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From the halls of Kashmere High School to the discographies of funk aficionados worldwide, the Kashmere Stage Band’s debut album Our Thing, self-released in 1969, stands as a defining artifact of American funk. Born from a Texas student ensemble under the exacting direction of musical director Conrad O. Johnson, the band forged a sound steeped in raw, unfiltered groove and high-velocity horn work that would resonate for decades.
Our Thing captures the Kashmere Stage Band at a pivotal moment: a r…
Third album by the Jérémie Ternoy Trio, Survol à basse altitude (“Low-Altitude Flight”) extends the story of a group that, for over twenty years, has moved beyond the well-trodden paths. Away from noise, effects, and speed, the trio continues its quest for clarity, balance, and meaning. Around Jérémie Ternoy (piano, compositions), Nicolas Mahieux (double bass), and Charles Duytschaever (drums), an open space for dialogue takes shape — one where listening drives everything, where each sound finds…
The album "The New Street In Old City" by December Thirty Jazz Trio, released in 1993, is recognized as an important jazz work. The trio consists of pianist Giorgio Occhipinti, bassist Giuseppe Guarrella, and drummer Francesco Branciamore. This album showcases their development of a unique sound and artistic expression in jazz, blending melody with freedom of improvisation. The music combines inventive concepts with intense yet clean melodic lines, making it compelling and a significant part of …
Banquet was the fourth album by the legendary German rock band, fronted by British singer John Lawton. This album featured the band temper their usual hard rock style with a Santana-esque jazz-fusion edge, with help from a full brass section. Rated their most progressive album by fans. Five lengthy band-penned tracks, with standout opening pirate-themed 'Spanish Galleon' and the string-enhanced ballad 'Sorrow'.
The final chapter of the legendary Brotherhood of Breath unfolds in this captivating live recording from the Banlieues Bleues festival in France, March 18th, 1989. This release is a historic testament to the dynamic fusion of South African jazz influences with broader jazz traditions, capturing the band at a pivotal moment. Adding palpable excitement to this installment is the presence of the iconic Archie Shepp, who delivers compelling performances on tenor saxophone throughout the concert and …
Giovanni Tommaso is the greatest Italian Jazz bassist and founder and member of the most important ever Italian Jazz Rock ensembles, the Perigeo band. Sonor entirely restored the full session from the original tapes found, and digitally remastered the sound for a greater sound experience, chasing the original analog source
HobbyHouse is the self-titled debut album by the Berlin-based duo featuring Mia Dyberg (DK) on saxophone and Axel Filip (ARG) on drums. Rooted in avant-garde improvised jazz, HobbyHouse explores diverse musical structures and sonic playgrounds, crafting spontaneous compositions with a strong focus on timbral nuance and authenticity. The duo weaves these elements into vivid, evolving sound narratives that reflect their commitment to exploratory expression and creative immediacy.
This live jazz album, recorded on June 15, 1968, at the Montreux Jazz Festival in Switzerland, showcases the extraordinary artistry of Bill Evans on piano, accompanied by Eddie Gómez on bass and Jack DeJohnette on drums. Capturing the trio at a peak of creative interplay, the album presents a captivating blend of original compositions and classic standards.
The repertoire features Evans originals such as “One for Helen” and “Nardis”, alongside his masterful interpretations of timeless pieces lik…
The Unseen Pact marks the first recorded encounter between percussionist Sofia Borges and saxophonist Ada Rave—a meeting shaped by fierce yet lyrical energy, and a shared commitment to spontaneous storytelling through sound. Borges and Rave move like co-conspirators in a ritual of fire and ether, navigating the space between control and surrender. Rave masterfully weaves narratives that evoke characters and shifting personalities—stories that unfold as she plays. Borges, in turn, bends time and …
Believe’s debut album ‘Spirits of the Dead are Watching’ is a potent statement from four of Australia’s most experienced and dedicated improvisers. A powerhouse unit of rare intimacy, flexibility and passion, Believe connects the spectrum of contemporary creative sound making with the fluid, anything is possible momentum of free jazz.
Headless Heroes of the Apocalypse by Eugene McDaniels is a singular statement of early-70s soul dissent, bridging the realms of jazz, funk, and political activism. With inventive musicianship and lyrics addressing injustice, colonialism, and resistance, the album remains a powerful, relevant artifact, both musically adventurous and unflinching in its message.
This is the sixth album by Dorothy Ashby, a Detroit born jazz harpist who passed away in her early 50s in 1986 way before her time. She left us a rich legacy of music with this 1965 release being one of her milestones. The music is pure bright and swinging with a joyful mood. Dorothy Ashby performs her lines big time with her harp and captures your soul with the melodies she picks from its strings. She is always there upfront while the brass section mostly fills the background with colour if the…
When Ira Gitler, jazz journalist and producer at Prestige, curated this album, the term "collector" was already well-established among music enthusiasts. The pursuit of out-of-print recordings, old 78 rpm discs, and unreleased material had reached an intensity comparable to the fervor seen in the vinyl-collecting market decades later. Gitler aimed to offer jazz fans unreleased Prestige recordings while meeting expectations for the amount of music on an LP. Initially dismissed as a mere compilati…
Naissoo Freeform Quintet is a vivid exploration of jazz improvisation and collective creativity, recorded by Estonian keyboardist and composer Tõnu Naissoo and a handpicked ensemble of accomplished local musicians. Captured during two highly spontaneous sessions in Tallinn in July 2024, the album foregrounds the chemistry of the quintet - with Naissoo’s Rhodes, Moog Source, and ARP Odyssey providing the core, and enhanced by the agile bass work of Mihkel Mälgand, the resonant bass clarinet of Me…
Massada is a dynamic Dutch Latin band with deep roots in the Moluccan community, renowned for their unique blend of African, Brazilian, and Balearic grooves fused with soulful world music styles. Their music is a rich tapestry of rhythms and melodies that seamlessly cross cultural boundaries, captivating audiences with its infectious energy and heartfelt emotion. Since their formation, Massada has been celebrated for their ability to innovate within the Latin and world music genres, creating sou…
Originally released in 1967, Mama Too Tight stands as one of the most daring and structurally innovative albums from Archie Shepp, a pivotal figure in the free jazz movement and African-American cultural protest of the 1960s. Distinct from his more explosive works, this album showcases a refined compositional complexity, featuring avant-garde marching-band-style arrangements, masterful horn orchestrations, and a unique blend of humor and improvisational tension.
The title track, Mama Too Tight, …
Placebo's debut LP "Ball of Eyes" is a remarkably focused Soul Jazz record, without the experimentation or Free Jazz moments which were still in vogue during the first half of the '70s. Excellent covers of Marvin Gaye's "Inner City Blues" and Sam & Dave's "You Got Me Hummin'" as well as his own compositions make "Ball of Eyes" a perfect example of the genius of Marc Moulin and his incredible band.