What We Talk About: FC GOA
What We Talk About When We Talk About Love: January 2022 — January 2023: A series of Swiss underground music making. 13 artists, 13 months, 13 records of previously unheard music – to be revealed every 13th of course.
A Lung In A Horn In A Horn
This 12" is the sonic result of a psychogeographic action which took place in Zurich's underground water system at the beginning of winter 2020-2021. This is a purely acoustic recording. Recorded and mastered by Rafal Skoczek. Photography by Mark Siumin. Design by Maximage
The Target Has Disappeared
*200 copies limited edition* Australia-based baroque violinist Lizzy Welsh has recorded three new compositions for solo baroque violin—the astounding result of a decade-long process of commissioning repertoire of such work during her doctoral research. Each of the works on « The Target Has Disappeared » initiates an intimate conversation between Welsh and her instrument, outlining the contours of memory and loss, weaving together fragments of old and new traditions in the sound of gut strings.
Galo
Tip! O Yama O return with their first full length LP since 2018’s self titled debut. Galo finds the duo of sculptor Rie Nakajima and vocalist Keiko Yamamoto firmly enmeshed alongside percussionist Marie Roux and violin player and visual artist Billy Steiger as a band, their project this time a proper four way entanglement - or five when you include the record’s powerhouse producer David Cunningham. Known perhaps already for their exploration of folkloric Japan and the ‘domestic and democratic qu…
Arc of Day
The bones of a bird, stripped of flesh and feather, give no sign of the heights and depths a living bird can reach, the lengths it can travel, or the songs it can sing. The same is true of the bones of the human hand. For all their strength and delicacy, seeing them skeletal and stark obscures our knowledge of the rhythmic energy with which they engage space, the burdens they can bear, the music they can produce. Yet, in both bird and hand, the foundation of grace and motion remain. Music above …
Live In Madrid = 马德里现场
*2023 stock. Limited edition.* Seijiro Murayama is a Japanese man who lives in France. He performs with snare, cymbal, gong and also voice. In the 80s, he was involved in some legendary rock projects, though you wouldn’t know it seeing him perform today. Cristián Alvear is Chilean. He has released a number of guitar recordings, some of which are of other people’s compositions, as well as his own. You can hear a background in classical guitar in his playing, however the form is always very simple…
Hen Ogledd
*2023 repress* Richard Dawson’s folk music has been hailed far and wide for its innovations; Rhodri Davies’ improvised harp playing is similarly regarded. Both have collaborated with a great many improvisers, composers and musicians, but they play together as only kindred spirits can and their music as Hen Ogledd stands in a field of its own.
Bronze
*2023 repress* A giant step from abrasive pastoral into amped-up avant-folk. Hypnotic interludes, ranging from archaic, electrified stomps to enraptured harp and guitar duets, industrial spaces and fragile, ghostly vocal choruses, represent important development as well as a singular musical expression from one of Britain’s most unusual outfits. Mastered for its CD debut by Jim O’Rourke.
Bussei
*100 copies limited edition.* Tsss Tapes presents Bussei by Yoshitake Kawai. Recorded in Sapporo and Kyoto, 2020.
Leverages 杠杆
Born in Yamaguchi city in 1982; Masahide Tokunaga lives in Tokyo. He plays improvisation music, using alto saxophone.Tokunaga released the CD Alto Saxophone on Slub Music in 2009. Since around 2010 he has set himself apart from other sax players in pursuit of establishing an extremely original blowing style/playing structure permeated with delicacy and tension. The results of this exploration can be heard on his following solo/collaboration albums released on Ftarri, and also the new cassette in…
September '21
Before the concert, we hadn’t discussed much of what we will be playing. Kirill proposed to place the "June ’21" score on the table, to follow the impression, the feeling, the direction of what it suggests to play. Sometimes we noticed how one part of the score or another would lead us to new ideas whilst we were playing. It was a special concert because of its circumstances. We decided to have one big table for both our setups, and to be standing up during the performance. Kirill used some obje…
Dali Sections 2018-2021
"In 2017 after I finished a tour of Taiwan and returned to Beijing, I left my hard drive on one of those share bikes and it was lost forever. I had close to ten years’ worth of live recordings on that hard drive (I never made any backups). Since then, I’ve made sure to keep recordings of my live performances well organised. To a certain extent, it’s through live performance that I create new ideas. What I regret, then, is that every performance from different phases of my music making life will …
Killed As Time
Conscious Feedback Group (C.F.G.) is a gang of three formed in 2018 by MAI mai, Xu Cheng and Jun-Y Ciao. Improvisation is their way. They use mediums of music, sound, text and performance to explore a non-identifiable style that has nothing to do with fancy illusions.
June '21
The score for June '21 was made in early summer of 2021, in a dialogical process of close live collaboration. Everything we talked about — music, time, politics, and place — was treated as a kind of material with the possibility of being brought into the piece. We didn’t aim to use sound to express such concepts directly, but rather created music with attention to the circumstances: when it was written, where, to whom and by whom it would be played. There was a mutual understanding that we were …
Recytle
This album wouldn’t exist without clarinetist Gareth Davis, with whom I’ve collaborated several times. When I asked him to participate on my + album, he was working with Monika Bugajny. She got wind of my project and asked if she could join. I agreed and reworked her beautiful clarinet recording into a ghostly one-minute piece. Apparently my concoction was convincing enough for Monika to propose another, more elaborate collaboration. Her suggestion was to use the same working method again, but t…
Momentary Lapses
*100 copies limited edition* Spoken word, synth, modules & beats invite the listener into an electronic landscape where smell is colour and sound has weight. 'Momentary Lapses' is the second collaborative album from London based artists BAG (Jody DeSchutter and Daniel Allison), and Collapsing Drums (Charlie Behrens). This is a deeply artful work that is simultaneously engrossing and challenging, and one that benefits from repeated listening.
Eidolon
To understand tuning systems, to peer into the infinity of microtonal compositional strategies, is to imagine a sense of musicality that extends far out beyond the familiar harmonies of the western ear. Iranian composer Siavash Amini, a self-confessed tuning obsessive, has dedicated much of his musical investigations over the past half decade to unlocking new relationships between harmonic events. Moreover, he has sought new timbral relations too and in doing so has honed a particular sonic-aest…
Der Krater
A note from Valerio Tricoli: "It is always very, very difficult for me to write about the music I was personally involved in making. As a matter of fact, a good reason for me to make music is precisely that I don't want to be a writer, and also to be able to shut up... for once. Yet, once a record is finished, invariably arrives the request from the publisher - in this case the great Lawrence English -- asking for a 'press sheet', a very weird, but apparently necessary form of literature in whic…
Spalona Ziemia
The trio is a perfect composition for broadly understood improvised music, sufficient in terms of minimum and generally reflecting to the maximum what the musicians want to convey to the listener. In the case of the Wrocław-based trio Marek Otwinowski, Michał Sikorski and Marcin Witkowski, this "width" of understanding improvisation is particularly visible. This is not a classic free-jazz band or even free-improv, because the musicians go far beyond these frames, touching noise, avant-garde, ind…
Enz
"After two and a half years of refining, calibrating, and reconceptualising their approach, pianist Darius Heid, cellist Emily Wittbrodt, and double bassist Jonas Gerigk are now releasing their debut CD. With great enthusiasm, the trio met frequently for playful and dedicated rehearsals, improvising freely then observing and discussing the resulting phenomena, delving further into the depths of their music. A long and involved process - creating trialogues that weave through constant re-examinat…