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Great, fantastic Minimal-Synth-Tracks from legendary dutch duo Van Kaye and Ignit. Van Kaye alias Ed Van Kasteren (studying history of the arts and being singer of Monomen in the late 70’s) and Ignit Bekken (performing artist, painter and studiying to become an art-teacher) meet in early 1980 and started woking and experimenting with synthesisers. The result was the minimal/synth-classic and highly sought-after Tapes 'A Slight Delay' and "With a Little Help" which they distributed and pubsl…
One side full of great Minimal/Synth-Tracks from his early 80’s Tapes „Chemistry“, „Two Faces“ and „Outlaw“ on labels like Grafika Airline and Insane Music; the other side with two mind-blowing and -opening electric-guitar-tracks from 1971-74 which will definately touch your consciousness for music-history and hopefully help re-writing it. Alain Neffe of Pseudo Code / Bene Gesserit (Insane Music) participated on two of the pieces. M.A.L.'s cassettes have been remastered in superb sound q…
It all started sometime at the dawn of the 80s by two Canadian brothers, Darrin and Stephen Huss while living with their parents in Edmonton, Alberta. The first and only synthesizer based act in our whole region, we were joined by third member Dwayne Goettel and subsequently formed the band PSYCHE. A combination of horror and electronics that in the area of Western Canada was completely unheard of and would continue to be considered quite shocking until the music finally caught on. B…
Suberb Synth- and Wave-tunes of Fockewulf 190 incl. the two Italo-Disco-Classic 12“ Body Heat and Gitano plus more demos and so far unreleased treasures like Orient „Express“ collected from the archive of Victor Life
Victor once stated: The Fockewulf 190 project was created as a shape equal to a substance, experimental analogyc electronic music connected to the theatrical and mimic power of rock and the romantic and esthetic force of the electronic dance of thr 80s.We translated thos…
Slices of Attrition's earliest existence. A Double-Lp with previously unreleased, rare and demo recordings from the earliest days on Third mind records and beyond. From the initial post punk line up to the early experiments with analogue electronics in the bands fledgling home studio. Rescued from forgotten cassette mixes and 4 track tapes, restored and remastered by Martin Bowes, including sleeve notes by Third Mind's Gary Levermore, unreleased photos and artwork and available for the fi…
This latest from German weirdos Datashock must be what it feels like to double drop the blue pill. From the first couple of notes of ‘Intro/Lasagne Phalanx’ it’s pretty clear that the extended collective of prog folkies are vying to drag our unconsciousness through the rabbit hole before exacting all manner of mental tortures. It’s probably worth it though; with the gritty, bass heavy backdrop of classic Amon Duul II (I’m talking Yeti here, none of those later-period bootlegs) and the rag…
“Two Couples” is the collaboration between German artists/performers Kommissar Hjuler and Mama Baer and the Italian musicians Ninni Morgia (guitar) and Silvia Kastel (synth and voice).Kommissar Hjuler and Mama Baer are known for their provocatice, neo-dadaesque, often extreme art and performances and have previously worked with Smegma, Thurston Moore, John Wiese and many others. They have performed and exhibited all around the world and are part of the NY collective NO!Art Movement. Ninni Mo…
Sold out at source FORMA (Mark Dwinell, Sophie Lam, & George Bennett) emerged on the NYC minimal synth scene in 2010 with a singular vision of cosmic Krautrock for a new age. On their eponymous debut LP, the Brooklyn-based electronics trio merges the melodic flow and primitive rhythms of their motorik predecessors with the hypnotic drones of Minimalism, creating an intricate work both addicting and rewarding with repeat listens. Like many of the LP's eleven tracks, the churning and relentl…
CD edition, 'House' is the 2nd official full-length offering by Cleveland, Ohio duo MIST featuring Sam Goldberg (of Radio People) and John Elliott (Emeralds, Outer Space, Imaginary Softwoods etc) after 2009's self-titled debut effort on Amethyst Sunset. A suite consisting of 7 complex, layered compositions shows new progression in composition and melody from the duo. From the lightning fast, bittersweet crescendo of 'Twin Lanes' to the dramatic chord progressions of 'I Can Still Hear Your Voice'…
As a slow motion Stan Brakhage on K, this last and definitive new album from Aaron Dilloway is fluid and cinematic. After the monumental Chain Shot Lp and a furious live activity, the Mid West's mad tape-scientist is back to take your hand and dive you in a buzzy ocean of muddy water loops. Welcome to this creepy journey to the south of heaven, here you can just crawl like a worm.
'In 2004, the Netherlands-based Basta label released Popular Electronics - Early Dutch Electronic Music from Philips Research Laboratories. The four-CD (and seven-booklet) box set meticulously chronicled the pioneering electronica that Henk Badings, Tom Dissevelt, and Dick Raaijmakers recorded for Philips between 1956 and 1963. Since these recordings had originally been released on vinyl, collectors petitioned Basta for a vinyl edition. After consulting with Dick Raaijmakers, Basta decide…
Philippe Petit is interested in soundtracks; even if he creates original music he'd rather be introduced as a "musical travel agent" than a composer. Petit uses a Cymbalum, an Electric Psalterion, computer and synths to build up electronic layers, process acoustic and field recordings. To second the machines he likes to move various glasses, or percussive objects, and take advantage of vinyl material to fondle released sounds. A journalist for various magazines and radio as well as a musical ac…
For his second album Jonathan Lee draws on two years of recording and performance - and it's not just his own material that's used for the record either. 'Abandoned In Sleep' features studio recordings, sample edits and collaborative work with artists including Xela, Jasper TX, Svarte Greiner, Stephen Vitiello and Gareth Davis among others. This album is all about dark, nocturnal ambience and combines a variety of half-dreamed soundscapes together for every track: Xela's falsetto murmur…
If you’ve heard of Felix Kubin before, you’ll likely think you have some idea of how ‘Echohaus’ is going to sound. Well forget what you know, you’re wrong – Kubin’s well-worn Sci-Fi pop stylings are entirely erased on ‘Echohaus’ as he rebuilds people’s preconceptions from the ground up. He may have just scored a long-deserved Wire cover, but Kubin is not content to simply rest on his laurels, and although ‘Echohaus’, a collaboration with contemporary chamber group Ensemble Integrales, migh…
Modes réels collectifs is the first work published in 1981 under the Vivenza banner, following Jean-Marc Vivenza's time with the bands Glace (1976) and Mécanique Populaire (1979). It represents a genuine manifesto that would become emblematic of all Vivenza's subsequent work. By suggesting, from philosophical and sonic points of view, an idea of opening to the reality directly inspired from Futurist theories, Vivenza was presenting what he had brought from his relationship with machines and soun…
This 45 rpm 12'' called « 1000 » is a collection of Roxy's unreleased New Wave and synth-infused tracks still signed by her oh so particular voice. Sometimes punchy, sometimes languorous and velvety, a common point all the tracks have is a strength that seems never to leave her. Also noticeable is the reprise of the mythical and mysterious synth-pop band Nine Circles, who else better than Roxy could tell us « What's There Left »?.
The title Whiter than white sounds like an advert for soap. Adverts and soap are precisely what Les Belles Noïseuses blame. Or even more precisely what they represent: consumption, conformity, economic liberalism. However, don't expect to get a speech from Les Belles Noïseuses. Only feelings, emotions, dreams and nightmares are conveyed through their refined musical structure. The doom-jazz double-bass reminds the best from Mick Karn. The minimalist guitar scrapes melody to the bone, to the aton…
I wanted to share Hank with a world that was unfamiliar with him and unable to grasp the despair, hurt and loneliness that he lived, unable to absorb the words or the sentiment, unable to hear the words, “Like a piece of driftwood on the sea, may you never be alone like me”. I asked Derek Rush if he would be interested in doing Hank Williams songs with me, he put them in a minor key and arranged them while I re-interpreted the melody and sang the words of Hank Williams, adding my g…
cover of a track by Sand, whose work has had a profound affect on Tibet’s work, first appeared on Current 93’s influential album Thunder Perfect Mind. Also appearing on this 12'' is an alternate version of the same track from a CD single which accompanied the first 1,000 copies of Tibet and Stapleton’s release of material by Sand, Ultrasonic Seraphim. This 12'' is part of a series of releases from rotorelief comprised of new albums from Sand,…
Beautiful debut full-length album for Jennifer Veillerobe, a french-german musician, co-curator of senufo editions and one half of ‘eselsohr ’. The CD is centered around a minimal sequence of sonic events, alternating between modular synthesizer patterns / textures and simple acoustic gestures captured with a portable digital recorder. realised without any processing or overdubbing; the cd is an attempt to define a narrative using nothing but sharp edits and careful sequencing of non-homogeneous…