Electronic / All styles

Vinyl only album created by Gerritt Wittmer 2012-2018.  Mastered by Giuseppe Ielasi. Packaged in deluxe tip-on LP jacket. Pressed on Natural, edition of 272. Gerritt Wittmer is a sound and performance artist based in Houston, Texas. His work often articulates abstract narratives through vocal expression, body performance, and intense theatrical lighting. He is half the black noise group Deathroes and the vocalist for the band Names. He also directs the publishing house Misanthropic Agenda.

Sub Rosa presents Gilles Gobert's Electronic Chamber Music. Musical genre: trans, hybrid, crossbred, mongrel, whoreson, mixed, unclean, intricated, blended, interracial, bastard, harmonized, bouillabaisse, pandemonium, disorder, bewilderment, muddled, disarrayed, tangled, distraction, shambled, discorded, abashed, fuzzy, foggy, plaything, rejoicing, orgasmic, thoughtlessness, salad, undisciplined, inordinate, coded, slanged, talk, privacy, nearness, disobedient, unruly, confidante, imperfect, ta…

AMK & Willie Zarate bring you a noisy collection that steals liberally from Leonard Cohen, Witold Lutosławski, Borbatomagus and Gary Numan, combining it with overzealous use of string instruments, record players, distortion boxes, junk electronics and birds.

**Audiophile transparent clear vinyl; Includes CD** Subtitled 'Precocious Noise and Early Electronica Pt. 1' Sound Miracle Recordings presents precocious noise and early electronica part one. A compilation delving into the fascinating world of primal electronica, noise, sound design, industrial, avant-garde and tape-music. This set hopes to be the gateway to a completely new revolutionary sound experience. These are relics with much to say to the contemporary listener as they sound impossibly wa…

Green Ways documents a collection of live recordings, drawn from in situ performances given in Doon, Dungarvan, Plaistow, Shoreditch, Singö and Stratford across 2018 by Graham Lambkin and Áine O'Dwyer. It celebrates the filíocht of rural and urban acoustic environments with a playful economy of means, and offers a special salute to the rich heritage of Carnahalla.Áine O’Dwyer and Graham Lambkin are multi-disciplinary artists whose work explores the nexus between music, text, illustration, theate…

Polish producer Tomasz Bednarczyk returns to Room40 with Illustrations For Those Who, his first full length edition in almost a decade. Across the late 2000s, Bednarczyk created a series of acclaimed ambient recordings that married the unsteadiness of archival technologies with an extensive palette of pastoral timbres. These recordings quietly set a particular tenor of work for a new generation of Middle Eastern European ambient composers. Following these recordings, however, Bednarczyk's energi…

Joana Gama and Luís Fernandes's new offering At The Still Point Of The Turning World, borrows its title from T. S. Eliot's poem "Burnt Norton". It is a record of restless motion, lilting and pulsing with a sense of gentle determination. Born out of a period of mutual loss, the works carry a bittersweet sentiment. Bitter in the sense of loss; sweet in the sense of lingering memory and influences recognized of those departed. It is also a record that, like the poem from which it takes its title, m…

The music of Australian artist Thembi Soddell resides in a zone of unrelenting darkness and physical affect. Working at the nexus of raw emotion, sound design, and musique concrete, she creates sound worlds that are effortlessly dense and abyss-like. In her performances, she explores sonic environments which swallow the audience. By utilizing intense sound pressure and varying dynamics she creates profoundly unsettling, but fulfilling, experiences for her audiences. Love Songs, her latest work, …

Remastered for vinyl from the original analogue stereo master tapes and pressed to 180gram vinyl. Electronic Sound is George Harrison's second solo album, and the second and final record released on the Beatles' short-lived Zapple Records (an offshoot of Apple Records), before it was folded at the insistence of The Beatles' then-manager Allen Klein. Released in May 1969, it features two lengthy pieces - one per side on the original vinyl release - performed on the Moog synthesizer. Portions of w…

For the dance film essay - The Body as Archive Gregor Schwellenbach chose a simple yet radical approach: he created a kind of catalog of sounds, clearly structured, presented with sobriety and boldness. The sounds are not embedded in the familiar frame of rhythm-harmony-melody, rather, they are introduced smoothly, presented one after the other, sometimes going together, then standing alone. It is a sensual approach, at the same time executed strictly systematically. Or vice versa: Schwellenbach…

Take Me With You is a revelatory voyage through the captivating universe of voice artist and poet MJ Lallo. The works on this 2LP compilation were all recorded in her home studio between 1982 and 1997, primarily using drum computer, synth and her own voice processed through a Yamaha SPX 90 digital effects unit. They range from wordless harmonizer mantras and primitive drum computer meditations, to psychedelic latin dance-floor anthems and synth-drenched end-of-the-nighters.Lallo has created her …

2015 Release. Jonas Olesen is a Danish experimental composer and the coordinator of the Scandinavian education plan on sound art at Nordic Sound Art. He is back again with the home label BIN and his new album, which it might be defined as “analog-anthological”. Test features some source material, taken from a number of historical test records, and some psycho-acoustical demonstration recordings, including additional parts generated with a LEADER LFG-1300S Function Generator, and processed by an …

Brian Eno's masterwork album from 1982. Standard 1 LP version. On ‘Ambient 4 (On Land)’ – the final edition in Eno's ambient series – his palate shifted from electro-mechanical and acoustic instruments towards “non-instruments” like pieces of chain, sticks and stones. “One of the big freedoms of music had been that it didn't have to relate to anything – nobody listened to a piece of music and said, ‘What's that supposed to be, then?’, the way they would if they were looking at an abstract painti…

Brian Eno's Ambient album from 1982. Standard 1 LP version.. Though not the earliest entry in the genre (which Eno makes no claim to have invented), ‘Ambient 1 (Music For Airports)’ was the first album ever to be explicitly labelled ‘ambient music’. Eno had previously created similarly quiet, unobtrusive music on albums ‘Evening Star’, ‘Discreet Music’, and Harold Budd's ‘The Pavilion of Dreams’ (which he produced), but this was the first album to give it precedence as a cohesive concept. He gav…

Brian Eno's pioneering Ambient album from 1975 re-pressed for 2018. Standard 1 LP version. While his earlier work with Robert Fripp on ‘No Pussyfooting’ and several selections from his own ‘Another Green World’ feature similar ideas, ‘Discreet Music’ marked a clear step toward the ambient aesthetic Eno would later codify with 1978's ‘Ambient 1: Music for Airports.’The inspiration for this album began when Eno was hospitalised after an accident. Whilst bed-ridden and listening to a record of eigh…

Errol H Tout is a musician/architect from Perth (Australia). The selection presented here provides archival and unreleased material from the 1985-87 period. The set was compiled restoring the original analogue tapes, and the collection is sequenced impressionistically rather than chronologically. A sensuous mixture of muted electronics and guitar jungle

At the dawn of the 1980’s, a few years before her now legendary LP, Through The Looking Glass, took form, a young percussionist playing with the Berlin Philharmonic, Midori Takada, found her creative ambitions looking further afield. Her ideas brought her home to Japan, then peculating with new notions of what avant-garde and experimental music could be, to form The Mkwaju Ensemble with fellow percussionist Junko Arase and Yoji Sadanari. The project quickly recorded two astounding LPs in 1981 – …

Some of the most gorgeous, little heard DIY music of the early ‘80s finally surfaces with Rimarimba’s ‘Below The Horizon’, the first in Freedom To Spend’s reissue series of work by Suffolk, UK’s Robert Cox - all massively recommended to followers of Colin Potter, Woo, General Strike, Konrad Sprenger and homespun electro-acoustic music of all stripes! Committing its first appearance on vinyl, ‘Below The Horizon’ documents Robert Cox in freehand exploration of his modestly built, four-octave Marim…

The Berlin/London duo attain an ever-more amorphous and befuddling sound on their fifth album. Antony Harrison and Leyli have conjured something quite special on their latest Paco Sala album, finetuning their experimental urges for a session that sounds like Hype Williams in high definition. Seemingly orchestrated in the drug-addled downtime after extensive knee surgery, The Silent Season shifts away from Paco Sala’s outsider pop leanings of previous releases in favour of an 11-track collection …

I Saw You is the distillation of Right Belief and Right Action, heretofore unknown, privately issue cassettes from 1986 and 1987 by Peter Thomas Kardas. A student of guitar craft and accredited member of The League of Crafty Guitarists, Kardas drew inspiration from Robert Fripp's loop-based Frippertronics, but the expansive, introspective washes of synths and repeated phrases and vocalizations are utterly their own thing, conjuring the independence, awe, and isolation of the remote Northern Cali…

**Special version with extra DVD, edition of 100 only** An Island In The Moon is the perfectly conceived minimal ambient project from Italian composers Pier Luigi Andreoni (Doubling Riders, ATROX) and Silvio Linardi. Andreolina being a mix of the names of the two musicians who were both deeply involved with the label Auf Dem Nil on which the album was originally released in 1990. The duo stick to a disciplined and simple palette using only two synthesizers and a Roland S50 sampler. They are join…

Felt by Jonas Olesen & Rune Søchting is a minimal lower_case audio explorations. The album Felt is the result of a joint effort of the composers and artists Rune Søchting and Jonas Olesen. In their collaborative work they have explored the sonic potential of electromechanic movements, resonance and different modes of transmission of sound. This work has been presented at a number of concerts and can now be experienced on the vinyl release FELT. In their artistic investigation they have focused o…

"Jonas Olesen is the musical mind behind a series of projects (BIN, Batch Totem, IR, OOC) that gradually positioned him as a discreet underground noise pioneer in Denmark, known especially for his work with modified instruments and an archaeological approach to sound art. For the Infrastruktur EP he resuscitated his Hector Rottweiler alias; a nod to the influential thinker Theodor W. Adorno, who published a number of his writings on jazz under the pen name Hektor Rottweiler.In this four song 12”…

Caveman is a document of Stamou's live practice: two complete extracts of solo improvised performances using his 'portable electroacoustic studio'. The setup combines acoustic instruments (prepared zither, reeds, recorders, objects) with handmade electronics, modular synthesis and live-processed feedback loops, producing long continuous pieces built on sustained tonal textures and free improvised solos. What the artist calls ritual noise: a slow-burning, immersive electroacoustic atmosphere.

Gerald Biggs developed Filthy Grin as a living sound journal to document explorations in the sonification of sculpture and body movement. Currently located in Montreal, over the past decade he has self-released a series of cassettes, performed as a member of Pigeon Religion, collaborated with various artists (J.S. Aurelius, James Fella, etc.) as a sound engineer, in live performances, and through sound design. Saturn In The Mirror collects two long appreciated pieces from many, many years ago, c…

Dark Entries is proud to present the first ever vinyl issue of Jon Krocker’s debut album ‘Monolog’ originally released on cassette in 1983. Jon is from Winnipeg, Canada and got his start as half of the synth noise duo Dialog. In 1981-82, while studying for a BA in Film Studies, he would go to the studio and practice. No writing or patch memories, composing on the fly. His set up consisted of a Minimoog, Oberheim Two Voice, Roland RS-202, Roland Space Echo, EML 400, Roland DR 55, Roland System 10…

2018 release ** "Originally conceived for live context employing high volume playback and extended duration, Conduit pushes the parameters of musical composition and perception. Minimal in construction, applying high frequency staccatissimo that gradually turns in on itself, Kaori Suzuki's latest output delivers a striking twenty-six minutes of intoxicating computer music. A remarkable statement. Kaori Suzuki (b. Tokyo) is based out of Oakland, CA. Her musical works are concerned with our inner-…

**100 Copies in light Blue vinyl** “La Camera Astratta” is the result of the amazing collaboration between Piero Milesi e Daniel Bacalov with the experimental theatre-performance of the Studio Azzurro and Giorgio Barberio Corsetti. An idea of immersion in a dimension devoid of gravity, the desire concerning a soft, ethereal, articulated and perfectly interpenetrated reality. It's an evocative ambient sound, with rhythmic cadence, soft and repetitive, full of airiness; the music expresses t…

The folks over at The Institute for Danish Sound Archaeology have been blowing our minds for the last couple of years. There output is slow and careful, quickly become one of our favourite catalogs emerging today. First they brought us the incredible reissue of Knud Viktor’s two LPs from the early 1970s, Ambiances / Images, then a short while back we were graced by the conception breaking Danish Tape Amateurs. Now they return with another marvel from the forgotten realms of Danish underground mu…

"Mellow Toes comes as the second excerpt from my Schnarcharchiv (snoring-collection). This growing collection contains audio-recordings of sleeping humans, friends, and animals in all places and states of rest, sleep and nap, captured during night- and daytime since 2009. It all started during my daily afternoon-naps when I observed my own body getting hyper-sound-sensitive on its way to sleep. In these situations my chest, my arms, my toes turned out to become my biggest ears. It made me search…

Don't Hold Onto The Clouds is the fourth release on Kutiman's own record label Siyal following Space Cassava (2015), the White Monkey 7" (SYL 003EP, 2017), and 6AM (SYL 002CD/LP, 2016). In the era of the brand, Kutiman is an anomaly. A musician who's a video artist, a producer, an animator, and also the unwilling star of one of Israel's most successful recent documentaries, every one of his records contrasts with whatever it was that came before. But that's fundamental to his appeal: no one…

The Verge of Ruin is a research in sound and poetry that started in December 2015 by Stefano de Ponti and Shari DeLorian, in Milan. A view that lives in the present and at the same time is strongly connected with several guides and experiences out of the past. Constantly looking for new vanishing points and responding to creative impossibility which are caused by contemporary collapses of media. The framework referred to, is the one drawn by concrete music and acousmatic art of the XIX Century, …

GAP is an improvisation group which was founded by Kiyohiko Sano, Masaru Soga and Masami Tada in the Mid 1970’s. Gap had only one album on the famous ALM records, and from the early time, they played oscillators and synthesizers, adding to simple self-made instruments, and made a free improvisational performance which is comparable to Taj-Mahal Travellers. Especially for Tada who was under tutelage of Takehisa Kosugi, GAP was a missing-link which lead him from East Bionic Symphonia to Marginal C…

This Die Form side-project was recorded in a few days in 1984 under the name of Hurt, and initially released in 1985 on Bain Total at the same period as 'Some Experiences With Shock'.All the tracks of the cassette, and other titles from Die Form, close in the spirit have been added. This is a reissue with different artwork on a new series called 'Collection Des Musiques Industrielles Et Post-Industrielles De France'. It originally appeared in 2016 in the 'Archives Des Musiques Industrielles De F…

** Handnumbered lim.ed. of 200 copies, clear vinyl LP in silk-screened sleeve and download** Born 1976, Nicolas Wiese studied design, illustration sound art, philosophy and sociology and has since been working on various fields: his (audio-)visual art has been presented in galleries and at exhibitions in Teheran, Gent, London, Vienna, St. Louis, Istanbul, Madrid a.o. As musician / composer, he released a number of solo and collaborative albums under the [-Hyph-] moniker and his civilian name. Wi…

Lucrecia Dalt’s Anticlines is a volume of bodily and geological substrates within poetic theory and sound. It is a place where skins and minerals dissolve and commingle, where gaseous subterranean leaks inflate lungs, where brain cavities echo interplanetary waves bent from passing through atmospheres. A former geotechnical engineer from Colombia currently residing in Berlin, Dalt’s concern with boundaries and edges shape the lyrics and music of Anticlines, her sixth album. Paying careful attent…

Gilgongo Records is pleased to announce “Continuous Hole”, a collaborative album by Drew Daniel (Matmos) and John Wiese. The fruit of over ten years of home recordings in San Francisco, Los Angeles and Baltimore, “Continuous Hole” melds improvisation and musique concrète composition into a uniquely sweaty document of labor-intensive rhythm. A finger puzzle of reconciled opposites: lockstep structure and constant flux. Many of the tracks reflect the unique blending of the disparate backgrounds of…

2025 stock ** "Semper Liber consists of a series of duets featuring Marcus Davidson, Hildur Gudnadottir, Mike Harding, Charles Matthews, Clare M Singer, Maia Urstad, and Anna von Hausswolff and are drawn from recordings made at Spire events since 2009. Mixed by its curator, Mike Harding, at the Völlhaus, and mastered by Mark Van Hoen, this powerful four track collection -- to be played as one piece -- explores the sonics of the mighty organ in all its thundering glory. Warning!: Extremely low fr…

In 2010 Brad Rose (Digitalis / Charlatan / The North Sea / Ossining) and his wife Eden Hemming Rose (Foxy Digitalis / Mass Ornament) indulged their pop instincts to beautiful effect on Mechanical Gardens. For anyone familiar with the duo's work it was a radical departure from their experimental devotions and duly picked up a healthy amount of accolades. Nightrunners is their neon-hazy follow-up, perhaps slightly more industrial pop oriented, with strong traces of the early 4AD records they grew …

Modell Doo resurrected! The Austrian cult group who was responsible for the soundtracks for "I was a teenage Zabbadoing" and "Mondo Weirdo" are back. "Dinky Diamond" is an album of half old and half new material. All the classic songs have been re-arranged and re- recorded to fit the 21st century. All the new material is presented here for the very first time. Wonderfully produced and mixed, this is a great comeback for a great band that has been off the scene for far too long. Check out also ou…