lo-fi murk, where dour restraint is the tool of depressive darkness.
This Italian electronics maestro seems to be still going strong after
around 30 years with his latest release. Opener 'Ortini' is like the
hazey recollection of a long train journey being put through an analogue
filter bank. 'The Inflammatory Sesor' has a kind of feeling of
nostalgia or distant memory that recalls William Basinski or The
Caretaker. 'Oigada' sounds like two decomposing tape loops slightly out
of sync creating a disorientating phasing effect. There are some very
…
This is the first release from Maurizio Bianchi for Red Light sound. In memory of Pierpaolo Zoppo (April 27th, 1963 / June 16th, 2012). "...whereas you do not know what your life will be tomorrow. For you are a mist appearing for a little while and then disappearing." (James 4:14)I am extremely grateful to Siegmar Fricke for his pharmacologic mixture of the sounds. Maurizio Bianchi
Invisible String is a collection of live recordings made by Gareth Dickson on his solo odyssey around Europe in 2012. From the banks of the Bosphorus in Istanbul, to a rooftop in Paris overlooking the Sacre Couer, by way of a slightly less glamorous stairwell in Caen, this relentless travelling and performing allowed Gareth to hone his art to its summit, and resulted in a bewitching batch of live performances. Brought to you here, to move your soul in the comfort of your own little kingdom. As t…
Pierdrie is a project by Marco Douma, Roel Meelkop and Rutger Zuydervelt (Machinefabriek) about the visual and sonic phenomena of pier drie in the Rotterdam Waalhaven. A colourful and atmospheric hommage to Rotterdam harbour industries, the images of the 3 monitors are merged and edited for use with one screen - the DVD format offers the opportunity to play this in full surround sound as well in stereo.This is a one screen version of the Pierdrie installation that was originally presented as a 3…
**CD Version. Official audiophile reissue. Replica original artwork, including the insert with listening instructions, in Spanish and English** Originally recorded in Mexico, 1981, it offers a mescaline-sharp vision of deep grooving "cosmic ethnography" combining pre-Colombian percussion and wind instruments with electric guitar, tape delay and synths in free-roaming and extended suites. Luis Pérez was born in Mexico City on July 11, 1951. From 1971 onwards he dedicated much of his time to the r…
**small repress available, clear vinyl edition** Fantome Phonographique present a reissue of Jean-Jacques Perrey's Prélude Au Sommeil, originally released in 1958. Jean-Jacques Perrey was one of the earliest innovators in electronic music, creating a body of work spanning decades that has influenced everyone from Brian Eno to The Beastie Boys. One of the pioneers of musique concrète and electronic tape manipulation, Prélude Au Sommeil ("Prelude to Sleep") is Perrey's debut recording but shows a …
** Limited edition of 200 copies ** Recorded live at Plivka, Kiev, 2017 Mixing and additional production by Hanno Leichtmann at Static Music, Berlin. Thanks to Riba and Maxim Werner. Hanno Leichtmann: Percussion, loops and synthesiser Valerio Tricoli: Revox B77
"Tenebrae" is based on some fragments taken from the vocal work "Tenebrae factae sunt", part of "Responsoria et alia ad Officium Hebdomandae Sanctae spectantia", composed in 1611 by Carlo Gesualdo da Venosa. The original material is submitted to a process of time stretching that modifies the relations between the melodic lines. Another change occurs, in an almost spontaneous way, through an analog manipulation of the sound on magnetic tapes, where are recorded instrumental excerpts produced by t…
Aakash marks the debut recording of the Portland, Oregon-based trio of Matt Carlson (Golden Retriever), Michael Stirling (a disciple of the late Hindustani master Pandit Pran Nath and a student of Terry Riley), and Doug Theriault. Derived from live improvisational performances, the record finds Carlson's rich analog synthesizers joined by real-time processing of Stirling's lilting voice and Theriault's idiosyncratic guitar work and electronics. Dipping into a kind of liminal void, Aakash isn't j…
300 Basses exists since 2010, and has performed until now at Cave 12 Geneva, Les Ateliers Claus Bruxelles, Galleria O’ Milano, Labor Sonor Berlin and other venues in France, Italy and Switzerland. Initially they were playing free improvised music, then they began to organize their sound materials into fixed compositions. In 2012 they released their first CD ‘Sei Ritornelli’, on Potlatch label. ‘Tria Atoma’ goes further than the previous album in the exploration of sound configurations achieved b…
At the dawn of the 1980’s, a few years before her now legendary LP, Through The Looking Glass, took form, a young percussionist playing with the Berlin Philharmonic, Midori Takada, found her creative ambitions looking further afield. Her ideas brought her home to Japan, then peculating with new notions of what avant-garde and experimental music could be, to form The Mkwaju Ensemble with fellow percussionist Junko Arase and Yoji Sadanari. The project quickly recorded two astounding LPs in 1981 – …