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On Concert A Prades Le Lez, Intercommunal Free Dance Music Orchestra turns Tusques’ radical internationalism into exuberant sound: a border‑smashing live suite where New Orleans, Brittany and North Africa collide in dance‑charged, militant joy.
On Concert A Prades Le Lez, Intercommunal Free Dance Music Orchestra turns Tusques’ radical internationalism into exuberant sound: a border‑smashing live suite where New Orleans, Brittany and North Africa collide in dance‑charged, militant joy.
On Concert A Prades Le Lez, Intercommunal Free Dance Music Orchestra turns Tusques’ radical internationalism into exuberant sound: a border‑smashing live suite where New Orleans, Brittany and North Africa collide in dance‑charged, militant joy.
On Awofofora, Marion Brown folds funk, reggae and Afro‑Caribbean rhythm into his mature structural language, using grooves not as decoration but as architecture for golden‑toned alto lines and quietly radical collective improvisation.
"The title Looking for Consonance popped into my head one day as I began thinking about a name for this collection of music. This title immediately felt important, so I kept sitting with it. I thought I knew what consonance meant in music, but I also…
Frank London, a major voice in today’s Jewish music renaissance, who has worked with the likes of LLCooI J, LaMonte Young, Jane Siberry and Gal Costa, is a trumpetist, composer, arranger and musical scholar of startling range and creativity. The Debt…
A rhythm-driven, analog-leaning record built from hypnotic basslines, warm synth textures, and layered percussion, "Simulacra" is the debut LP from Venetian bassist and producer Eric Demuro, a fully realized studio statement that brings his compositi…
In 1970s Jazz Fusion, critic Matthew Reed Baker reassesses a once‑derided hybrid, showing how the electric experiments of Davis, Hancock, Corea, Mahavishnu and others reshaped jazz, rock, soul and hip‑hop from the 1970s to today.
*Edition of 300 copies. High thickness cardboard with opaque laminated cover. Comes with a printed insert.* John Tchicai (1936-2012) was one of the most visionary free jazz saxophonists of the 20th century - a rare artist whose voice stood apart even…
Originally released in 1962 on Candid Records, The Straight Horn of Steve Lacy finds a young Steve Lacy stepping forward with quiet confidence and a sound unlike anyone else at the time. Stripped of excess and focused on tone, space, and intent, thes…
The year 2026 marks the hundredth birthday of John Coltrane, whose groundbreaking artistry as a saxophonist, composer, and bandleader made him one of the most influential musical figures of the 20th century. To honor his immeasurable impact, Craft Re…
Future Present Past is the second Impulse! Records album by the free jazz collective Irreversible Entanglements. The album was largely recorded at the historic Van Gelder Studio and showcases how the quintet fuses atmospheric jazz, world music tradi…
On Nafs At Peace, Jaubi turn a Lahore jam into a spiritual suite: North Indian raga, hip‑hop pulse and modal jazz woven into a journey from turmoil to stillness, as if Coltrane’s quest had been reimagined on tabla, sarangi and MPC‑haunted drums.
On Grzyby, Błoto complete their mycelium cycle with a compact blast of medicinal‑and‑toxic club jazz: five mushroom‑named cuts of broken beats, sub‑heavy low end and live improvisation that argue for dialogue and interdependence in a world addicted t…
On Dybbuk Tse!, Yoni Mayraz turns Jewish possession lore into a groove‑driven exorcism: live‑wire jazz, 90s NYC hip‑hop grit and Middle Eastern modes colliding in a story where a wandering spirit is forced out beat by beat.
On Scenery, Ryo Fukui turns a late‑start passion into a quietly astonishing debut: airy, confident trio swing and luminous ballads that distil a distinctly Hokkaido sense of space, light and seasonal melancholy into six perfectly breathing performanc…
In July 1984, the otherworldly entourage of over fifty musicians of Urban Sax swarmed across the coastal town of Pori, Finland, to perform a historic concert at the Pori Jazz Festival. The masked musicians, veiled in space suits and fencing masks, ar…
2026 stock Doug Carn made four records for the Black Jazz label, more than any other artist, and each one topped the previous release's lofty standard. Adam's Apple was his last (1974) album for the label, representing the final note in his staggerin…
On Anthem for Peace, Alan Braufman leads a razor‑sharp quartet through compact, hook‑rich tunes that braid spiritual jazz, buoyant post‑bop and modal, Eastern‑tinged themes into a forward‑moving set that feels both steeped in history and fully presen…
A delirious cult concept album disguised as pop, first released in 1971, where psychedelic grooves, funk and global rhythms meet phonetic pseudo-Japanese chants, judo-master ritual cries and a children's choir. Sampled by Erykah Badu, Madlib and Dope…