Electronic / All styles

Takahiro Kawaguchi began making field recordings and performing improvised music in 2000, and in recent years has attracted a great deal of attention as a sound artist. In January 2009 he released, on Taku Unami's label Hibari Music, the solo album n, on which he uses several remodeled counters. Shinjiro Yamaguchi, born in 1983, is an electronic music player. in October 2008 he released the minimal ambient solo album Kogai on the Japanese label Cherry Music.This is the debut album of Kawaguchi a…

All tracks written and performed on the oniscus by Coti K. in Stockholm and Tinos island in 2012.Thank you: Stelios Goulas and The mess with Julia for letting me use their rehearsal space in Stockholm. Gunnarsons Conditori for energy and relief. Etten, for the patience. Dimitris Kariofilis, Nikos Veliotis, Babis Makridis, Hristos Lainas for everything else. Harry Patramanis and Eleni Asvesta for asking me to write music to their film “Fybnos”, tracks 1,2 and 8 first appeared in it. 

Cristian Vogel is a composer, music producer and music theorist. His work is known worldwide through state-of-the-art DJ and Live performances to compositions for choreography and many studio productions. Born in Chile 1972 and raised in the UK, he is now based in Berlin. Cristian Vogel has been a long-term innovator in the composition, mixing and performance of electronic sounds. Over a 20 year career at the vanguard of European electronic music, his work has been highly acclaimed for its quali…

Depuis que Minizza existe (le groupe se forme en 2000), ses membres ont toujours eu dans l'idée, un jour, d'adapter un roman en musique. Lorsque France Culture leur commande un Atelier de Création Radiophonique, l'occasion est saisie, et le choix se porte rapidement sur A Rebours (1884) de Joris-Karl Huysmans, chef-d'œuvre séminal, manifeste du décadentisme, dévoré par les membres du groupe dès l'adolescence.Ce travail pour France Culture donne naissance au troisième album du groupe qui, bien qu…

"Tradition belongs more to the present than the past. For three weeks Parisian cellist and composer Gaspar Claus met with traditional and modern Japanese musicians in a Tokyo studio to record Jo Ha Kyu. Performing with Claus on this piece are: Eiko Ishibashi (voice, piano, drums), Keiji Haino (voice), Kakushin Nishihara (voice, satsuma biwa), Ryuichi Sakamoto (piano), Hirochimi Sakamoto (electric cello), Sachiko M (sine wave), Otomo Yoshihide (turntable), Leonard Eto (wadaiko), Kazutoki Umezu (t…

Born of Six, featuring Amelia Cuni, Catherine Christer Hennix, and Werner Durand, create exemplary drone compositions rooted in the traditions of Dhrupad, early minimalism and just intonation. Composed by Durand, Cuni, Hennix, Svapiti is one long composition measuring 55 minutes in length. 'A solid foundation is the best basis for the fundamental.' Narada´s exposition of the seven notes begins as follows: because Sadja (the tonic) arises from the combination of nose, throat, chest, palate, tongu…

"Duane Pitre's Bridges, features two pieces taken from a suite of analogous compositions by the same name, and was composed by Pitre in 2012. The two pieces that comprise the album are meant to work together in sequence as a composite work; or they can be isolated and listened to on their own. The title derives its name from the original concept for this work, which was to bring together aspects of traditional Eastern music (such as compositional form and tuning) with Western musical trad…

Signifiers can send all the wrong signals just as often as they can send the right ones. There’s a delicate balance between enticement and giving it all a way. Resident Los Angeles android, [PHYSICS], rides that line and then some on his first LP, Spectramorphic Iridescence. Glazed electronics and polymorphic beats run through wetware enhancements left behind by future civilizations. This music is black ice for all the hackers, ready to fry circuits from the inside and hardwire your dreams.Even …

Mantle is Pixel's fourth release on Raster-Noton since his debut in 2003 and a further exploration of his approach to rhythm-driven electronic music. The overall atmosphere which is produced by the fragile but nevertheless complex sounds is gloomy and quite threatening. Deep, pulsating basses are accompanied by ominous and fierce tones which emerge like flashes of light or shock waves, giving the impression of being warning signals. The few calm moments are constantly disrupted by dark dr…

L'Experience Acousmagique by Ehoeco is a deep dive into acousmatic sound, blending tape collage, environmental recordings, and abstract electronics in the tradition of Luc Ferrari and Bernard Parmegiani.

Composer, sound designer and curator/researcher Harold (Hal) Clark moved to Norway from San Francisco in the early 1970s to carry on his musical studies and career. In 1972 he was hired as a producer and tonmeister at the Henie Onstad Kunstsenter at Høvikodden, Norway. Here he co-founded the Norwegian Studio for Electronic Music (NSEM) together with the late composer Arne Nordheim (1931-2010). Meeting with young Norwegian composers in regular salon-workshops and bringing with him the influences …

Debut album from the Edinburgh-based duo of Marc Dall and Alex Ander, who work with intricately-stacked percussion, dub-wise bass and a rich harmonic tapestry of processed voices, keys, harp, vibraphone, guitar, woodwind, strings and synthesizer -- every sound re-sampled to the nth degree then subjected to subtle automation and rigorously fine-tuned over a period of many months. From the mesmerizing, pastoral drift of "Anger Sees Red" and "Dwelling by the Meadow" to agitated arabesques like "The…

An extended work from Antoine Beuger and Michael Pisaro, defined by six stanzas written by Beuger, Anna Swir, Mei-Mei Berssenbrugger and Edmond Jabes, a subtle cycle on love and permanency realized in tone and voice." "The work begins in very un-Wandelweiser fashion, with a strong note played on, I think, a harpsichord (prepared spinet?), quite forthrightly. After several identical notes, a recording of an interior space enters and a surprising sequence of chords occurs, four of them, very…

Nar is the first solo record of DuChamp. It has been composed and recorded through reharsal space changing, ideas deleted, fatwas from former lovers during year 2012 in Berlin.All tracks are played by DuChamp and recorded and mixed by Diego Ferri. Brian Pyle (Ensemble Economique, Starving Weirdos) sung in “A Worship” and also did the mastering. The albums is released on LP with cover photo by Lara Schilling and graphics by Alice Cannavà (Occulto Magazine).

Kevin Lazar is a minimal-synth, electro-acid-techno-pioneer from Chicago who is still active nowadays in the DJ and Electro-culture today as Vekzar. This Lp-Compilation contains his first and highly sought-after 26 minute-Tape "MUTANT 111" from 1982 (recorded late 1981 to Summer 82) as well as his unreleased 4-Track EP "DARK HEART CABARET" intended for release in 1983 plus 3 more previously unreleased Tracks from 1982 and 83. In 1983, Alex Dougal's CLEM (Contact List of Electronic Music) …

Albidaya in Arabic means The Beginning, which in the case of Beaini's, might be the return to the beginnings, or the start of the path. The album is conceptually a revisiting of the traditional and early psychedelic Arabic music, all through distorted paths and instruments, remashed and deconstructed sounds, recreating patterns with diverse instruments to give a different perspective of the sound itself. Includes musicians from Upperground Piero Bittolo Bon and Tommaso Cappellato. Commissioned b…

A document recovered from the margins. Experimental Products - Oxide 1982-94 is exactly what its title announces: a body of archived oxide, demos and live recordings spanning twelve years of activity by two of minimal synth's most stubbornly self-reliant figures. Mark Wilde and Michael Gross formed Experimental Products in 1982 in northern Delaware, operating heavily out of Philadelphia's fringe club circuit. Self-described as a garage band that swapped guitars for synthesizers and a drum machin…

France fights Greece. Greece fights France. Fusiller side : France, electronic passion, electronic romance, lowered fist. Balinese Beast side : Greece, electric wires, cartoon saxophone, feedback loops, dead mixtable, secret rhythms. One color metalic offset printing + insert.

Making Real, an exercise in creating reality. Created by Gerritt Wittmer in 2012-2013. Mastered by Giuseppe Ielasi. Featuring the artwork of painter Nicola Samori. Gerritt Wittmer is a sound and performance artist based in Oakland, California. His work often articulates abstract narratives through vocal expression, body performance, and intense theatrical lighting. He has performed and recorded as Gerritt, Ginnungagap (with Stephen O'Malley and Tim Wyskida), Deathroes (with Sixes), and has perfo…

2012 release ** For many years now there is a strong connection between the three members of Kapotte Muziek – Frans de Waard, Roel Meelkop & Peter Duimelinks – and Rotterdam based visual artist Ben Schot. The first time they worked together was when Schot asked Kapotte Muziek to perform at a festival about Detroit/MC5/etc festival in 1998 (released on ‘Praag/Rotterdam’ CD by Kapotte Muziek) and since then there have been various collaborations and constellations. This CD, while technically a com…

Korm Plastics is proud to present the twenty-fourth release in the Brombron series (missing numbers will follow later this year). Originally a co-production between Staalplaat and Extrapool, it is now hosted by co-curator Frans de Waard. In the year 2000 Frans de Waard and Extrapool started the Brombron project. Two or more musicians become artists in residence in Extrapool, an arts initiative in Nijmegen, The Netherlands, with a fully equipped sound recording studio. These artists can work in a…

Split release between Kevin Doria's Total Life (Growing) and Deceh (Eleh/Srines), pressed in an edition of 500 copies and housed in deluxe 2 color screen printed, heavy duty jackets. Kevin Doria's work as Total Life precedes his work done as half of the group Growing, and is continuously evolving; this contributed track, Fader, is no exception. Deceh's contribution is an extended harmonic magnification of a shruti box, Hammond organ, upright double bass & modular synthesizer.

New Series Framework is an extension of Sub Rosa's Concrete Electronics Noise, a mix-up of unusual conceptions of sound material by young unknown composers, well-known not-so-young composers and old but clever composers. Limited editions. For Lith, Francisco López and Aernoudt Jacobs shared their original sound recordings from the Brazilian Amazon, Mexico, and the UK and created four compositions with each other's recordings. Francisco López is internationally-recognized as one of the majo…

"Conrad Schnitzler is undoubtedly one of the founding fathers of German electronica. And his son, Gregor Schnitzler, matched the father's extraordinary level of creative output. They appear to have settled any musical differences amicably. After all, how else could they have 'shared' an LP released by Conrad Schnitzler himself? One half of Conrad & Sohn features music by Conrad Schnitzler, the other, his son Gregor. Two mini-albums on one disc, so to speak. An ideal opportunity to compare them. …

A deeply enigmatic duo of trumpet and drums augmented by live electronics and an expanded percussive array (tam-tam, multiple high hats etc.), Stonecipher is a mesmerising work that operates in the blurred regions between the electronic and acoustic. Dörner's electronics have never been more effective, creating viscous clouds of sound which are illuminated by Sanders' sparse, precise formations, producing a dense fabric of insidious extended tones, gradual inclines and sudden drops, and sounds t…

A 3 CD set of works by electronic music composer/performer Lou Cohen. This release is a fantastic overview of his works since around 2003, with over three hours of music. Most of these pieces were composed by means of algorithmic and stochastic processes, with emphasis on granular synthesis. Lou Cohen uses Csound as his primary tool for realizing compositions. Csound is a well-known, open-source, programmable music synthesizer. Its antecedents (called 'MUSIC,' 'MUSIC II,' 'MUSIC III,' e…

"Erstaeu 003 is, at once, the most "traditional" of the first three releases and, perhaps because of that, the most difficult to approach, at least for this listener. My previous experience with Graham Stephenson's work (I think this is my first exposure to Aaron Zarzutzki) has often followed the pattern of initial opaqueness followed by gradual transparency, eventually resulting in enjoyment and appreciation. I say "traditional" a bit tongue in cheek, although the set here, trumpet and electron…

2013 release ** "Contrary to the effects of the titular condition, which I'm given to understand afflicts both musicians, and as also implied in the images of distorted and pained hands adorning the cover, there's some seriously steady and decisive music contained herein. It's understandable, for a moment, that the innocent listener might have an idea that this is more Panzner's affair than Stuart's if, like yours truly, one's knowledge of the latter's work is pretty much covered by his adventur…

Something very cool about erstaeu 002's existing in such a different world than its numeric predecessor (and 003 is altogether different as well). After the sublime compressive intensity of "Dystonia Duos", "Sinter" injects vast amounts of oxygen into the room, air swirling and echoing in huge spaces, light shimmering and hazy. In metallurgical terms, sintering is the making of objects from powder and "powdery", especially with a metallic connotation, isn't the worst term you could use for much …

LOGOS “The idea of dedicating a record to sleeping disorders hit my mind as an illumination when two tracks were already done and I was trying to find out their obscure sense. The more I searched for it the more I couldn”t sleep at night. Composing during nightime, through headphones, is a kind of sleep treatment for me. In a big city like Rome silence is a nearly nonexistent condition; only at night I seem to have the silence I need to concentrate, but some lonely car running down the road alwa…

Given how prolific Barn Owl have been in the past, it's surprisingly to learn that it's been over 18 months since "Lost in the Glare," their last proper full-length. In the interim Jon Porras and Evan Caminiti have issued a variety of solo albums, but the duo has also used that time to augment the sound palette of Barn Owl with electronics and synthesizers. Thankfully, the same blackened soot and scorched psychedelia are still prevalent, they just reach deeper timbres and more expansive textures…

In the beginning there was the piano. As soon as he had mastered the basics, Jean-Philippe Goude discovered the spell of melancholy while working on a little musical piece: an etude ringing out in the style of a somber hymn. Not the dead meat smells of somberness that, according to Picabia, serious people emit, but the earthen gravity of an abyss dug by life itself. Everything is the result of this bedazzlement. At 11 years old, Jean-Philippe Goude closed his eyes. When his eyelids finall…

LP version. This is the first solo effort from Jonas Munk released under his own name. Jonas Munk is a musician and producer from Odense, Denmark who has been active in a wide range of musical styles for the past decade. In the European psych-rock community he is mostly known as the guitar player in the respected stoner/jazz/Krautrock-outfit Causa Sui as well as related projects such as Chicago Odense Ensemble, a joint session project featuring members of Causa Sui, Chicago Underground Colle…

Founded in Creil, in the Oise département north of Paris, in 1981 by Thierry Damerval on bass and keyboards, Christophe Demarthe on vocals, and Nicolas Demarthe on guitar, Clair Obscur are widely credited with coining the term cold wave, which makes it all the more striking that they vehemently refused to be categorised as gothic or wave, insisting on their own radical unclassifiability from the beginning. Their early shows mixed music with performance art; one notorious concert was staged as a …

2013 release ** "On Horology we hear Lars Åkerlund, Jean-Louis Huhta and Zbigniew Karkowski plugging their wangs into the Buchla 200 synth at the EMS Studio in Stockholm, and producing thereby an almighty dollop of powerhouse analogue wallop, an extremely thickened and scaly drone, like something torn from the back of an alligator. It first stuns you into surrender with over 20 minutes of unholy, grisly noise – a distorted pounding chaos of white noise and writhing agonised moans that follows th…

"South of the Border is the third installment of my Cassette Memories album series. All field recordings were taped in Mexico, a country I've had a special fondness for since I was a little child. My first memory was watching photographs and Super-8 films my father shot in Mexico City from his time there during the 1968 Summer Olympics, where he competed as a member of the Japanese national hockey team. It made me realize there is a place completely different from Japan, and I started dreaming a…

**Collecting Eleh's three heavyweight drone albums on CD for the first time. LPs were previously only available to buy direct from the label. Housed in deluxe 6-panel tri-fold slipcase. Very precious, pure and meditative sounds strongly recommended to followers of Eliane Radigue, Pauline Oliveros, LaMonte Young. Edition of 1000** "Retreat is a collection of exploratory sound assemblages put together during a cabin sojourn. New timbral richness, tonal expansion and deep synthesis make thes…

Restocked. "Two aspects were of central interest to him: different tunings and density of sound. He made an installation in the large space of Het Apollohuis, stretching four strings lengthwise and attaching them to the wooden wall on the far end, which served as a resonator. He did not use automatons or electric amplification. He played the strings by brushing them, walking back and forth at an even pace. His aim was to make his playing as continuous and even as possible. For each partita he re…

This CD represents the end of his trilogy, but certainly not the end of his adventure into Sound. Concerning this new opus, he says: I was going for a raw sound, close to the actual sounds made by the instruments and sources, with minimal dressing-up. The organ's sub-bass frequencies include extremely low frequencies. His range of instruments: Church organ, tympanies, bass drum, large drum, tubular idiophones, toms, cymbals, hi-hat, voices (sped-up, slowed-down, texts in Latin) + stokes and hits…

With the legendary “Studio Reihe Neuer Musik” series, Wergo created a trademark of advanced contemporary music in the Sixties of the past century already. On the occasion of its 50th anniversary, the label now releases these highlights of 20th-century music history in an excellent sound quality on CD for the first time.In "Und so weiter pour piano électrique et bande magnétique", the piano and tape sounds become interwoven in a complex dialogue. "Music Promenade. Mixage originale“ – created in t…