With deluxe four-page insert. Limited to 1000 hand numbered Picture Discs. Top sound quality. Nobody liked it at the time. Alfred Kersten, owner of the Kerston label, had discovered Gäa at one of their early gigs in the Saarland and promised them a record. By the time the band arrived at his Stuttgart studio in the summer of 1973 - with almost no money, camping in tents outside the building for days until Kersten relented - his enthusiasm had curdled into obligation. The sessions were rushed. No…
What you hold is half a record. Three tracks, twenty minutes, one side of an intended LP that never found its other half. Gäa recorded these sessions at Leico Studio in 1975, then ran out of money before the album could be finished. By 1978, the band had dissolved. The title, Alraunes Alptraum - Alraune's Nightmare - reaches into German earth mythology: the Alraune, or mandrake root, is an earth spirit pulled unwillingly from the ground. The name mirrors that of the band itself, named after Gaia…
Some records exist outside of time not by design but by circumstance. Magic Theatre was recorded in the spring of 1972 in the Stuttgart studio of pianist Horst Jankowski, submitted to MPS, and promptly shelved. It sat untouched for three decades, until Jankowski - shortly before his death - returned the tapes to their rightful owner. What emerged was one of the most genuinely unclassifiable documents of the European underground.
Drum Circus were a Swiss percussion ensemble anchored by Peter Gige…
CD Edition. Reissue of ultra-rare 1975 German underground record. Ejwuusl Wesshaqqan were a Munich-based band acquainted to Amon Düül and with a similar style. The music certainly resonates with some of the best German stoned-out vibe, but there's a very organic sense of evolution to the music. A special characteristic of their style is the absence of vocals and guitar which were replaced by the self-made seven string filouphone. The original LP had been pressed in a limited edition of on…
*2024 stock* After Uli Trepte had left the band, Guru Guru had one of their first gigs with Bruno Schaab on bass in the assembly hall of the Germania-Heim in Wiesbaden on November 4th, 1972. They played in front of about 200 to 300 people. The whole concert was recorded expertly and in stereo, with the consent of the band and the promoter, Robert Huth, by Muck Krieger, sharing a flat with Xhol (Caravan), a band they were friends with and which had just broken up. The equipment used - an Uher tap…
*2023 stock* Before the Munich krautrockers turned more strongly in the direction of world music in the following years, at this gig they once again delivered their mix, moving between funk and jazz, as it defined the mid-70s. Fixed song structures never played a role with Embryo. Apart from the - despite difficult meter - extremely loose-floppy 'Getalongwithasong' (from the 1977 studio album Apo-Calypso), they mainly played new improvisations in Vlotho."
*2023 stock* Before the Munich krautrockers turned more strongly in the direction of world music in the following years, at this gig they once again delivered their mix, moving between funk and jazz, as it defined the mid-70s. Fixed song structures never played a role with Embryo. Apart from the - despite difficult meter - extremely loose-floppy 'Getalongwithasong' (from the 1977 studio album Apo-Calypso), they mainly played new improvisations in Vlotho."
Panko Musik from West Berlin are somewhat reminiscent of Xhol Caravan or the early Embryo. They mostly presented long jazzy instrumental passages dominated by the transverse flute and alto saxophone, temporarily interrupted by mainly English vocals and some follies. The band did exist from the late sixties until the end of 1972. During their lifetime, the group didn't release anything, although they would have had the potential. Only in 1983, their drummer released the cassette tape, "Weil es so…
First legit reissue of the 1st Xhol album (post Xhol Caravan), originally released by the legendary OHR label in 1971. Previously bootlegged in poor fashion by Germanofon, this comes with one 22-minute bonus track (from 1974) and the usual thick booklet of liner notes and photos by Garden of Delights. This album followed Electrip and precedes Motherfuckers GMBH. One of the more confounding pieces of the Krautrock puzzle, Xhol played long, wasted lounge-blues excursions, much favored by the…
"Psychedelic music from Wisbaden, with some jazz elements. Recorded in 1969. After the Germanofon bootleg, here is the legal re-release with a 32 page color booklet and their two 7" tracks as a bonus." First legit CD reissue of the legendary first Xhol album, first issued on Hansa in 1969. This was their first of 3 albums, Hau-Ruk and Motherfuckers GmbH & Co. would follow on the OHR label in '71/'72, concluding one of the strangest chapters in the Krautrock scene of this period. Electrip has…
*2026 stock* "A new step in the artistic development of Joy Unlimited was the composition and recording of the ballet music Butterflies for the Bonn City Theater . The ballet - played live at every performance for weeks - was a huge success, not just because of the sophisticated music, but also because of the imaginative modern choreography by Lothar Höfgen, a student of Maurice Béjart. Many parts of Butterflies were used in a television program filmed by SWF about Joy Unlimited and the singer a…
*2026 stock* "A new step in the artistic development of Joy Unlimited was the composition and recording of the ballet music Butterflies for the Bonn City Theater . The ballet - played live at every performance for weeks - was a huge success, not just because of the sophisticated music, but also because of the imaginative modern choreography by Lothar Höfgen, a student of Maurice Béjart. Many parts of Butterflies were used in a television program filmed by SWF about Joy Unlimited and the singer a…
Agitation Free's 2nd stands as one of Germany's finest instrumental rock albums of the 1970s and a classic for fans of progressive rock and Krautrock. Despite the fact that the group had problems keeping its cohesion at the time, these troubles never affect the music. 2nd presented a daring blend of Krautrock-type extended jams, laid-back attitude, and experimentation. The music remains very psychedelic in nature, more early Can than Faust. The presence of acoustic guitars and bouzouki emp…
2025 stock One of the very best records on Garden of Delights, if not the best one in general. Purely psychedelic music. There are no weak parts on the album at all. Only impressive songs played by talented musicians, recorded professionally, and taken from the master tapes. Everything fits together quite perfectly. Fans of early Pink Floyd will thoroughly enjoy the LP. Its style is reminiscent of the late 1960s. All songs, except for the rather catchy "Lory", are very mysterious and reveal thei…
*2023 stock* Radio Noisz Ensemble was the successor band to the more folk-oriented six-piece Emma Myldenberger, who released two LPs in the late 1970s, and followed those with a live cassette after the turn of the decade (all since released on CD). Three members (guitarist / mandolinist Michel Meyer, reeds player Biber Gullatz, and Topsi Tkacz on violin and contrabass) of Emma Myldenberger formed RNE in ’81, who along with percussionist Matthias Gassert and special guest Mani Neumeier (Guru Guru…
2024 Stock. Like Xhol Caravan: the well-known blend of jazz and psychedelia. Their gig at the third Essen Pop & Blues Festival in the Gruga hall (10/24/1970)
"Still with their black singer James Rhodes. A concert from spring 1970 in the lovely town of Altena. The cover shows sax player Tim Belbe in Charles Manson style. Good quality."
"Still with their black singer James Rhodes. A concert from spring 1970 in the lovely town of Altena. The cover shows sax player Tim Belbe in Charles Manson style. Good quality."
2009 release. "With several connections to the early Kraftwerk history and formed in the Rhineland area in 1971, Ibliss was a quintet formed by percussionist Basil Hammoudi (from Organisation, the band before Kraftwerk), drummer Andreas Hohmann (also from Kraftwerk), brothers Wolfgang and Norbert Büllmeyer (bass and guitar respectively) and Rainer Büchel on sax and flute. With the help of Conny Plank, they recorded their one and only LP at Hamburg's Windrose-Studios: four long instrumental track…
*2023 stock* This album can be considered Emma Myldenberger's epilogue or even their fourth album. Indeed after the third album Live (only released under the cassette format at the time (and recently reissued in Cd by the God label, the group sort of managed to survive a few months later but members were abandoning the ship.
Definitely an excellent album, Yniverse easily compares to Tour De Trance and in some ways is better. No doubt that the excellent people at Garden Of Delight will one day (r…
When the band Agitation Free came together in 1967 as a result of the merging of two Berlin rock groups, one of the most interesting groups in a dawning independent German music scene was created. With their improvisations between rock, jazz and new music, Agitation Free soon relegated to the not so flattering category of Krautrock made musical forays into areas that few of their fellow German musicians had ever penetrated. At a time when most in Germany were still orienting themselves as closel…
*2024 stock* With Charlie Mariano onboard, Embryo move further into jazz rock territory but with a lot of the krautrock/psychedelic element intact. The CD features 20 minutes of bonus material. "This one turns into a very jazzy direction, however some experimental creepy approach is still there. In the 70's I saw Embryo live several times - each time it was surprising, amazing, turned into a differnt direction musically. Even some studio albums can catch this terrific live atmosphere. 'Bad Hea…
*2024 stock* Musical collective from Munich (Germany), founded in 1969 by Christian Burchard and Edgar Hofmann. Considered as one of the most important German jazz-rock bands during the 1970s. In 1981, Uve Müllrich and Michael Wehmeyer left Embryo to form "Embryo's Dissidenten" who soon became Dissidenten. Embryo have continued for over 50 years with Christian Burchard always in charge and an ever changing international cast of musicians including talents from North Africa, India, China, etc., a…
When Burghard Rausch and Michael Hoenig left Agitation Free in 1974 and the group was as good as dead, Michael Günther and Gustl Lütjens didn't want to give up so easily and made a few attempts in the studio with new people from their environment in autumn and winter of that year. Thanks to Manfred Opitz and Gustl Lütjens, some quite jazzy pieces came out, but Vertigo rejected them as "not for sale". On "The other sides" you can hear them for the first time, supplemented by excerpts from the pol…
Recorded in Berlin, 11/14/74 as their "final reunion" a loose jamming session featuring various members of the groups' different periods: Christoph Franke, Michael Hoenig, Lutz Ulbrich, etc. Like many acts that suffer from sounding a bit stiff in the studio, the live experience is the way to hear `em let their hair down and show how rock music can be dangerous in a way that other musical genres are often not. Trad Gras Och Stenar are another example of a band far more visceral and exciting…