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Legendary Modern Jazz album from Germany and the true holy grail of European LPs. First session recording by the internationally awarded pianist Walter Strerath and his brilliant sidemen from 1969, originally released with a beautiful silk-screen printed cover on the tiny Jazz Groove' label in an edition of a few hundred copies only. Outstanding self penned tunes by the trio and Hans Thomas (trumpet/ fluegelhorn) plus Christian Lindner (saxes).
Modern Jazz will never die and it doesn`t smell f…
First reissue of a great piano trio album, originally released in 1963 on the private 'Soulside' label from Zurich/ Switzerland with only a handful of copies known to exist. First and last recordings of unknown jazz pianist Red Bahnik, with John Treichler on bass and a young Mani Neumeier on drums, including unique versions of Les Mc Cann`s 'Vacushna' and 'Fish This Week', Horace Silver`s 'Sister Sadie', plus original material like the oriental-tinged 'Fata Morgana Altamira' or the Latin tune 'S…
**250 copies, 2020 stock** Sonata Islands is a cultural association, born from an idea of Emilio Galante, that promotes and performs new music and jazz. They organized many concerts and festivals in Italy. After Sonata Islands goes RIO (dedicated to the music of Univers Zero, Fred Frith and Thinking Plague) and Nippon Eldorado Kabarett (with the same musicians, dedicated to Japanese RIO music of the '80s with pieces by After Dinner, Wha Ha Ha, Kiyohiko Semba and Haniwa All Stars), here they pay …
Where Future Unfolds is a new work spirited by Chicago-based sound & visual artist Damon Locks. Starting as a solo sound collage piece (where Locks pulled samples from Civil Rights era speeches and recordings to create an improvisational pallet for performance on his drum machine), over 4 years the project has blossomed into his 15-piece Black Monument Ensemble – featuring musicians (including Angel Bat Dawid on clarinets and Dana Hall on drums), singers (alumni of the Chicago Children's Choir),…
**Edition of 200** Texts by Joshua Abrams, Paal Nilssen-Love, Jim Sauter, Mike Watt, Guy Peters, Mette Rasmussen, Dave Rempis, Bruce Ackley, Sandrine Verstraete, Laurens Smet, Ken Vandermark, Koen Vandenhoudt. The idea for this publication started with a request made by photographer, reviewer and overall music enthusiast Hans van der Linden to document the Oorstof series behind the scenes for a whole year. In addition to his unique photographic impressions, we asked graphic designer Marijke Looz…
**CD version** An exciting new international trio initiated by Scandinavian saxophonist Torben Snekkestad, accompanied by two esteemed international players in the field of improvised music – the Spanish pianist Agusti Fernández and the British double bass player Barry Guy. The music they create together is situated somewhere between free improvisation, free jazz, and contemporary classical music and executed with lightning fast interaction and explorative, innovative sounds and textures. Record…
Gowanus Session II was seven years in the planning. Thollem McDonas, Nels Cline, and William Parker convened at Peter Karl Studios in Brooklyn on January 3rd, 2012 and recorded two complete albums. The first was Gowanus Session I, released by Porter Records in April of 2012. GS II was put aside to eventually complete the five-album palindromic cycle of trio albums Nels and Thollem ambitiously set out to realize. The albums in between include Radical Empathy with Michael Wimberly (Relative Pitch,…
This trio is on to something extraordinary; full on furor brushed w thin melodic lines or rage contained in a certain kind of drunken beauty and bliss - all stumbling on towards the heard and the unheard - in a whisper, in a shriek, forces joined and disjoined....This trio is the whole in the never ending audible crack Johan Berthling: double bass; Martin Küchen: tenor and soprano saxophones, retardophone, flute; Steve Noble: drums and percussion. Recorded by David Carlsson at Gula Studion, Malm…
Born in 1938, and raised in Glendale, California, Lloyd Miller has had one of the most unusual careers in all of jazz. By age 12 he had declared an intent to make his living as a jazz musician, and by high school he had already begun to experiment, shunning swing music's mechanical perfection, and chafing at his parents' desire for him to nurture his talents with formal training. This tumultous relationship with his parents would eventually lead to a stint in a psychatric hospital, before reunit…
Battle Pieces uses trumpeter Nate Wooley's "social music" system, where each piece is constructed for a soloist who improvises with no score while the remaining player choose at will from over 75 compositions over which the soloist must find their path; here at Roulette in NYC with Nate Wooley, Sylvie Courvoisier (piano), Ingrid Laubrock (saxophone), and Matt Moran (vibraphone).
Felis Catus and Silence is a breakthrough release for Tokyo composer-guitarist Leo Takami, following the milestone albums Children’s Song (2012) and Tree of Life (2017). Takami counterpoints the soothing aesthetics of prime-era Windham Hill New Age guitar-heroism with meditative, intellectual compositions comprised of ambitious, process-oriented arrangements. While Takami largely wears his genre influences on his sleeve -- jazz, classical, Japanese gagaku -- the influence of ambient music is a t…
"Un Drame Musical Instantané were founded in 1976, featuring Jean-Jacques Birgé, Bernard Vitet and Francis Gorgé. Their aim was to promote collective musical creation, co-signing their albums, which they consider as artworks in themselves, or their live shows which they tried to renew every time they played. Their sound was created with many influences: they borrowed their sources from rock (synthesizer player Birgé and guitarist Gorgé, both authors of the album, Défense de); jazz (trumpeter Vit…
Anma Ott is excited to announce the debut LP of Spemakh, a six-piece surprisemusic-group from across Germany (Saarbrücken, Nürnberg, Berlin, Bonn). Drawing from all corners of the compositional sphere, from free-jazz to serialism and concrète, and using a wide range of homemade and custombuilt wind and percussion instruments, as well as viola, doublebass, voice-noise, guitar, objects and miniature electronics, the band is aiming for a radical play with uncertainty, involving humour, gesture an…
2023 repress. LP version. 180 gram virgin vinyl, with original artwork restored. Spiritual Unity, recorded on July 10, 1964, is the album that made Albert Ayler and ESP-Disk' famous (or, in some people's eyes/ears, infamous). Mr. Ayler had already recorded in Europe and, in February '64, in New York, but this was the first album on which neither he nor his collaborators held back. It was also ESP's first jazz recording. Spiritual Unity presented a new improvisation paradigm: looser structure, le…
One day in the studio, something ridiculously great happened. It was deep Chicago winter, cold as shit. Four musicians assembled for a round-robin set of improvisations -- duets, trios, a few quartets. Approached casually, the late morning bloomed into Largest Afternoon, 15 crackling encounters between guitarist Arto Lindsay, saxophonists Joe McPhee, and Ken Vandermark, and drummer Phil Sudderberg. No expectations -- open minds and creative intent. Lindsay, a brilliant singer and songwriter and …
An übertrio drawn from distinct parts of the creative music spectrum, The Underflow was recorded during a sizzling two-night stand in May 2019. In a series of duets and trios, guitarist David Grubbs, saxophonist Mats Gustafsson, and trumpeter Rob Mazurek met headlong for the first time, converging not only their acoustic and electric instruments, but at times submerging themselves in a tangle of electronics, then emerging into shamanic bell-shaking chant or chest-rattling howl. Ranging from extr…
In 2018, Mats Gustafsson provided raw saxophonic material for the elusive Wendy Gondeln, who sometimes applied a scalpel, sometimes a pneumatic drill, to rework, remix, reimagine all the Swede's squeaks, pops, blats, and tones. In some places, Gondeln adds violent violin to thicken the roux, making Ornette's fiddling seem like Yehudi Menuhin. Uncommon bedfellows: disjunct techno and improvised music. But the Shitholes make it work brilliantly, even inviting minimal techno pioneer and co-founder …
Pour Alto Seul is Johan Arrias’ first solo work. It came about as a result of a work period early 2018 and does not claim to provide a comprehensive picture of the artist, but is an exploration of more specific ideas. In eight tracks with strong musical identities Arrias explores the saxophone as a sole voice and sound source and, to some extent, his own identity.The recordings create an atmosphere of being alone among ruins; a desolate environment, a harsh but promising and exiting place full o…
* Brand new extended and remastered version of the original LP from 1981. Gatefold with new photography and liner notes * Slickest Afro-jazz-funk swerve from legendary South African cornet player and anti-apartheid figure Hugh Masakela, recorded at the Maseru Holiday Inn before a small audience during days surrounding his defiant 1981 performance in Lesotho while banned from performing just over the border in SA proper. Newly remastered and recut from the original single LP over a 2LP pressing."…
The trumpeter sketches a succession of melodies and moods around and over the rich textural detail and earthy solidity of Mr Blackwell’s drumming,” noted Robert Palmer in The New York Times. “The melodies come from Spain, Africa, Jamaica and the modern jazz compositions of Thelonious Monk, but Don Cherry and Ed Blackwell transform them into a personal music that is as urbane and international as they are. Together, they make El Corazón one of the most impressive duet albums of recent years.” Thi…