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Doubtmusic

saxophonedaxophone
Duo of Kazuhisa Uchihashi (daxophone) and Junji Hirose (tenor saxophone) excerpt from two live performances in 2014 and 2015.Kazuhisa Uchihashi is a japanese guitarist  involved in free improvisation music. Born in 1959 in Osaka, Uchihashi began to play the guitar at age 12, playing in various rock bands, though he later studied jazz music. In 1988 he joined the band the First Edition, and in 1990 formed the band Altered States. He was also a member of Otomo Yoshihide's Ground Zero from 1994 to …
After Seijaku
The Seijaku Trio of Keiji Haino (electronics, guitar, voice), Mitsuru Nasuno (bass, electronics) and Yoshimitsu Ichiraku (electronics), recording 2 years after the "Last Live" album, in an epic voyage of meditative and intricate electronics performed live in Tokyo in 2014 at Club Goodman. As "Last Live" explains, Yoshimitsu Ichiraku can no longer play drums due to physical issues, necessitating this transformation from a heavy abstract blues band into this ritualistic trio. It's a fitting and ea…
Guitar Solo 2015 Left
Reflecting on his studies with guitarist Masayuki Takayanagi, Otomo Yoshihide plays one of Takayanagi's favorite electric guitars, a 1963 Gibson-175, to record 6 extended and informed free improvisations, including Ornette's "Lonely Woman" and "Song for Che"."It's been a quarter-century since I broke away from my teacher, Masayuki Takayanagi. In recording this album, I used a 1963 Gibson-175 electric guitar that had been one of Takayanagi-san's favorites. The occasion that led to this guitar com…
Incredulous Cuts - Reinterpretations of Doubtmusic catalogue
DJ Sniff was invited to rework with sound material from Doubt catalog. Turntable and computer for a nice piece of remix! 
Made In Japan - Live At Shinjuku Pit Inn, 9th April
Jojo Hiroshide (guitar), T.Mikawa (electronics), Fumio Kosakai (electronics), Junko (voice), Akira Sakata (alto sax), Yoshisaburo Sabu Toyozumi (drums). This CD is live performance at Pit Inn, Shinjuku on April this year. Hijokaidan named themselves Jazz Hijokaidan with Sakata Akira (sax, cl) and Toyozumi Sabu Yoshisaburo (ds). This performance starts from the clamor of Jojo Hiroshide, leader of Hijokaidan and their roaring sound unify with audience and rise up to heaven hypnotically. In their …
Made In Studio
Jojo Hiroshide (guitar), T.Mikawa (electronics), Fumio Kosakai (electronics), Junko (voice), Futoshi Okano (drums), Akira Sakata (alto sax). This CD is studio recording after 8 years from their The Last Recording Album and a first recording CD since Okano Futoshi (ds) joined Hijokaidan. In this CD, especially, Sakata Akira blows intensely in all tunes. This 24 track analogue recording reveal their so-called meta-noise music. A tune all member play about 30 minutes, rare Junko (vo) and Sakata duo…
sec:ond sim
The Japanese post-rock trio Sim (Oshima Teruyuki (guitar), Ootani Yoshio (electronics) and Uemura Masahiro (drums)) play a compelling stripped-down and motorik complex music, Ootani's electronic sound and noise hopping up and down, Uemura's groovy drums and Oshima's keen and threading sound by his unique sim-version guitar
The Tale Of The Heike
An epic concept album narrated and performed by Akira Sakata, Heike Monogatari ("Tale of the Heike") is the most disturbing entry so far in the DoubtMusic catalogue. This work is an expression of the philosophy of impermanence. It's also a vision of Hell. Woodwinds signify madness. Bells accentuate silence. And Sakata's voice unleashes a phantasmagoric torrent of shomyo (Japanese Tantric Buddhist chanting), death metal growls, and pure pandemonium. Is he serious? Or not? One thing is cert…
The beauty is the thing
The trio of pianist Aki Takase, guitarist/daxophonist Kazuhisa Uchihashi, and trumpeter Axel Dorner in an exploration of informed and exquisite dialog in acoustic and electric improvisation. This trio's musical inspirations give birth to an amazing, extraordinary, mind-boggling mandala of sound. It's an extreme sound that could only be achieved by people engaged in the ultimate sonic and musical explorations. Surrender yourself to the joyful sounds coming out of the left and right speaker…
Lonely Woman
ONJT+ (Otomo Yoshihide’s New Jazz Trio +) plays Ornette Coleman’s “Lonely Woman” and Albert Ayler’s “Bells.” ONJT means Otomo Yoshide’s New Jazz Trio; Otomo Yoshihide (guitar), Mizutani Hiroaki (bass, misc.), Yoshigaki Yasuhiro (drums, percussion), and “+” means guests for those 2 CDs: Sachiko M (sinewaves) and Jim O’Rourke (EMS synthesizer). Otomo continues his “New Jazz” project from ONJQ (Quintet) via ONJE (Ensemble) to ONJO (Orchestra), and now he organizes ONJT + (Trio +) as his core …
Bells
ONJT+ (Otomo Yoshihide’s New Jazz Trio +) plays Ornette Coleman’s “Lonely Woman” and Albert Ayler’s “Bells.” ONJT means Otomo Yoshide’s New Jazz Trio; Otomo Yoshihide (guitar), Mizutani Hiroaki (bass, misc.), Yoshigaki Yasuhiro (drums, percussion), and “+” means guests for those 2 CDs: Sachiko M (sinewaves) and Jim O’Rourke (EMS synthesizer). Otomo continues his “New Jazz” project from ONJQ (Quintet) via ONJE (Ensemble) to ONJO (Orchestra), and now he organizes ONJT + (Trio +) as his core …
Mail from Fushitsusha
Mail from Fushitsusha, which Keiji Haino himself calls 21st-century blues, draws out exquisite dynamics and 'space' - like a nerve being passed through the eye of a needle. Carrying out their sonic explorations while adhering to the Fushitsusha method, these three tough artists create a muscular sound - a sound that turns the rock - blues concept on its head! Keijo Haino sent Seijaku out into the world as his permanent band. At the time of recording, this was to be a single album, but the combin…
You Should Prepare To Survive Through Even Anything Happens
This is a real blues album created as an expression of devotion to 20th-century blues. But not blues as a style - the object of devotion here is the blues spirit. You might even say this album is the successor to authentic blues. Those who get it, get it! Keijo Haino sent Seijaku out into the world as his permanent band. At the time of recording, this was to be a single album, but the combination of Haino's overflowing musical ideas and the unlimited improvisational abilities of the three member…
Book from Hell
Zai Kuning (g., vo., perc., misc.), Otomo Yoshihide (g., turntables, perc., misc.). 'The Asian improvisation of the present, a connection between Singapore, Tokyo and Hong Kong. A vivid 71-minute performance moving back and forth between turbulence and stillness. 'Book from hell' is the denomination of the concert, Zai Kuning organized on September 2008 in Singapore. CD title is used as it is and also CD cover is the poster of 'Book from hell' concert, Zai designed. This is Asian improvi…
Rostbeständige Zeit
Axel Dörner, Nobuyoshi Ino, Kazuo Imai, Noritaka Tanaka. This is the masterpiece of 2CDs, splitting the music into improvisation (momentary composition) and / or composition. Disc 1 is the improvised music by Axel, Ino, Imai. Guitar sound of Imai is hot and tingling, Ino  plays careful his choice pizzicato and arcoexquisitely, and Axel's original sound bring Ôout' into their music. Their atmosphere of music is special one, cannot be similar from every music. Disc 2 consists of all Axel's composi…
A thousand mountains
To start with, we've always commended Japan's Doubtmusic label for the handsome packaging job that each one of their digipack cd releases invariably receives. This one, though, we'd probably be inclined to buy just 'cause of the especially cool cover art alone! Done by one Tomoo Gokita, the cover suggests an arched window in a brightly patterned wall, looking out on (a photo of) some majestic snow-capped alpine mountain (the Matterhorn, is it?). But in front of the "window", the corpse-painted v…
With Records
Otomo Yoshihide (turntable), Ozeki Mikito (kirie), Mats Gustafsson (baritone saxophone from Mats Gustafsson's solo LP 'It Is All About' on Tyyfus label). Mastered by Jun Numata. Released to commemorate the exhibition Ensembles '09: With Records at Gallery 45-8, Tokyo, October 11-November 8, 2009. No cover, limited 800 copies, serial numbers. Otomo Yoshihide (turntables), Ozeki Mikito (cutout art) and Mats Gustafsson (baritone sax).
Complete Grune Revolution (1975)
A much-needed and expanded reissue of this 1970s Offbeat label LP of cellist Keiki Midorikawa in duo with Masahiko Togashi, Masayuki Takayanagi and Masahiko Sato. Keiki Midorikawa (cello, bass), Masahiko Togashi (percussion, drums), Masayuki Takayanagi (guitar) et Masahiko Sato (piano). Recorded on January 16, 1976 at Nichi-futsu kaikan, Tokyo. The original LP of this work has duo with Takayanagi on A side and duo with Sato on B side. But in the concert, Midorikawa played duo with Togashi about …
Phantom Note
Trumpeter Itaru Oki's third album from 1975 reissued, a flamed out free jazz masterpiece. Itaru Oki (trumpet), Yoshiaki Fujikawa (alto sax), Keiki Midorikawa (cello, bass, piano), Gozo Yoshimasu (poetry reading on 5). We are very glad to inform that a long time out of printed OffBeat label LP is reprinted on CD. Itaru Oki visited Paris, France in the 70s and when he came back to Japan temporarily in 75, he organized a elite free jazz troop and recorded in studio. 'Phantom Note' is his 3rd album,…
the gun
Namba Jazz is the improvisation duet by Yoshigaki Yasuhiro (drums, percussion) and Yamamoto Seiichi (guitar, misc.). "Namba" of Namba Jazz means not an area in Osaka but means Namba walking. And "Jazz" of Namba Jazz is not jazz but is actually Jazu.Namba Jazz has performed gigs 4 times in Japan. This CD is consisted great 10 tunes what selected in 3 gigs. The guitar playing by Yamamoto has a wide variety of the sound. He keeps a spark of genius and has never sounds the cliche of improvisation. H…
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