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John Cale's enigmatic masterpiece, Paris 1919, appeared at a time when the artist and his world were changing forever. It was 1973, the year of the Watergate hearings and the oil crisis, and Cale was at a crossroads. The white-hot rage of his Velvet …
Computer World was Kraftwerk's most concise and focused conceptual statement, their most influential record and crowning achievement. Computer World transformed the way pop music was composed, played, packaged and released and, in the process, helped…
New York City in the 1970s was an urban nightmare: destitute, dirty, and dangerous. As the country collectively turned its back on the Big Apple, two musical vigilantes rose out of the miasma. Armed only with amplified AC current, Suicide's Alan Vega…
So much, popular and scholarly, has been written about the synthesizer, Bob Moog and his brand-name instrument, and even Wendy Carlos, the musician who made this instrument famous. No one, however, has examined the importance of spy technology, the C…
The Dead C's Clyma est mort (1993) is the record of a live gig for one person. Tom Lax was running the Siltbreeze label in Philadelphia and had come to New Zealand to meet the artists he was releasing. He heard The Dead C at their noisy, improvised b…
The story of Afro-Brazilian percussionist Naná Vasconcelos stitches together histories of 1960s-1980s jazz, psychedelia, world music, experimentalism and post-punk. Based in Recife, Rio de Janeiro, New York City and Paris, Naná played with musicians …
This comprehensive portrait of Tropicália, exploring everything from influences and results to context and main players, demonstrates how the genre helped reinvent Brazil's cultural identity in a post-colonial world.
What the hell is shoegaze? A scene? A movement? A sound? Back in the Nineties, many would have said the so-called genre was entirely fabricated. The term itself, an offensive piss-take given by the notoriously catty and scene-obsessed British music p…
Krautrock is not a music genre. Krautrock is a way of life. Its sonic diversity and global reach belie the common culture from where it emerged. This is a band-by-band history.
In May 1945, the Allies defeated Nazi Germany, putting an end to the Euro…
In Iannis Xenakis's Persepolis, Dr. Aram Yardumian situates the composer’s monumental electroacoustic piece amid wartime biography, architectural practice and Iranian state spectacle, tracing how one work came to shadow both the Shiraz Festival and t…
In BBC Radiophonic Workshop – A Retrospective, writer William L. Weir recounts how a small, overstretched BBC unit accidentally invented the sound of the future, tracing its tape‑loop alchemy from children’s shows to the DNA of electronica and ambien…
In 1970s Jazz Fusion, critic Matthew Reed Baker reassesses a once‑derided hybrid, showing how the electric experiments of Davis, Hancock, Corea, Mahavishnu and others reshaped jazz, rock, soul and hip‑hop from the 1970s to today.
In 20th Century Ambient, writer Dusty Henry blends prose and comics to trace how ambient music quietly became one of the century’s most pervasive forms, from Satie and dub to Eno, Alice Coltrane and streaming‑era wellness soundscapes.
In Minimalist Music, critic George Jr. Grella treats minimalism less as a style than as a set of techniques, tracing how process, repetition and reduction have migrated across genres to become one of contemporary music’s most adaptable practices.
Being Time invites a deep consideration of the personal experience of temporality in music, focusing on the perceptual role of the listener. Through individual case studies, this book centers on musical works that deal with time in radical ways. Thes…
Fully updated with a new introduction, this is the story of Nico, former model, film actress, singer with the Velvet Underground and darling of Andy Warhol's factory, when the world had all but forgotten her.
In 1982 Nico was living in Manchester, in…
A celebration of the visual artistry behind the evolution of sound recording with specially commissioned photography of iconic, rarely-seen artefacts from the collections of the EMI Archive Trust
Listening to the sound practices of bands and musicians such as the Asian Dub Foundation or M.I.A., and spanning three decades of South Asian dance music production in the UK, Transcultural Sound Practices zooms in on the concrete sonic techniques an…
The Bloomsbury Handbook of Sound Art explores and delineates what Sound Art is in the 21st century. Sound artworks today embody the contemporary and transcultural trends towards the post-apocalyptic, a wide sensorial spectrum of sonic imaginaries as …