Jazz & Improvisation / All styles

2024 Stock. Minor signs of wear from long-time storage. ** "ROVA saxophone quartet provide a tiered, three-dimensional look at the interaction of soprano, alto, tenor, and baritone saxophone. The arrangement of these instruments in the stereo mix -- left to right on all tracks in the sequence soprano, baritone, alto, and then tenor -- offers great contrast in the three-dimensional sound. Even the bright little spark of piccolo or sopranino saxophone involves in these works of sonic texture. Whil…

2024 Stock. On their 3rd album Casper Van De Velde and Hendrik Lasure, the two SpongeBobs of Belgian jazz, enter Cortizona and take you on board of their newly discovered musical spectrum: Rollercoastin’ between extreme emotions Casper and Hendrik slide through 90’s Euro-optimism on synths, frantic drum rolls, lost piano sounds and sample wizardry: blending Spanish guitars, voices of singing ladies, slow mo clarinets and the patterns of a percussion robot. ‘Holiday’ is the result of a residency …

2024 stock Outstanding performance by the Austrian saxophonist Hans Koller; this is a very uncommon and memorable session from the 1960s. Koller plays tenor in a quartet that also features Fritz Pauer on piano; the track was initially recorded for a sound library session, but it is exemplary 60s contemporary jazz. In a style that appears to really challenge Koller during his solos, maximizing his remarkable tone and phrasing without descending into any kind of overdone experimentalism, most of t…

2024 Stock. Minor signs of wear from long-time storage.

2024 Stock. Minor signs of wear from long-time storage. ** "Webster's defines the word canto as "one of the major divisions in a long poem." These four cantos of the Austrian composer and flügelhorn maestro Franz Koglmann are indeed major divisions in a long poem, but that poem happens to be musical. Rather than look at Cantos I-IV as a symphony with four movements, it is better to view them as breaks in the various traditions that Koglmann has been inspired by and participates in: jazz in all i…

2024 Stock. Minor signs of wear from long-time storage. ** "Recorded at the 1993 Vancouver Jazz Festival, these five group improvisations feature sound explorations by pianist Marilyn Crispell, bassist Barry Guy, and drummer Gerry Hemingway. The interplay is quite spontaneous and the continuous music is rather forbidding, atonal, and with an emphasis on sounds rather than notes."

2024 Stock. Minor signs of wear from long-time storage.

2024 Stock. Minor signs of wear from long-time storage. ** Recorded during their second tour of the Soviet Union, these six performances by Rova (Larry Ochs on tenor and sopranino, Bruce Ackley on soprano, Steve Adams on alto and sopranino, and baritonist Jon Raskin) are consistently exciting and inventive. In general, the four masterful saxophonists start off with fairly accessible and rhythmic patterns before venturing into loose but controlled freedom. The sound explorations cover a great dea…

2024 Stock. Minor signs of wear from long-time storage.

Rare CD 2024 Stock. Minor signs of wear from long-time storage.

2024 Stock. Minor signs of wear from long-time storage.

2024 Stock. Minor signs of wear from long-time storage. ** The primary inspirations on the album include the blues, African drumming and the music of Lennie Tristano. The pieces were commissioned by the New York arts organisation Roulette as part of their tenth birthday celebrations. Marilyn Crispell, bassist Mark Dresser and drummer Gerry Hemingway played together many times in the Anthony Braxton quartet, but this was their debut performance as a trio. The title of the composition "What of it …

*2024 stock* "Tony has made a great album, it sounds like a lost album from the european spiritual jazz scene of the 1970s. A nice balance of themes with spirited playing. Great analogue recording too!" - Nat Birchall, Gondwana Records "Fresh new UK jazz talent who can only be destined for great things! This album can only be a future classic." - Jazzman Gerald, Jazzman Records

*2023 stock* "From his earliest days as a composer, George Russell has worked from the assumption that if jazz was to grow as an art form it would have to look within itself for the materials of growth. Developing the theoretical ability to abet that process has occupied Russell from his works for the Dizzy Gillespie big band of the late 1940s to his most recent electronic music. The Outer View is one of his most brilliant small-band recordings, applying Russell’s system of tonal organization no…

Wewantsounds is delighted to reissue Roy Haynes' 1971 LP 'Hip Ensemble,' recorded in New York for Bob Shad's Mainstream Records and featuring Hannibal Marvin Peterson, George Adams, Teruo Nakamura and Lawrence Killian. Together the musicians create a superb mix of jazz funk and spiritual Jazz showcasing Haynes powerful drumming and creativity. "Hip Ensemble" is reissued here for the first time on vinyl since 1971, in its original gatefold artwork with first generation photos and includes the bon…

*2026 stock* A young, super-tight and intense power trio from Moscow, Brom genuinely push heavily, crossing over among improv, noise-rock and free jazz with Sunstroke.  "One of the most amazing mixes of musical elements I have heard in a long freakin´ time."- Mats Gustafsson

Respected Swedish Drummer and Composer Dennis Egberth Introduces New Sextet in His First Album with 577 Records. If you love the era in which electronic elements began to enter contemporary jazz, you’ll LOVE what Sweden’s Dennis Egberth has been creating. The esteemed drummer/composer introduces us to his hand-chosen ensemble, The Dennis Egberth Dynasty, in the artist’s first album with 577 Records. The self-titled release highlights his creativity, painting a hypnotic soundscape that soothes th…

Connect to your favorite listening device, crank up the volume, and prepare for the ultimate avant-punk experience!  Brooklyn-based 577 Records is honored to present the Roboquarians’ first recorded album, Roboquarians, Vol. 2.  The new release comes from the hearts of up-and-coming sax talent Ayumi Ishito, lively drummer Kevin Shea, and gifted guitarist George Draguns. When Ayumi received a request from Shea and Draguns to collaborate, she became part of the intriguing backstory of this work of…

The first time the band that became LuMiSong ever played together was during the Great Lockdown of July 2020. The others wore masks while I stood twenty feet away with the door behind me open to a Gowanus side-street. I hadn’t shared a sound or negotiated an eighth-note with anybody for months and the experience overwhelmed me with emotion. (The most basic facts of collective music-making are the most profound.) We all brought in music to that session and to the many that followed. Matt and Sant…

Having found support from tastemakers including Gilles Peterson, Deb Grant, Jyoty and Tony Minvielle for last year’s EP ‘The Changing Tides Of Dreams’, SHOLTO returns with his forthcoming album ‘Letting Go of Forever’ – a 26-track expansive double LP, scheduled to drop later this year on DeepMatter Records / Funk Night Records. Drawing inspiration from Mozart’s ‘Lacrimosa’ and the work of David Axelrod, the album’s first offering ‘For The Love Of Stripes’ combines moving strings and choral orche…

2025 Stock. A true exploration in spiritual jazz that follows A transcendental journey that takes in meditative musical mantras, sprawling tenor sax improvisation and mesmeric percussion, the new album by Work Money Death (the group that backed ATA artist Tony Burkill on his 2017 debut record of the same name) seeks to reinterpret the sound of artists such as Pharoah Sanders & Alice Coltrane over two tracks: the brooding tension of A-Side “Dusk” and the sanguine & uplifting “Dawn” on the B-Side.…

2024 repress. "Mondays at The Enfield Tennis Academy, x2 LPs of long-form, lyrical, groove-based free improv by acclaimed guitarist & composer Jeff Parker's ETA IVtet, is at last here. Recorded live at ETA (referencing David Foster Wallace), a bar in LA's Highland Park neighborhood with just enough space in the back for Parker, drummer Jay Bellerose, bassist Anna Butterss, & alto saxophonist Josh Johnson to convene in extraordinarily depthful & exploratory music making. Gleaned for the stoniest …

Tim Berne - alto saxophoneTom Rainey - drumsGregg Belisle-Chi - guitar All music composed by Tim Berne Party Music BMI except Julius Hemphill by Julius Hemphill.Subito Music Publishing (ASCAP).Mixed and mastered by David Torn.Vinyl artwork + design Steve Byram.CD artwork + design TJ Huff (huffart.com).Digital artwork is a collaboration between Steve Byram and TJ Huff. Tracks 1-10 recorded April 20th 2024 by Greg DiCrosta at The Studio at Firehouse 12. Tracks 11-18 are a live concert recorded Mar…

"Christopher Dammann Sextet is a debut record, but it’s by no means a first effort. Bassist, composer, and improviser Christopher Dammann has been making records for about fifteen years, first as a member of 3.5.7 Ensemble and more recently as the leader of Restroy. Throughout that time, he’s also gigged persistently in Chicago, notably as a regular substitute for Brian Sandstrom in the long-lived free improv collective Extraordinary Popular Delusions, and from Charlottesville, VA (between 2010-…

Sun & Rain is a fully collaborative quartet that thus far has practiced a painstaking process of co-composing music together. Because of this extreme sense of collaboration and only working on the music when all four members were physically together, the album Waterfall took six years to compose. Beginning in 2014 the band gathered at Laplante’s residence in Vermont for semi-annual rehearsal retreats. These were not particularly relaxing retreats, as the band held themselves to a rigorous work e…

Blood Burden is the debut album from Brooklyn-based saxophonist, composer, and bandleader Alfredo Colón. Deeply rooted in the blues tradition, Alfredo brings harrowingly raw emotion in the form of barely-contained chaos to Blood Burden — a meditation on the interplay of Dominican folklore and Catholic imagery and ethos, and an ode to his immediate family members in the face of intergenerational trauma. Recorded at Figure 8 studios in New York with Lex Korton on piano, Steve Williams on bass, and…

Recorded at Kammerspiele (Schauspielhaus Bochum), October 31, 2022, mixed and mastered by Peter Böhm.Frank Gratkowski — clarinets Maria Gstättner — bassoon Martin Siewert — guitars, electronics Sara Kowal — harp Joanna Lewis—violin Laura Strobl—viola Melissa Coleman—cello Peter Herbert — double bass Els Vandeweyer — vibes, percussion Gerry Hemingway — drums, percussion Georg Graewe — piano

Huge Tip! Double LP, Gatefold edition. Born on November 23rd, 1944 in Paris, France, Frédéric Rabold already played with his father in American Army Clubs at age 16. In 1965, Rabold joined the Axel Lauser Quartet, three years later he finally founded his own band, the Frédéric Rabold Crew. In the following years he collaborated with guitarist Martin Ederer, singer Lauren Newton, as well as avant-garde jazz musicians such as Gunter Hampel, Leszek Zadlo, Lester Bowie, Manfred Schoof, Albert Mangel…

*50 copies limited edition* "This release has been in the works for a while and we're beyond thrilled to finally bring it to you. Pet Peeves seamlessly blends angular, precision musicianship with sheer blown-out chaos without sounding disjointed or contrived. High-energy guitar, drum and horn music with an absurdist performative edge. The sound of a tornado hitting a Guitar Center." - Orb Tapes

Mr. Bongo proudly presenting our reissue of a bona fide Latin classic from 1979 by the Cuban-born violinist Alfredo De La Fe. Based in New York and Colombia, Alfredo worked with some of the greats in Latin music including Eddie Palmieri, Willie Colon and Roberto Roena, alongside disco and soul icons like Sylvester and Aquarian Dream. His debut album, Alfredo, is sublime and comprises two distinct halves. The A-side is a fine outing of Latin dancefloor workouts, with Alfredo innovatively incorpor…

Following the success of ‘The Original Sound of Mali’ compilation, we return with another explorative delve into the wonders of Malian music compiled by French writer, journalist and Grammy-nominated compiler Florent Mazzoleni and Mr Bongo’s very own David Buttle. Restoring, reissuing and contextualising iconic tracks from Ousmane Kouyaté & Ambassadeurs Internationaux, Rail Band, Les Messagers du Mali, Mystère Jazz de Tombouctou and many more, the second compilation in this series dives ever fur…

Special edition box. An iconic, innovative and internationally renowned force in avant-garde music The Art Ensemble of Chicago released their 50th anniversary celebratory album We Are On The Edge in April, and Erased Tapes are honoured to announce the vinyl edition of this exceptional body of work. Led by surviving founding members Roscoe Mitchell and drummer Famoudou Don Moye, these brand new recordings involve a staggering array of contemporary artists ranging from across the jazz, experimenta…

Double LP, Gatefold edition. This landmark compilation continues the unfoldment of diabolically obscure yet culturally and artistically essential recordings that have been hidden and precariously balanced on the precipice of obsolescence. For the first time ever, Tramp Records is proud to present an "all German" artists version of the Peace Chant series, including liner notes printed in German exclusively with an English translation downloadable. Focused on rare recordings from German musicians …

Black Vinyl. John Coltrane saw the album-length suite A Love Supreme as his gift to God. The world has come to see it as a classic –not only Coltrane’s best-known work, but one of the most important and influential jazz records ever made. Featuring the Classic Quartet of pianist McCoy Tyner, bassist Jimmy Garrison and drummer Elvin Jones, A Love Supreme is one of the most honest musical performances put to tape. Its beauty and appeal are timeless.

2024 Stock. The Peace Chant compilation series is a Temple, a reliquary of sacred harmonious statements made by enlightened artists throughout time. With Tramp Records' latest offerings, "Peace Chant, Raw Deep and Spiritual Jazz volumes 5 & 6, deeper, darker, and even more remote chambers of this already exalted temple are brought to light. The team at Tramp, with their torch of love and with reverence for those builders who came before, have returned from their quest with musical treasures unfa…

2024 Stock. The Peace Chant compilation series is a Temple, a reliquary of sacred harmonious statements made by enlightened artists throughout time. With Tramp Records' latest offerings, "Peace Chant, Raw Deep and Spiritual Jazz volumes 5 & 6, deeper, darker, and even more remote chambers of this already exalted temple are brought to light. The team at Tramp, with their torch of love and with reverence for those builders who came before, have returned from their quest with musical treasures unfa…

Big Tip! Born in Donauwörth, a small town in Bavaria in 1951, Götz Tangerding studied piano to concert level at the Leopold Mozart Conservatory in Augsburg. In the 1970s, he started to make a name for himself on the local Munich jazz scene and traveled through East Europe with drummer Rudi Roth. In 1976, he came to New England Conservatory of Music in Boston to study compositions with George Russell and Jaki Byard with whom he played in the New York Big Band in 1978. In 1980, he returned to Muni…

Yusef Lateef walks into Rudy Van Gelder's studio with a vision that won't have a proper name for another two decades. What to call music that swings hard as any bebop session but incorporates sounds from beyond the American jazz tradition? "Ethnic materials," they'd say awkwardly. "World music," they'd say later. Lateef just called it music - his music - and got to work. Sounds of Yusef, recorded for Prestige, captures Lateef at a pivotal moment. This is before the radical experiments of the 196…

Duo a la Bibliothéque de Massy le 13 novembre 1980.

Concert recorded at 28 rue Dunois, 9th May 1982, ... Text d'Antonin Artaud, extrait de la prèface du Théatre et son double, 1938. (Text by Antonin Artaud, extract from the preface to Le Théatre et son double, 1938).