Jazz /
Volume 2
Super groups are always risky—the potential for disappointing fans or warring musical styles is high—but when longtime friends and masterful improvisers come together, they usually work. Evident in their first collaboration, simply titled Volume 1, John Dikeman (Saxophone; When The Time Is Right, 577 Records, 2021) joined musicians Pat Thomas (Piano; Shifa Live at Cafe Oto 2019, BleySchool 2019, Shifa Live in Oslo 2020, Educated Guess 2021), John Edwards (Bass; EMPoWered. 577 Records, 2021), and…
Extensions
Pianist and composer Simon Nabatov has played with "who's who" of the jazz and improvised music community, given concerts in over 60 countries, appeared on the numerous international festivals, received prizes and documented his music on 30 CD's under his own name. His musical activities include Jazz, improvised, experimental and world music. Nabatov’s initial idea to extend his Cologne-based quartet - hence the CD title – resulted in this exciting musical document. Both tracks, while fully impr…
déluge
"Trombe’s 2019 self-titled debut LP kicked off the Nantes unit’s ongoing two-piece experiment with a short and sweet exercise in minimal brut-jazz, with percussionist Erwan Cornic rattling chains and trinkets just as often as he plays full drum set and Thomas Beaudelin yanking the sax valves like root vegetables. But even though the duo has garnered praise from devout skronk stalwarts like Mats Gustafsson, their particular style has always had a distinct, almost delicate melodicism at its heart,…
Primitive
“Primitive” is Jessen’s first full-length release. A raw solo saxophone recording born out of anger and isolation. At times, it screams violently. At others, it slowly pierces. At all times, it is a reaction to Jessen’s surroundings.
Take To The Streets
Wah Wah 45s are proud to present the full debut album from Afrobeat supergroup Eparapo. Having come together during the unprecedented events of the pandemic and the Black Lives Matter movement, and despite being a project born from the privations of lockdown, their music is ultimately an expression of hope, resilience & resurgence.
Basenezmen
Recorded in Royal Alzheimer Hall, Thessaloniki, Greece, January 2015, Limited release of 500 unique record covers for the 500 hand-numbered copies of the Basenezmen music project. Two of the most important musicians in Greece are currently together for the first time to present ‘basenezmen’ project. They improvise under rythmic structures in form of jazz, rock, ambient and folk music.
Something There
*2023 stock* "Almost two years of inactivity have passed. The main reason was the pandemic, of course, but there was also a second one, an eight-month period when I could not use my left arm because of a shoulder fracture. But still, on the 21st of October 2021, I performed solo at the Open Jazz events of Demetria Festival. In one of the old warehouses in the port of Thessaloniki which have been converted into cinema halls. Right across the port authority where I served for three years. The tens…
Skra’s Confession
*2023 stock* The Orange Blue Green band improvises freely in the true sense of the word. An improvisation initiating from the very first sound produced without any prior coordination regarding the style, structure or anything relating to the overall musical form. An acoustic, almost classical trio that has embraced the fundamental features of the sound of chamber music, along with the various musical idioms and experiences of the members’ multi-dimensional course. Their music features a primal e…
Fulufulu Paupepa Paupapa
GBK are an Austrian free jazz trio that isn't afraid of being groovy. The band was founded in 2007 after a first meeting the year before, being thrown together in an improvised music session. They performed many years under the name of KGB before changing their name recently due to Russian war against Ukraine. All three musicians are happy to swap roles in their trio, therefore abstract experimental sounds have the same place in their repertoire as groove and melody. Drummer Didi Kern works both…
At Tilos, Budapest
Blurt was founded in Stroud, UK, in 1979 as part of the post-punk movement by poet, saxophonist und puppeteer Ted Milton along with Milton's brother Jake, formerly of psychedelic group Quintessence, on drums and Peter Creese on guitar. After three albums Creese left the band to be replaced by Herman Martin on synthesizers who, after a year of constant touring left the band, and was replaced by Steve Eagles, former member of Satan's Rats, The Photos and Bang Bang Machine. Shortly thereafter Jake …
Outspan No 2
Tip! Recorded a month after Outspan No 1, this album offers up four more sonic delights from the core trio of Brötzmann, Van Hove, and Bennink. Rarely has free jazz/Euro improv/circus music/[your identifier here] sounded so unfettered and delightful -- adventurous without seeming self-serious, silly yet not without gravity. A must for any fan of these three maestros.
Outspan No 1
Tip! It's hard to imagine how this record -- and it's mate, Outspan No 2 -- managed to remain more or less out of circulation from the CD era onward. Outspan No 1 is nothing less than an ideal distillation of the broad approach to sound creation utilized by the three-ring circus that is Brötzmann, Van Hove, and Bennink, here with the added bonus of Mangelsdorff. Two short numbers, two long, too perfect.
Gomberg III-V - Airplay
Mind altering quartertone trumpet experiments from one of the world's most highly regarded and idiosyncratic players.
Tapestry Koto & The Occident Sea
'Tapestry: Koto' is a 3-album series produced by Nippon Columbia in the mid-1970s dedicated to one of the main instruments of Japanese traditional music: Koto. The beauty of the trilogy curated by composer Kiyoshi Yamaya, whose chapters are respectively dedicated to Sea, Hillside and Country, lies in the fact that they are a modern translation of tradition using newer and more avant-garde sound idioms, integrating the koto with jazz musicians. An original mix, a 'crossover’ that allows for the a…
Next Door
Adroit jazz guitar, prog rock fantasia, and Japanese environmental music all rest comfortably behind Leo Takami's Next Door. The follow up to the acclaimed Felis Catus & Silence, Next Door finds Takami ruminating on passages — of time, seasons, consciousness. Through music, Leo contemplates daily events and finds beauty in ordinary moments. He also seems to be questioning the value of being stuck in the world, allowing his mind to wander towards something beyond it. His music is earnest, deeply …
Wednesday Weld
Musician Paul Flaherty believes that the difference between pre-composed music and free-form improvisational music is a bifurcation of the mind, “The logical mind is reduced to a witness during free playing and the emotional mind is fully released.” Free from concept, outline or even leadership, the music is a free-form experience. This is realized on the newest release from Paul Flaherty (Tenor sax, alto sax) and his long-time collaborators Jim Matus (Electric guitar, Baritone guitar) and Larry…
World Without
Abstraction, with feeling. Saxophonist Paul Dunmall, a veteran experimental jazz musician, was feeling drawn to vitality. He wanted to organize a group of musicians that were driven by an underlying pulse and a central energy, beyond the abstract improvisations he had been familiar with for years. He had always appreciated jazz that had a driving, uplifting energy, and organized this quartet, inspired by these musicians’ previous improvisational performances. Alongside guitarist Steven Saunders,…
Snooze
American pianist and composer Joanne Brackeen has been called the "Picasso of jazz piano" for her unique style and complex improvisations. Her work is at the forefront of what avant-garde jazz can be and she has long been one of the giants of modal, post-pop piano.
Snooze from 1975 is Brackeen's extraordinary debut album. Featuring four outstanding Brackeen compositions, along with her take on Wayne Shorter's "Nefertiti," Miles Davis' "Circles," and the standard "Old Devil Moon."
A child prodigy…
City Lights
Sowing Records present a reissue of Lee Morgan's City Lights, originally released on Blue Note in 1957. City Lights is the result of a fine session recorded at the legendary Rudi Van Gelder studio by an all-star sextet featuring the 19 years old trumpet genius Lee Morgan plus an impressive coalition of jazz stylists such as Curtis Fuller on trombone, George Coleman on tenor sax, Ray Bryant on piano, Paul Chambers on bass, and Art Taylor on drums. All great players caught here in top form while d…
Crashin' From Passion
Red Vinyl Edition. In the 1970s, Betty Davis defied genre and gender by pushing her voice to extremes and embracing the erotic. She articulated a kind of pre-punk, funk-blues fusion that had yet to be normalized in mainstream music – a style that few musicians have come close to replicating. As one of the first Black women to write, arrange, and produce her own albums, Betty was a visionary who disregarded industry boundaries and constraints. Raw, unapologetic and in full control, Betty paved th…