Psych /
Red Weather
After leaving Blue Cheer in 1969, guitarist Leigh Stephens, whose pulverizing roar was an essential element of the band's original sound, made his solo debut with Red Weather. In contrast to his former band's stripped-down metallic blast, Stephens spread his musical wings to explore new musical territory. Although Stephens' trademark guitar sound is still prominent, it's featured in a more eclectic context that encompasses elements of avant-psychedelia and electric blues. Also featured is stella…
Pop Espontáneo
“Pop Espontáneo” includes a selection of previously unreleased recordings by Joern and Dirk Wenger’s duo Jodi, registered at their state-of the-art 8-track home studio in Asunción, Paraguay. Living in their own isolated world and free from any commercial pressure, Joern Wenger, a kind of Paraguayan Brian Wilson or R. Stevie Moore, created a particular, ahead of its time sound, using electric guitars, fuzz boxes, Moog, Mellotron, Clavinet, Farfisa… *Superb sound taken from the original master tap…
One Man's Journey
One Man’s Journey is a compilation based on Alan Munson's real life happenings, a blend of singer-songwriter music and his experiences, accompanied by beautiful guitar and voice. It would be unfair to place Munson's music in a single genre — it’s a fusion of mellow psychedelic folk rock with the amazing atmosphere of the times.Originally released as private pressings, his recorded songs have a very intimate feel. Wonderful harmonies and meaningful lyrics will get deep under your skin, and the st…
The Tumbler
John Martyn’s second album was released in December 1968. Another album in
the folk tradition but featuring the jazz flautist Harold McNair,
particularly on the romantic Dusty, The Gardeners and Fly On Home. As a
young man John stayed with his sister who lived near Hampton Court and
the song Dusty was inspired by his happy memories of Hampton Court Fair. This album was produced by Al Stewart and had more of a sparkle than
London Conversation and John said, “The album ‘sings’ a bit more than…
Stormbringer!
2025 Repress. John and Beverley Martyn's legendary 1970 masterpiece Stormbringer! stands as one of the most emotionally profound and musically adventurous documents of the folk-rock transition era. Recorded in the shadow of Woodstock with an all-star cast including Levon Helm of The Band, this remarkable album captures a moment when two exceptional artists created something far greater than the sum of its parts. Born from the unlikely but magical union of Glasgow folk guitarist John Martyn and C…
Road To Ruin
**2025 stock. HQ remastering. Presented in the original gatefold sleeve on 180gram vinyl* John and Beverley Martyn’s 2nd album, also released in 1970, was Produced by Joe Boyd and engineered by John Wood at Sound Techniques, the Island Records studio. This album is John and Beverly's follow up to Stormbringer. In much of the same manner as that album, here Martyn recruited Pentangle member Danny Thompson on bass (who would end up playing on most of Martyn's albums over the ensuing years). John w…
Lassa sta' la Me Creatura
** Audiophile pressing (Pure Analogue Cutting, One-Stage Pressing Process, 180 g.) edition of 490 copies ** More than 40 years after its publication, the album Lassa sta 'la me creatura continues to be systematically cited in the stories of Italian music related to the' 70s as a completely unique and innovative event in the music scene of those years. A remarkable Italian folk/ethnic album with experimental tendencies, released in 1974 on the legendary Intingo label, Canzoniere Del Lazio was one…
Creation
2018 Repress. Originally released in 1971 on John Peel's Dandelion Records, Creation is the second album by underground folk troubadour Trevor "Beau" Midgley. Influenced by Tom Paxton, Lead Belly, and Dylan, Beau started to write his own songs in the late '60s. After trying to secure a contract with Elektra Records with no success, he was approached by Clive Selwood (Elektra) and Peel as they were launcing Dandelion Records. Beau signed with them and released his eponymous debut album in 1969. F…
Ship to Shore
2018 repress. Stunning debut album from 1976 by legendary/cult UK folk musician Nigel Mazlyn Jones. Originally issued as a private pressing, Ship to Shore
combines 6 and 12-string acoustic guitars with electric textures,
effects and unusual soundscapes, culminating in the haunting
progressive-folk 11-minute title-track. A folk-rock/acid-folk
masterpiece highly recommended to anyone into John Martyn, Nick Drake, Michael Chapman, Bob Theil, or Pink Floyd. Mastertape sound, including an insert …
Some Other Morning
Related to Paradise Square (Never Thought I'd See the Day, SOMM 020LP), Cair Paravel was the second project of singer/songwriter Pete Ryder, a key player on two of the most rare and sought-after private folk albums from the UK. This time, the band recorded at a real studio and the result was Some Other Morning, released in 1976 on the Koala label as a tiny edition of 250 copies. Hans Pokora rated this album at four stars, and it's easy to hear why: gorgeous, atmospheric folk with ethereal male-f…
Never Thought I'd See the Day
Singer/songwriter Pete Ryder was a key player on two of the most rare and sought-after private folk albums from the UK: Paradise Square's Never Thought I'd See the Day and Cair Paravel's Some Other Morning (SOMM 019LP). Paradise Square was his first project, a group formed at Sheffield University's Christian Union in the early '70s. In 1974, the band released their only album as a private pressing of 100 copies, later rated at five stars by Hans Pokora. Fragile, homemade, lo-fi psychedelic folk …
Krishnanda
The official Mr Bongo reissue. Krishnanda is an album in the truest sense of the word – a spiritual, psychedelic Brazilian masterpiece from start to finish – celebrated by everyone from Seu Jorge and Kassin to Floating Points, Madlib, Quantic, Gilles Peterson and DJ Nuts. These days, originals change hands for thousands of dollars.The sound diversity of the album is very large, there are many types of percursivos instruments, horn arrangements from samba rhythms and Latin and Eastern almost the …
Pyramid
33 minutes of pure, unadulterated, psychedelic krautrock courtesy of Pyramid, an obscure studio project produced by Toby Robinson, aka The Mad Twiddler. These sessions were recorded circa 1975-76 in Cologne for the underground Pyramid label, which was operated by Toby and his friend Robin Page (the Fluxus artist). During that time, Toby worked as engineer and assistant at various studios in Cologne, including the famous Dieter Dierks studios, where most of the albums from the Ohr/Pilz/Cosmic Cou…
Temple
LP version. Includes insert with liners notes; Includes download card. Continuing with their reissue campaign of the Toby Robinson's Pyramid label catalog, Mental Experience now present Temple's self-titled release. Probably the most "rock" sounding of all the Pyramid titles, Temple were an ad-hoc outfit born out of several late-night sessions at Dierks Studios (where Toby was working at that time), involving local friends of Toby and other musicians from adjoining studios, among them Zeus …
Beyond The End... Eternity
Beyond The End... Eternity was released in 1971 under the Nik Raicevik monicker as Narco NR102. According to www.twoheadeddog.com, "Raicevic is clearly still in the early learning-curve stages," which it a key LP to understand Nik's evolution and setting the path for more evolved works to follow. Besides his musical explorations, Nik was also an interesting painter. His paintings are auctioned from time to time, and are consciousness expanding works influenced by abstract cubism and surrealism, …
Numbers
If you check the credits of The Rolling Stones' Goats Head Soup LP from 1973 you'll find a certain "Pascal" listed on the percussion section. That is none other than Los Angeles based artist Nicolas Pascal Raicevik (1933-1994), aka 107-34-8933, aka Head, aka Nik Pascal, aka Nik Raicevic. Besides his hitting the bongoes on the Stones album, Nik was a great artist on his own, both as a painter and as a musician. As a musician, he was a pioneer in the use of synthesizers, preceeding the Berlin scho…
8 Petites Pièces De Variété
Another evolution of Urban Sax concept, composed and directed by the visionary composer Gilbert Artman, conceived as a double quintet of talented multi-instrumentalists (featuring Jac Berrocal, Bernard Weber, Frederic Acquaviva and Emiko Ota among others) players working over a compositonal control of sound spatialization
Erosion Distillée
** 1969 previously unreleased album, this set must have been one of the weirdest albums recorded in France at the time** And that's saying a lot, given some of the avant jazz, experimental, and psych sets that were coming out of that scene! Jacques Dudon may be best known for his Ghislain pseudonym on other records – where he was much more of a straight blues guitarist – but here, he's very tripped out – and leads a collective of musicians through music that feels much more like a "happening" th…
Bremen 1974
This album contains three instrumental jazz rock jams recorded by Radio Bremen in September 1974 shortly after the band had produced the second LP. Keyboarder Dieter Miekautsch had left the band towards Embryo and Eddy Maron, also known from contributions for Vita Nova and Dzyan, brings new aspects to the music - it's quite a new impression of the band. The sound quality leaves nothing to be desired by the way. A very good show documenting a new facet of the Missus Beastly band and a highlight f…
Vita Nova
On the top of the list of Kraut uderground artifacts, a definite oddity plenty of abstract execution of psychedelic soundscapes, dark Classical textures and Jazz/Fusion, as cohesion is completely absent, however there is a certain charm coming out of this. There are more in the vein of Egg and Amos Key, creating atmospheric soundscapes complemented with powerful jams, featuring organ and clavinet in evidence and swirling around jazzy workouts, light improvisations and mellow Kraut Rock experimen…