Jazz /
Spirits Rejoice!
Released in 1978- now re-issued for the first time, the 2nd album from South African jazz/fusion power house, Spirits Rejoice.
Magma
Esmeralda Sella is a young pianist from Ravenna, Italy. “Magma” is her debut album, and also a turning point. It’s the culmination of a journey that was «essential for understanding myself and the world around me» as she describes it. Sella recorded “Magma” with two key collaborators: Federico Giolito (double bass) and Giovanni Nardiello (drums), following years of mutual trust, shared musical experiences and extensive practice. «Our sound is the result of opinions, ideas, and doubts exchanged o…
Suite For Max Brown
Includes Japan-only bonus track "Blackman". Comes in gatefold mini LP replica with obi and insert. The label behind Angel Bat Dawit’s amazing debut present a glorious side from persistent jazz innovator Jeff Parker (Tortoise), melding deeply soulful charm with naturally explorative leanings operating at similarly loose but focussed levels of intuition and dextrous freedom across his swirling ‘Suite For Max Brown’, but with plusher recording and production values.
Preceded by a 7” that signalled…
Otoliths
Otoliths is the second album by the transatlantic quartet Earscratcher, which brings together Austrian pianist Elisabeth Harnik with three of her US-based cohorts – Dave Rempis on saxophones, Fred Lonberg-Holm on cello, and Tim Daisy on drums. Recorded live on tour in the US in December of 2024 - no small feat in an era when the longstanding xenophobic and insular tendencies of the country dominate more than ever - this sophomore outing finds a band whose roots have spread deep and wide. While t…
Perseverance Flow
Fifteen years in, Joshua Abrams and his Natural Information Society have stopped trying to impress anyone and started building something genuinely necessary. Perseverance Flow strips away the expanded lineups of recent efforts, returning to the core quartet—Lisa Alvarado on harmonium, Mikel Patrick Avery on drums, Jason Stein on bass clarinet, and Abrams on guimbri—for one continuous 37-minute meditation that feels less like composed music than a natural phenomenon you've stumbled upon.
This isn…
Didi
From the introspective "Mojo uno", Gelbard's solo piece on Moog, to the wild "Alevacolariea", featuring the prolific Uruguayan Rubén Rada, Gelbard's solo album offers no chance to remain indifferent.
In Session
Huge Tip! 200 copies limited edition - While most musicians spend years developing chemistry, Exotic Sin and Julian Sartorius achieved something close to musical telepathy in a single afternoon at BBC Broadcasting House. What started as a radio session for BBC Radio 3's Late Junction became something far more significant—a masterclass in how three minds can think as one organism when the conditions are exactly right.
In Session documents this first studio encounter between the London-based duo …
Mangekyou
P-Vine is delighted to announce the release of one of Japan's most coveted albums of the 70s, "Mangekyou" by singer-songwriter Yoshiko Sai. Produced in 1975 by Master musician Yuji Ohno, the album features Yoshiko Sai's superbly crafted songs and crystal clear voice over Ohno's lush, funky sound and breezy arrangements. A strong buzz has been growing around the album over the years and original copies now change hands for large sums of money. This is the first time "Mangekyou" is available outsi…
Tokyo
Wolfgang Muthspiel and his trio with Scott Colley on bass and Brian Blade on drums (“Together they have something of the empathy of the Bill Evans trio” – Downbeat) goes into its third recording-venture swinging, setting the stage for what may be the group’s most adventurous trio recording with a delicate reading of Keith Jarrett’s “Lisbon Stomp”. Throughout the album however, the Austrian guitarist and his American cohorts turn the spotlight towards Wolfgang’s captivating originals, touching on…
Tramonto
Recorded live in Birmingham during a Contemporary Music Network tour in 2002, Tramonto finds UK pianist John Taylor (1942-2015) in celebratory, outgoing mood, fronting one of his most dynamic and quick-witted groups, with US musicians Marc Johnson and Joey Baron – the energetic team that would later collaborate on the critically-lauded ECM recording Rosslyn. Here the repertoire features the well-known Taylor tunes “Pure and Simple”, “Between Moons” and “Ambleside” (heard in an epic 15 minute…
Tracks
Frode Gjerstad, Alexander von Schlippenbach, and Dag Magnus Narvesen's first trio recording is powerful convergence of avant-garde improvisation and deep jazz sensibilities. Gjerstad’s fearless saxophone work, Schlippenbach’s adventurous piano explorations and Narvesen’s dynamic drumming create spontaneous compositions that betray a deep mutual respect.
Hyperboreal Trio
Hyperboreal Trio’s debut album unites the distinct voices of Signe Emmeluth, Ingebrigt Håker Flaten, and Axel Filip—three seasoned improvisers bridging the musical extremes of the north and south through raw, yet meticulously crafted pieces.
Milestones
Milestones is an album that needs no introduction. Often overshadowed by its younger sibling Kind of Blue in the rankings of greatest jazz records, it nonetheless holds a pivotal place in the history of modern jazz. Critics and devoted listeners alike recognize its importance: an early – and outstanding – example of modal jazz, recorded by Miles Davis’ so-called “first great quintet” (actually sextet, this time), featuring legends like John Coltrane, Red Garland, Paul Chambers, Philly Joe Jones,…
Béke
“Peace is not the word to play” rapped Large Professor on Main Source’s 1991 debut album. His plea to stop abusing the word “peace” simply for rhetoric flair sounds just as valid in today’s genocidal world as it did in the streets of New York over 30 years ago. For Oiro Pena to name this album Béke, meaning peace in Hungarian – or white people in French Caribbean creole – it seems like they finally have something to say. With this group/concept/project called Oiro Pena, circling as a creative vo…
Great Moments With Pharoah Sanders
The Great Moments With documents the music of Pharoah Sanders from 1983 to 1990, showcasing both the raw energy and tender nature of his music. It contains 12 of his recordings, including "Africa", "Naima", "You've Got To Have Freedom" and also the previously unreleased version of "Central Park West".
Feelings
Feelings marks Jake Henry’s long-awaited return as a leader, more than a decade after his debut with Sweet Talk Glitterbomb. This album is a deeply personal exploration of the intricate harmonic language and angular counterpoint Henry developed during his formative years as a guitarist. Drawing on the frenetic energy of math rock, raw intensity of metal, and chaotic textures of noise, Henry recontextualizes common song form into a bold, genre-defying soundscape.
The quartet—featuring Brian Krock…
Look Both Days
First meetings are always a risk, but if the vibrations are right and the doors are open, magic will be made. When the members of Look Both Days (brought together by Chicago pianist Erez Dessel) took the stage on the opening night of the 2023 Catalytic Sound Festival, nobody knew quite what to expect. With Marvin Tate on the mic, Mai Sugimoto and Fred Jackson Jr. both on alto saxophone, Erez Dessel on piano, and Ben Hall on drums, these stalwarts of the midwestern improvised music scene were poi…
Groppler Zorn
*2025 stock* Emerging from the fertile ground where language meets rhythm, Groppler Zorn proudly announces the release of their highly anticipated debut album. Conceived in the transition from spoken word to music, the project embodies the belief that the urge to speak and the impulse to dance spring from the same source. Far from being a singular vision, the album is the result of a series of creative dialogues — conversations between musicians and artists from diverse, and at times opposing, a…
Ensamseglaren
Huge Tip! "I stood on top of the mountain and looked out over the landscape. It was so beautiful that my chest hurt. The light vibrated, time stood still, and the contours dissolved for a moment. Everything had changed; I felt it then. I took their little hands so as not to lose contact with the ground. Then we ran down the mountain, scraping our knees. Still, we didn't make it. You had already put away all the nautical charts, loosened the moorings and steered out among the skerries. Mum stood …