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All of Morton Subotnick's piano music on one disc for the first time, with four first recordings, including Liquid Strata and The Other Piano with electronics, played by SooJin Anjou and supervised by the composer.
Elliott Sharp's Dispersion: Flexagons, Dispersion of Seeds, The Hidden Variable and Palimpsest, four processes-based works for large ensemble, played by the young musicians of Veni Academy under Marián Lejava, with Sharp on electroacoustic guitar.
Volume 10 of Mode's John Cage piano series, with Thomas Schultz playing Two Pieces for Piano (1935), Solo for Piano from the Concert for Piano and Orchestra, Two Pieces for Piano (1946) and Swinging (1989).
Morton Feldman's For Bunita Marcus (1985), an hour-long solo piano work, played by Aki Takahashi, for whom Feldman wrote all his piano music after Triadic Memories.
Olivier Messiaen's Harawi (1945), a cycle of twelve songs for soprano and piano on the composer's own text, sung by Sarah Maria Sun with Stefka Perifanova, on a deluxe 2LP set with a 12-page book.
*2022 stock.* Italian piano player Giovanni di Domenico and Catalan drummer Oriol Roca, have been musical partners for fifteen years. They started playing in duo in 2010 to explore the sound possibilities of their instruments, focusing on silence, density and space in music, through improvised fragments and some original compositions. Their first studio album is now released on Belgian label Spocus Records.
Since their meeting in the Hague in the Netherlands in 2002, Alexandra Grimal and Giovanni di Domenico have been playing together regularly. Since 2011 they have been offering several subtle and inspired tête-à-têtes: Ghibli, Chergui and Down the Hill, which was released on January 19th, 2020. Ghibli, around a repertoire composed by the Italian pianist, released on the Sans Bruit label in 2011, the music navigates on the mineral lines of Alexandra Grimal's saxophones that come to rest and intert…
*2022 stock.* Alexandra Grimal goes in her own way, elegant but robust, through the territories of jazz and improvised music over recent years. It was only natural she would meet and regularly play in duet settings with Giovanni di Domenico, as versatile an adventurer as Alexandra is, both in his musical choices and collaborations. Three years after their first recording together (2011's Ghibli on the Sans Bruit label), Chergui was recorded over two nights at the Théâtre du Châtelet (Paris, Fran…
"Alexandra Grimal goes in her own way, elegant but robust, through the territories of jazz and improvised music over recent years. It was only natural she would meet Giovanni di Domenico over the Alps, who has woven her a series of compositions where they locate/find the ironic meander of their dialogues. A sophisticated "chamber" jazz music that yet seems to flow so naturally... One forgets the music writing to only catch the emotion of the moment."Alexandra Grimal: soprano saxophoneGiovanni di…
**CD version** Bram De Looze is a Belgian pianist and composer whose distinct musical vision has found its way through both solo projects and collaborations. His unique technical skill and musical maturity have earned him considerable critical acclaim back home as his work spotlights his far-ranging interests – from traditional classical piano music, to solo improvisations that have often been compared to Keith Jarrett and Jason Moran.
**CD version** 3 Pianos is an album made by a unique piano ensemble consisting of three musicians with different backgrounds and experience. The curiosity for the piano and its countless possibilities was the outset whereas the wish to bend the common boundaries for piano music was the background for this project. The ensemble makes music with clear connections to the music and the ideas of the twentieth century. The musicians develop the material in their own way by focusing on elements like tu…
Martina Verhoeven has been working on the development of her own photographic style for about 20 years, almost parallel to this process Martina took up the electric fretless bass when recording the two criticaly-acclaimed 3 Seconds Of Air albums (with Dirk Serries). As her photography continues to grow, expand and develop, slowly mutating into collages on canvas, so does her approach to music. Switching from electric bass to double bass to piano, she slowly mastered a technique that's exceptiona…
Fifteen titles on twenty-nine discs: every CD Roland Kayn issued on his own Reiger Records Reeks between 1995 and 2006, from the three Kybernetische Musik volumes and the ten Electronic Symphonies to the late Multiplex Sound-Art sets and the orchestral and keyboard works. Specially priced.
Kayn's earliest keyboard music in historical recordings: Fünf Kleine Klavierstücke (1952), Divertimento (1955), Quanten (1956) and Fractals (1994) on the first disc; on the second the studio Quanten and Diffusions (1965) for one to four electronic organs, from Sonology in Utrecht.
Expanded 3-CD reissue of Walter Zimmermann's Lokale Musik, first issued in 1982 as a 3-LP set: two CDs remastered from the analog tapes, a third with new supplemental recordings and revised works, and a 60-page book.
** Edition of 500, comes with 12-page “Puck” pamphlet + Two art cards with program notes** Sean McCann's Puck is here. Music for Public Ensemble, my previous album, was released three years ago. And three years before that was Private Ensemble. Puck is both public and private in nature. A smear of chamber works from Stockholm, Moscow, New York, and Kansas. Three aged personal recordings from 2008, 2009, and 2010 are also poured in the batter: a bedroom violin trio, ambient music, and a sad pl…
Saccharine Scores is an album/art book documenting Sean McCann's
recent chamber compositions. Ranging from the 10-person ensemble
performance of "Portraits of Friars" at Fylkingen, Stockholm in February
2018, to his first quartet piece "Victorian Wind", performed in Toronto
in 2014. McCann's scores leak pastoral and bizarre passages, dancing in
the banal beauty of sound poetry. The performances feature guest
musicians Sarah Davachi, Zachary Paul, Geneva Skeen, Celia Eydeland, Maxwell Augus…
Music for two and four pianos tuned a quarter tone apart: Wyschnegradsky's Ainsi parlait Zarathoustra and 4e Fragment symphonique with ondes Martenot, plus new works by Alain Moëne and Alain Bancquart. Several first recordings.
Karlheinz Stockhausen's early percussion works on two CDs: Zyklus, Kontakte for piano and percussion with tape, Mikrophonie for tam-tam, Refrain and Schlagtrio, with new transfers from the analog tapes.