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The Błoto quartet had made a comeback six months ago with their first singles in over two years dropping “Szlam” and “Ścieki”. These tracks were pressed on a 7-inch vinyl by Astigmatic Records, but this only whetted the appetites of the band’s mud-lo…
"Three of Europe's most acclimated and proven improvisers—pianist Robert Mitchell (Steve Coleman, Greg Osby), bassist Neil Charles, and drummer/percussionist Mark Sanders (Jah Wobble, Rachel Musson)—band together as The Flame for the first time and e…
CD edition. Solo album by Walter Prati, here back on his cello driving us through an illuminating and sublimative journey. Walter Prati’s composition for cello seems to interpret this range of facets, these transparent and elusive angles. Contemplati…
Michael Fischer is a musician, composer andinstant composition conductor. He works on the immanence of language within sounds, their sculptural and dramatic evidence, on the tenor saxophone, the violin, on cd-player setting and conducted instant comp…
Huge Tip! Original released in 1971 by the Black Artist Group group's own label “Universal Justice Records” this album has for years been an impossible to find/listen to album, and this is its first reissue ever. Ofamfa by The Children Of The Sun, a …
Triple LP edition, packaged in thick PVC cover with a foldable double sided poster and download card. Celebrating the 20 year anniversary of highly revered Jazz collective, Build An Ark from Los Angeles, California. Formed in 2003 and releasing album…
Chicago-based innovator and educator Isaiah Collier is opening up new dimensions in the jazzwise continuum. A saxophonist by trade whose multi-instrumental talents and compositional prowess have stretched the limits of the form, Parallel Universe rep…
Recorded in 1968 and intended as a tribute to her late husband, Alice Coltrane is supported in her first solo outing by Pharoah Sanders, Jimmy Garrison and Rashied Ali — all members of John Coltrane’s last quintet. While initial reviews to the album …
180 gram Vinyl Edition. Gatefold Cover. The fourth album as a leader by spiritual jazz saxophone titan Pharoah Sanders, Jewels of Thought was released in 1969. It Consist of two extended tracks, one of which had to be divided into two parts in order …
2024 stock. This project is the exciting, unusual and at times unexpected result of five musicians from different backgrounds getting together and making music. This unlikely group that features a scientist on piano and an array of musicians from dif…
2024 stock. New York United is an experimental group at the musical intersection of a classic New York avant-garde scene and forward-looking electronic production. Comprised of multi-instrumentalist and 577-cofounder Daniel Carter (Saxophone, Flute, …
2024 stock. The Telepathic Band is named after the sort of improvisational style that can only be accomplished with a decade or two of collaboration, playing a signature ghostly, boundary-pushing music between friends. In their fourth album, Daniel C…
Gatefold packaging. Nobuo "Hara," whose real name is Nobuo Tsukahara, is a Japanese saxophonist who became known in 1951 with his big band, the Sharp & Flats. Together they recorded more than a hundred album during their career. Hozan Yamamoto is, fo…
Gatefold packaging. Le Tres Jazz Club can't really say that Japanese jazzmen benefit (not justify in fact) from a great international fame. However, trumpet player Terumasa Hino is an exception, undoubtedly because since the '70s he has collaborated …
Wewantsounds is delighted to announce the release of BAG's first album since 1973, "For Peace and Liberty", recorded in Paris in Dec. 1972 when the musicians had recently arrived from St Louis. BAG only released one album during their existence. This…
Versatile guitarist Andy Moor known from Dog Faced Hermans and The Ex and Amsterdam based pianist Marta Warelis meet to explore the sound-world of acoustic piano and electric guitar. Their debut album 'Escape' is a collection of improvisations record…
"Because I make records in a number of different styles, I often filter and change my saxophone playing to match the style of the record I’m making. But when I make a work like this, you hear my playing in my natural, unfiltered style, and that style…
This record is the result of a live streaming that was put in place after a two-day residency. It is published as it was played, with its shouts of joy and its flaws and wobbles. No overdubs, no edits. raw.