Story of Moondog
3rd LP from NYC street performer & avant-garde/minimalist composer, originally released in 1957. Perhaps the least accessible of his early releases, this album is made up of percussive jams, usually on instruments of his own creation, street sounds, poetry, & Far East melodies, despite opening w/ a swinging number that is, oddly, the most bizarre thing on the album.
Moondog
Debut album, originally released in 1956. The blind Kansas native showcases his talent for the minimal & avant-garde here, w/ compositions driven by percussion & Japanese-inspired melodies, complimented by street sounds, recitations, & animal noises. Bizarre even for today's standards, it's a wonder this was released over a half-century ago.
O\'o
The exotic follow up to "Dreamers." Featuring the same dynamic band of masters from Zorn's inner circle, this presents 12 more lyrical & adventurous instrumentals combining world music, surf, exotica, soundtracks, easy listening, minimalism & more into a fabulous & exciting new music.
Non Meters Volume One
A collective of musicians that are all connected to each other in some form or fashion. Their membership includes Guillermo Herren (PREFUSE 73, SAVATH & SAVALAS), Zach Hill (HELLA), Tyondai Braxton (BATTLES), John McEntire (TORTOISE), Alejandra Deheza (SCHOOL OF SEVEN BELLS), & Eva Puyuelo Muns (SAVATH & SAVALAS).
Invisible Pyramid: Last Elegy Box
Enormous 7-1/2 hour 6 CD compilation featuring almost everyone from the label roster along with plenty of new faces. Each artist has contributed an EP's worth of exclusive material (10-20 mins) specifically recorded for this release (not the normal throw away material that appears on other comps.) Feat. BLACK FOREST/BLACK SEA, BARDO POND, BIRCHVILLE CAT MOTEL, FURSAXA, URDOG, AVARUS, members of DEAD RAVEN CHOIR, HALA STRANA, THUJA, CIRLCE, & many, many others.
The Manifestation
Released in '00, The Manifestation was a clear, one-sided vinyl 12Ó featuring a primitive etching of the sun on the B-side. The music is an extended raga of genre-defying madness, a dizzy melding of acoustic fingerstyle, shamanic chants, chimes, hand percussion, space jam & ghostly vocals that effectively blurs the cultural boundaries of eastern & western folk music. Completely remastered, the reissue is housed in a lovely 6-panel digipak foldout & includes 20+ minutes of music made exclusively …
God Is Good
ground-breaking CD edition: God is Good is Om’s fourth studio album, and the first with new drummer Emil Amos (Amos made his first official recording with Om in the single “Gebel Barkal/Version” on Sub Pop last summer). It’s a big change, obviously, for a two-piece, and a fairly unqualified success. Amos, who also records with Grails, Holy Sons and Shrinebuilder, is far more flamboyant than Chris Hakius, less tethered to the steady chink of cymbals, more apt to range free-form over toms, rims an…
Did You See?/Spectacular Of Passages
Two stunning exclusive tracks finally unleashed after (too many) years on the shelf, just in time to coincide with Samara's wonderful new album Future Slip on Thurston Moore's Ecstatic Peace! label. A sweet little dose of hushed and fragile melancholy folk-pop-drone fluttering. Samara's unmistakable slow-bliss songforms are at their most stripped down and psychedelically entwined, with thick hovering violin tones, distant reverbed atmospheres and gentle swirls of quivering guitar feedback all li…
Aftypiclipse
This is the bomb NNCK dropped on ATP, December 2006. Entirely new sequence and improved mastering and fidelity from the CD-R version.
Tre
Brand new album by the experimental duo made up by Xabier Iriondo and Paolo Cantù. Lots of adjectives could define this album made by Paolo Cantu and Xabier Iriondo, talentuous italian musician who also worked to A Short Apnea, Tasaday, Minute War Madness, Four gardens in one. This project began more by an idea, a conversation or a project but the audio result is impressive.
Ex Aeqo
Their amazing 2nd album!! Paolo Cantù e Xabier Iriondo one more time together for a second chapter following s/t release of 2005 ( read past komareview ), - coming from previous series of free-jazz voltage to a new album somewhat tantric and stoned, untypical altough with kraut explosions (let me cite Kroko): i mean, it's the suicidal well-known sound of Wallace rec - that one wisely well-grounded in its sinister slants - perfect for a quarantine room.
Federico Ciappini (formerly from Six Minute…
A La Lu La
Amolvacy is Aaron Moore from Volcano the Bear, Dave Nuss from No-Neck Blues Band, and Sheila 16 of the Laboratory Theater Group, NYC. The band creates compositions from its improvisations centered around strong elemental percussion, radical theatrical vocals, and classical acoustic instruments. Recurring themes in Amolvacy’s texts are the pain of relationships, the affirmation of the feminine in myth, the hero’s journey, and continuous need to flame the passions of the heart. “A La Lu La” specif…
Dirty Pool
Electric guitarist Chris Forsyth (Peeesseye) and organist Shawn Edward Hansen (Phantom Limb & Bison) run rock music through a filter of transcendental experimentalism and improvisatory nerve. The result is a disorienting, psychedelic, and beautiful realignment of rock music’s form and function.
The End Of The Empire
Second album for the Brooklyn trio led by guitarist Ninni Morgia (ex White Tornado, ex La Otracina), in this recording with Stuart Popejoy (Bassoon) on bass and Kevin Shea (ex Storm and Stress, Talibam!) on drums. Compared to their first album, that featured Peter Evans on trumpet, “The End of the Empire” is more various and eclectic. The eight tracks open up to psychedelic and ambient music besides free jazz, marked by Ninni Morgia’s visionary guitar, Stuart Popejoy’s pulsating industrial bass …
European Tour 2009
Special limited edition CD to celebrate the 2009 Tour of Ohio-giants of drone Emeralds and savage noise-makers Pain Jerk. "Ohio's Emeralds cross swords with the fearsome Pain Jerk on the consistently strong No-Fi imprint, contributing one recording each. The two pieces compliment one another beautifully, though you'd imagine the two acts to make uneasy bedfellows: Emeralds' half-hour of blissful analogue motion ('Landlocked') faces off against the grotesquely noisy 'Beserker' (a "noise/voice/akt…
El Pulso
El pulso (1991) is a live collaboration with other guitarists. Masayuki Takayanagi (g), Toshio Sato (g), Shojiro Ikeda (7st.g), Akira Matsuoka (g), Hidetoshi Tanba (g), Taisuke Sakamoto (g), Shinichi Miyazaki (g), Nobuyoshi Ino (bass). Quite possible one of the strangest releases in the Takayanagi (New Direction Unit) discography: an acoustic guitar nontet playing covers of South American tango, milonga, vals, rumba, &c.
The Complete Works Of Jojo: Action Direct 1
Masayuki Takayanagi: guitars, motors, tape recorders, ring modulators, analog effects, megaphone speakers, etc. Filmed by Yasunori Saito and Kyoko Saito at the New Direction for the Arts Regular Concert Vol. 69 (1, 2) and Vol. 70 (3, 4), at Jean Jean, Tokyo, August 4 and December 17, 1990. Recorded by Masaki Shimada (1, 2) and Yasunori Saito (3, 4). Film edited by Yoshihiro Imaizumi. Cover design by Hidetoshi Shinohara.' + 1 free blank CDR.
Fifteen point nine grams
Burkhard Beins: selected percussion, objects. Lucio Capece: soprano saxophone, bass clarinet, preparations. Rhodri Davies: electric harp, electro acoustic devices. Toshimaru Nakamura: no-input mixing board. Recorded live at NPAI Festival, Parthenay, France July 19th, 2007. Mixed by Toshimaru Nakamura. The artwork for this disc was created by QQ in Argentina.
A Church Is Only Sacred To Believers
Nicholas Christian - Matt Milton - Dddie Prevost - Bechir Saade, recorded on sunday 17th of june 2007 at Atomic Studio London. “Spontaneity is not mere impulse… It does not imply undeliberated behaviour or feeling. Spontaneity is behaviour, feeling and thought that is free of external constraint, of imposed restriction. It is not an an uncontrolled effluvium of passion and action. Insofar as the individual removes the fetters of domination that have stifled her or his self-activity, she or he is…
Omni
Kato Hideki (electric bass with prime number tuning, bass synthesizer). Tetuzi Akiyama (prepared electric guitar, electronics). Toshimaru Nakamura (mixer, headphones, electric guitar). Recorded live by Kato Hideki at SuperDeluxe in Tokyo on November 25, 2008. Concert organized by Noda Shigenori Callithump). Live sound engineering by Noribumi Uchida (SuperDeluxe). Mixed and mastered by Kato Hideki at Shadow World Studio in Brooklyn, NY in 2009. 'Time is an essential subject in music. Conventional…