★A New Wave Of Jazz
The Vortex of Past Time
**300 copies** "And there is an abundance of material displayed here, as Andrew Cheetham and Alan Wilkinson combine impressive technical prowess, dynamics and imagination into a whole that combines physicality with thoughtfulness, tumult with intimacy. A musical performance remains the ideal way to deal with the impermanence of everything, and this album makes an excellent case." Guy Peters"Percussionist Cheetham and reedist Wilkinson, veteran improvisers of the UK scene, collaborate here on fou…
Traces of Eternity: of What Is Yet To Be
**300 copies** "There have been quite a few releases of Antoine Beuger’s music over the past several years and it’s an odd, and very pleasurable thing to consider them en masse. On the one hand, his music is so diaphanous, so air-suffused that you’d think it might be difficult (not to mention unnecessary) to differentiate them mentally. On the other, they’re always very different. There’s that old AMM aphorism: “as alike or unalike as trees” that conveys something of my feelings about Beuger’s w…
Air
**300 copies**In just a couple years Dirk Serries' A New Wave Of Jazz imprint has amassed quite a collection of diverse works that may impart some new variant of jazz and electronic music. Here alongside the venerable experimental electronic composer Asmus Tietchens, who Serries has collaborated with before (under the Vidna Obmana moniker) they are fit, dynamic, and deliver something quite different from anything they’ve released prior. Over six tracks that run about forty-seven minutes the two …
Segment Tones
**300 copies** "Tonus is a group that always contains Dirk Serries and his wife Martina Verhoeven, but otherwise seems to be an open membership group. Today, on Segment Tones, it is a trio. Serries plays accordion and soprano melodica (the latter I would believe for the first time), Verhoven is on concertina and cello and Colin Webster on clarinet and alto saxophone. Whatever the line-up of Tonus might be, I do believe they play slow and quiet music; music that is not in any way, shape or form, …
Impetus
**300 copies** "Dirk Serries (acoustic guitars), Kris Vanderstraeten (percussion) and Martina Verhoeven (piano) – these are three featured figures of international avant-garde jazz scene. Musicians are playing and collaborating with dozens of other famous jazz masters. Their music is played with expression, drive, creativity and energy. All three musicians have their own style of improvising, sparkling virtuosity and the will to create new, exciting and modern sound. All their music is usually b…
Boskage
**300 copies** "The modus operandi of more than a few of the recent New Wave of Jazz releases is sparse free improvisation using extended techniques. These albums, often disjointed with abrupt transitions and long minimalistic passages, exhibit a surprisingly consistent approach despite their aleatoric nature – a commitment to the unpredictable. Enter acoustic guitarist Daniel Thompson and saxophonist Colin Webster, both experienced improvisers who team up on the three tracks of Boskage. This pa…
Now Is The Moment To Learn Hope
**300 copies** "There have been quite a few releases of Antoine Beuger’s music over the past several years and it’s an odd, and very pleasurable thing to consider them en masse. On the one hand, his music is so diaphanous, so air-suffused that you’d think it might be difficult (not to mention unnecessary) to differentiate them mentally. On the other, they’re always very different. There’s that old AMM aphorism: “as alike or unalike as trees” that conveys something of my feelings about Beuger’s w…
Close | Quarters
**300 copies** "Close | Quarters is a seven-track slice of often compacted and angular improv for viola and prepared chamber. The two players here are Benedict Taylor and Anton Mobin. Taylor is a British improviser / avant musician who has been active in the scene since the early 2000s releasing a good body of work, as well as becoming a respected name, and Frenchman Mobin has once again been active since the early 2000’s making a name for himself as both an improviser and sound artists.The albu…
Ear Duration
**300 copies** "Overall, especially on the over 35-minute Set 1, which perversely in placed last on the CD, the improvisations’ mooring is supplied by the brief, repetative but distinctive patterning of Belgian pianist Martina Verhoeven. Much like John Tilbury’s program with AMM, these continuous motifs are the reassuring signposts for the puffs, scratches, strums and plops contributed by Britons, flutist / alto saxophonist Colin Webster, violist Benedict Taylor and Graham Dunning using a snare …
Zeitweise Leitcher Schneefall
**300 copies** "One aim of improvised music is to create unprecedented sounds. And by specializing in the textures that can be extracted from the spinet, the piano’s 18th Century ancestor, keyboardist Christoph Schiller, who now divides his time between Basel and Weil am Rhein is firmly involved in this trope. On this hushed, microtonal CD, Schiller applies his tweaking of the traditional keyboard to responsive sounds from an instrument as venerable as his, Anouck Genthon’s violin on Zeitweise L…
Puncture Cycle
**300 copies** "Spreading their intuitive playing over nine, randomly sequenced improvisation titled with numbers, Benedict Taylor and Dirk Serries many variations on fiddle string twists and slurred guitar fingering produce tunes that are manually constructed, deconstructed and put back together again. Tracks often posit and resolve singular experiments. For instance, the hard dry swagger of IV opens up into a tremolo and spiccato bowed narrative. Swift, repetative slithers from Taylor enliven …
Cagean Morphology
**300 copies, 2019 stock** "The Serries-Verhoeven acoustic, chamber duo – Serries on the acoustic guitar and Verhoeven on the piano – is actually the last one to be recorded in the Tonus series but the duo distills the very essence of the series serves as a fitting introduction to this series. Cagean Morphology was recorded, mixed and mastered at the Sunny Side Studio at Anderlecht, Belgium on March 10th 2018. The minimalist layout of the Tonus series, was designed by Rutger Zuydervelt, aka Mach…
Texture Point
**300 copies, 2019 stock** "Minimal art is often presented as an act of simplification, a field in which nothing much happens and lesser (or even lazy) artists can have a field day. However, it is both in the visual arts and in music, perhaps one of the most misunderstood movements. Minimal artists not only sought out a certain core essence, but leading artists and theorists, such as Donald Judd, also offered a reaction against the extravagant focus on the subjective by the abstract expressionis…
Intermediate Obscurities I+IV
**300 copies, 2019 stock** What self-taught musicians lack in education and (sometimes) technical prowess, many make up for with the need to carve out a space for themselves. Their trajectory is often like a perpetual motion of restless movements. Even among those musicians, Dirk Serries is a special case. Loyal to whoever he comes across, but a solitary seeker at the same time. An eternal outcast whose discography expands at a swift and steady pace, building an island entirely of his own, despi…
Innocent as Virgin Wood
**300 copies, 2019 stock** "In its essence, free improvisation is a leap into the unknown. A question mark. And while it is possible to reproduce previously used ideas, in its purest sense it takes balls to accept its challenges, for the simple fact that the performer is out there alone, even when playing with others. Free Improvisation is being naked on a stage. The unavailability of form and reassurance about what is happening next cannot be underestimated. In improvised music, the musician is…
Quartet & Quintet - Double Vortex
**300 copies, 2019 stock** "Understated, tightly controlled, minimalist music always gets the better deal. There is something mature and cultured about an artist who distills and reaches for the essence instead of provoking and dabbling in exuberance, volume and a cluster of diverging ideas. In a world that is nearly driven to total chaos by a maddening abundance of impulses, Goethe’s worn out adage - that it is in self-limitation that a master first shows himself - has become the ultimate compl…
I
**300 copies, 2019 stock** "(...) Lisle, Serries and Webster reconvened again in October 2015 for another studio recording at the same studio in London, now calling themselves the Kodian Trio. This trio is supposed to be a working group and is already touring the Netherlands and the United Kingdom.The interplay on their debut release is much more energetic and experimental than the one explored on Apparitions. Serries and Webster alternate the leading roles, both sounding aggressive and assertiv…
Apparitions
**300 copies, 2019 stock** "Apparitions, unlike the volatile spirit of Live at Café OTO, stresses a different approach for this set of four collaborative free improvisations. Here the four musicians explore a kind of a slow-cooking interplay, a calm and conversational one. Apparitions begins and ends with the minimalist I and IV, where all restrain their playing to low whispers, skeletal guitar lines and brushing of the cymbals, building the tension tension patiently and methodically until reach…
Cinépalace
**300 copies, 2019 stock** "Dirk Serries and his wife, double bass player Martina Verhoeven, meet British tenor sax player Colin Webster, who also participated in the Dead Neanderthals’ Endless Voids, for a live improvisation, recorded at the DIY club Cinépalace in Kortrijk, Belgium in May 2015. A month earlier Serries performed with Webster in a quartet that was recorded as Live at Cafe Oto, and released on Webster’s Raw Tonk label. This recording, titled after the club name, highlights the hig…
Cult Exposure
**300 copies, 2019 stock** "This free improvised sax-electric guitar duo has nothing to do with previous duos of similar instrumentalists. The meeting between the muscular Brötzmann-ian sax wails of American, Amsterdam-based sax player John Dikeman, known from the free jazz bands Cactus Truck and Universal Indians, and the reserved, serene playing of the effects-laden guitar of Dirk Serries forced the two to transcend any possible comfort zone. On the first piece the two still struggle to find …