★Blume
Vespers
Alvin Lucier ranks among the most important, influential, and radical avant-garde composers of his generation. "Vespers" (1969) and "Chambers" (1968), the two works featured on this LP, witness Lucier rethinking the material and conceptual possibilities of music at every turn.
Estórias para Voz, Instrumentos Acústicos e Eletrônicos
The legendary debut of Jocy De Oliveira - and a landmark classic from the 70s Brazlian Electronic music scene. To quote Keith Fullerton Whitman, this is the "lost Tropicalia / Psych / free-Vocal / Ring-Modulator freakout / jam hybrid that you’ve only dreamt about!"It is difficult to overstate the importance of Jocy De Oliveira. Defined by a body of singular music spanning seven decades, within the histories and continuing legacies of avant-garde practice, she is without equivalent. Her work is a…
Four Full Flutes
Born in Indiana during October 1933, since his arrival in New York City in 1958, Phill Niblock has occupied a central position within the world of avant-garde and experimental practice. Relentlessly active, his work as a visual artist and composer, in addition to his support of others via Experimental Intermedia - the performance venue he has run from his Soho loft since in 1968 - and XI - the label he founded in 1990 - have continuously lit a path for his peers and the generations that have fol…
Musica Nova Contemplativa
Joining their broad efforts in building networks of context and understanding, spanning historical and contemporary territories of adventurous sound, Blume Editions is thrilled to announce the long awaited return of Winfried Mühlum-Pyrápheros’ Musica Nova Contemplativa. Originally issued in 1970, this stunning artifact of its era has, until now, remained among the rarest artifacts in the field of cross-disciplinary efforts known as the Artist Record - sonic adventures embarked on by artists prim…
The Nigger Series
Last copies...Over the last decade and a half, it’s been incredible to witness the ascending star of the composer Julius Eastman. A celebrated figure within the New York experimental music scene during the 1970s and '80s, over the years following his untimely death in 1990 he and his work drifted into sinful neglect. Largely thanks to a series of archival releases attending to his work - New World Records' “Unjust Malaise” and “The Zürich Concert”, Frozen Reeds' “Femenine”, and Week-End Records’…
Rotta
It's hard to believe that it's been roughly two years since Blume Edition's last LP, but thankfully the waiting game has come to an end with the delivery of Valentina Magaletti’s “Rotta”, the first in a coming series of stunning releases from the label. Widely celebrated for her work in Tomaga, Holy Tongue, and Vanishing Twin, the album encounters the Italian born, London based percussionist and composer embarking into the territory of the solo performer, sculpting a remarkable sense of emotive …
Harmonic Crystals
Blume Editions is thrilled to announce the release of “Harmonic Crystals”, one of the most ambitious bodies of recordings ever produced by the legendary Italian composer and multi-instrumentalist Roberto Laneri. Sprawling across 12 full length cassettes, housed in a wooden box and accompanied by extensive explanatory liner notes by Laneri and numerous graphic scores by sound artist Agnese Banti - who was also essential to the evolution of the project, also by recording, mixing and editing - the…
Canti Illuminati
Small repress available. An occupant of the present and thread to the past - a rare juncture between diverse polarities of experimental practice, from free improvisation and modern classical composition, to primitivism, electronic music, and extended techniques, for more than half a century Alvin Curran has stood as beacon in the landscape of organized sound. From his efforts within Musica Elettronica Viva, the collective which he helped found in 1966 with Frederic Rzewski and Richard Teitelbaum…
Pipe Dreams
**very last copies** Première release. Two astonishing archival works by Mary Jane Leach are now available on vinyl for the first time, bringing to life a wondrous iteration of the highly fertile 1970s New York minimalist scene. Mary Jane Leach is a definitive model of the American avant-garde and experimental composer - creatively brilliant, tragically underrecognized, yet always there, rigorously plumbing the depths, issuing challenges, venturing toward the unknown. Having moved to New York du…
Embedded Environments
**In Stock** Through a remarkable and singular body of work, over the course of the last decade, like storm beginning as whisper on the horizon, the composer and percussionist Sarah Hennies has slowly emerged as one of the definitive voices of her generation. Initially coming to focus as a member of Austin’s experimental music scene during the early 2000’s, before relocating to upstate New York, with a delicate, clattering grace, she has continuously offered vision, conceptual armature, crucial …
WordWorks 1975-1982
**7xtapes in wooden box, comes with several zines + poster, limited to 80 copies - no repress** No words can capture the seminal importance of Stefan Weisser later known as Z’EV. He is an artist without equivalent or parallel - entirely singular within the history of 20th century music, bridging and creating a diverse number of creative and musical fields, sculpting a body of work which resembles nothing before or since. Forever dedicated to pluming unknown depths, Z’EV’s rigorous independe…
Resonant Spaces
More than a half century into its development, free improvisation remains nearly impossible to define. Of course there are concrete definitions, canons, and well trod paths - familiar idioms, structures, relationships, textures, and tones, but by its very nature - something free, when practiced with faith, it is elusive - constantly shifting and reforming in the hands of those who call the art form their own. Of the improvisers emerging from the remarkable European contexts over the last …
Soundtrack From First Violin Film
Lucky restock, few copies available. When speaking of most artists, critical value is generally gauged by evaluating contributions to existing fields. Bruce Nauman is different. His influence is singular. The change his ideas provoked, unequaled. Since the mid 1960’s, he has laid the groundwork – in thought, context, practice, and materiality, for nearly every fine-artist that has followed in his wake. He is the towering pillar of conceptual thinking. Even those who do not directly draw on the g…
After Being In Holland For Two Years
The music you are about to hear defies categorisation. Peter Cusack’s debut long player from 1977 is a peak into one of the most varied and experimental musical scrapbooks you are likely to hear. Infused with natural sounds and a healthy dose of musical abstraction, it is difficult to pigeonhole this record into any genre. It is the kind of record you wished existed while nothing really came close to the mark. A solo album of guitar and environmental sounds, a montage filled with montages where …
Movimenti Lunari
Alessandra Novaga delivers a stunning new LP album, a compelling investigation of her resonantly spacious guitar playing, which dismantles the instrument’s unique properties through relentlessness. Movimenti Lunari speaks of the relentlessness of natural forces. Something that seems to have no development, but instead advances inexorably. A form developing out of a memory progressively coming into focus; never still, constantly pulsating and vibrating with new elements. Beyond any rational, anal…
Real Time
Reinhold Friedl and Dirk Dresselhaus come from really different backgrounds: Dirk Dresselhaus has released several experimental-electronic freak-pop recordings as Schneider TM since the late '90s. He started making music in the late '80s and developed his personal approach to sound and structure as an autodidact, starting with guitar effect devices and four-track home-recording. Reinhold Friedl studied mathematics and music, won scholarships and international commissions, and built up the ensemb…
Hemispheres
Going back to his early musical inspirations in the early seventies, Werner Durand was fascinated with the multiple saxophone sounds coming from Terry Riley's Poppy Nogood and Happy Ending, Dickie Landry's Fifteen Saxophones and Ariel Kalma's Reternelle. His particpation in the Parisian saxophone ensemble Urban Sax in 1976/77 became a starting point for his own musical endeavours. The 2 saxophone pieces presented here were composed and recorded roughly 10 years apart and document his move from f…