The Flow Across Borders
*2023 stock* Ali O’May and Frazer Brown met in early 2018 while performing with their respective bands at an Electronic Music Open Mic (EMOM) gig in Edinburgh. With obvious common interests, further discussions lead a few months later to Ali passing Frazer a USB drive filled with stems recorded directly from Ali’s vast modular system. Across August and September 2019, Frazer used about a dozen of those stems as the foundation for a set of tracks, building them into fully realised pieces across a…
.... And Take The Black Worm With Me
*2023 strock* As a founding member of Dublin experimental folk group Lankum, Ian Lynch explores submerged leylines of music and song. Forging a musical path that is all at once dark, mysterious and foreboding, but ultimately transcendental. His new solo project One Leg One Eye sees him taking a fresh approach to musical arrangement culminating in a sound that is more rooted in the raw aesthetics of second wave black metal than contemporary folk. The project was born across 2021, a period in whic…
Too Small To Be A Plain
*200 copies limited edition* “I decided to treat my process like gathering tiny beach rocks -- nothing stands on its own initially but after a few months you find yourself with a collection,” says Chicago cellist, composer, and improviser Lia Kohl. She’s talking about beginning work on her album Too Small To Be A Plain, which began as experiments in creating small bits of music every day. For years, Kohl has worked in collaboration with artists, ensembles, and bands, either in projects of her ow…
The Horse Stories
At the top of a carpeted staircase in a Georgian country home a blue wooden rocking horse stands completely still in front of a closed window with a view out onto the green hills and trees and fields beyond. A child rides a stationary wooden horse and travels to faraway places without ever leaving the security of his room. The movement of a rocking horse is similar to that of a cradle, or a swing, or a lullaby. Its about being quiet, its about balance, its about being at home and thinking of els…
Aliens Are Real
“Aliens Are Real” is the debut album from experimental ambient artist UFOm. It was submitted as a demo by the artist, who wishes to remain anonymous due to their involvement with a low-profile religious organization. Sonically the album drifts between heady atmospheric meditations, spaced-out ambient processionals and ecstatic otherworldly vignettes. The artist utilizes a plethora of synthesizers alongside digital bells, harps, rhodes, lap steel, marimbas, flutes and their own captured field rec…
Interdimensional Generated Space
Tip! *Limited edition of 200 copies.* As per Marta Zapparoli own words: " After a long research focused on the Natural Radio phenomena (VLF) coming from the Northern Lights, I realized a live performance that inevitably inspired me to compose a piece for this release. The piece is composed with recordings I made in Norway mixed with studio recordings, using a self made crystal radio, in combination with a specific light, detectors, motors, and antennas, to simulate a technological audio version …
Easel Studies
Cate Brooks is back with her seventh release for Clay Pipe Music. Never one to stand still, ‘Easel Studies’ finds her pushing the boundaries of sound synthesis and experimentation on the Buchla Music Easel while still sounding beautifully beguiling and hypnotically melodic.
In The Afternoon
e is sky is a collective born out of these first collaborations between Melbourne based experimental composer Corin, electronic-pop musician Sui Zhen and music producer Casey Hartnett. They create score and sound design to tell stories and convey moods, connecting with art, film, multimedia, cultural artefacts, places, spaces and people. Where previously this music could only be heard via a location-aware app we now invite listeners to engage with the pieces outside of the gallery setting.
Music for Tomato Plants
Tip! Loris S. Sarid is a Rome born musician and sound designer living in Glasgow (Scotland). Music for Tomato Plants was born while taking care of a little tomato plant, grown on the windowsill of his flat during the winter 2020. The album is a homage to the unapparent courage of simplicity, and the beauty and lightness of the most ordinary things.
“In the same spirit of Mort Garson, Green-House and others who synthesize the natural and musical worlds, this ambient serenade for tomato plants is …
Guitar Cultures
Tom Mudd follows up Brass Cultures with another collection of genre pushing electronic music. Sitting between the hermetic focus of Bill Orcutt’s solo guitar recordings and Autechre at their most abstract, this is an album of forward thinking and richly evocative music. Mudd moves between impossible technical sketches in the vein of Derek Bailey to more considered harmonic works, that although created with algorithms and code presents a sound world full of humanity and imperfections. On Guitar C…
Nothing left but silence
**300 copies in handmade textiled artwork w/ printed inner** 'Nothing left but silence' is Erik K Skodvin’s third solo album for Sonic Pieces and his most quiet to date. Subtitled as "Musical improvisations and quiet collages from the subconscious”, Skodvin reduces his instruments to guitar, reverb and amp - and creates a skeleton of eight hypnotic ragas that meanders in an eternal loop between ephemeral and singular.
Only on the horizon it’s possible to sense that Skodvin has also touched the …
Atheistsaregods
More than a decade after the release of 'Land Lines', the mythical Humboldt County, California based duo of Brian Pyle and Merrick McKinlay reappears seemingly out of nowhere with 'Atheistsaregods'. With past releases on such cult-like labels as Root Strata, Weird Forest, Blackest Rainbow or Digitalis, Starving Weirdos were an indelible part of a sprawling and loose network of artists in Northern America whose DIY work ethic and extreme activity revolved around shoestring-budget constant touring…
Ancestral Ground
*100 copies limited edition* An interrogation of identity pervades every corner of Zeynep Ağcabay’s ‘Ancestral Ground’, the debut body of work under her birth name. As someone who has formed their practice creating soundscapes for high fashion labels and runway shows, this is an artist finally being given full carte blanche in creativity. Zeynep’s Turkish ancestry is present through all seven tracks. However, it is not simply a borrowing or a homage. Very much still connected both geographically…
The Interconscious Catalogue
*2023 stock. 300 copies limited edition* "Buyer beware: I am not sure I have fully recovered from listening to Reznick’s latest offering. Felt like some malignant entity was chaperoning me through a madness-inducing mindscape... immersive, confident and consistently surprising.” - Larry Fessenden
Leadlined
*2023 stock* Leadlined is a 35-minute lamentation of the perverse ideology of the English, shaped by sound collage and heavy electronics. Heaving drones of memory churn the decayed hum of modernism and the spiritual bus routes of the past. £40 million of military hardware flying low over the colonial jugular; the knifing wind off the Kentish coast, shearing through the tendons of Roman roads and Saxon shores. Through the record’s mediation of these imagined pasts and displaced futures — the sine…
Break Down
Brachliegen are proud to present Break Down, the first release from Sakostamu, the collaborative project of Vasilis Sakkos (Casual Nun) and Tasos Stamou. The pair layer chanting vocal groans, wandering bells, weaving drones and haunting plucked strings through a four track tape recorder; this ritualised process builds a rich textual palette, burrowing deep to create a den of sonic transcendence, a place where shared cultural histories and individual wounds are broken down and confronted. A work …
pearly
Pearly is a fizzing, hallucinatory noise release from Tom Betteridge, consisting of two oleaginous sound poems, entirely improvised with minimal stitching and post-processing. Phantasmatic vocal improvisations are mulched into something oblique to speech, becoming sharded utterances part-lost in swathes of noise. Working with cassette tape recorders & close miking techniques, Betteridge upends the standard listening hierarchy of aural objects; tipping the scales, the human voice brushes against …
Locum Windsock
The Darkening Scale is the solo project of David Janssen aka Ted The Loaf of Renaldo & The Loaf. A purely digital affair, DS started in 2006 when RATL was on hold. The Entomology of Sound was the first album and came out as digital file and a very limited CDr. David says about it: "Back in 2006, much to my surprise, I found myself making music again after a long gap. Starting at the bottom of a steep learning curve, The Entomology of Sound was the first result". Several albums followed, one of t…
Visceral Underskinnings
Hastings of Malawi are Heman Pathak, David Hodes and John Grieve. They recorded the album in one night in 1981 with no plan and no idea of what they were doing. They played drums, clarinet, synthesiser and piano but also made use of things that they found lying around the studio – old records, cookery books, telephone directories and a telephone. The recordings were played down the phone to randomly dialled numbers and the reactions added to the recording. All three had been involved in the reco…
Fishes
Geins't Naït was founded in Nancy, France, in 1986 by Thierry Merigout and Vincent Hachet, both students at the Architecture School of Nancy. A year later Laurent Petitgrand joined the band. Their sound is often described as an equivalent of bands like Einstürzende Neubauten, Coil or Test Dept., but Geins't Naït is not pure classic Industrial. While Geins't Naït offers rough pieces of music as an extension of its punk attitude, Petitgand refines them to create some musicality within the post-ind…