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Rvng Intl.

Water Memory / Mount Vision
From the Catskill Mountains, Emily Sprague channels a timeless mix of new age ambience and poetry in her captivating debut for RVNG Intl.  Compiling Emily’s two self-released tapes Water Memory (2017) and Mount Vision (2018), this sublime package brings us right up to date with her effortlessly enchanting solo output. Across 14 parts in 80 minutes, she proves equally adept at sprawling out in longer forms, as with At Lake, as she is at capturing crystalline vignettes like the kaleidoscopic minia…
This Is How You Smile
Helado Negro returns with This Is How You Smile, an album that freely flickers between clarity and obscurity, past and present geographies, bright and unhurried seasons. Miami-born, New York-based artist Roberto Carlos Lange embraces a personal and universal exploration of aura – seen, felt, emitted – on his sixth album and second for RVNG Intl.
Respires
Respires, the second solo album by Ka Baird, blurs the line between word and action, definition and possibility. Spirited yet restrained, bearing its wildly thrummed heart strings and inner calm alike, Respires ventures toward the unknown, charting the shifting ground of experimental music and the rewards born of risk. Tapping the ecstatic energy and cathartic experience of Baird’s live sets, pushing the extremes of psychological and physical release, Respires represents an unquestionable leap f…
Sea to Sea
On Sea to Sea, Sign Libra drifts between the cerebral and celestial, arranging, and then rearranging, the complex and magnificent systems of our immediate and greater cosmos into her own graceful and eccentric sound patterns. As the moon appears in different ways on different days, Sign Libra leaves Sea to Sea open like an ocean to listener interpretation and imagination.
Contact
* Watercolor Blue Vinyl * Greg Fox’s Contact is an extension and evolution of the multidisciplinary artist’s rigorous, virtuosic sound-making practices. On Contact, the devoted performer, intrepid composer and avid collaborator channels an alchemy of influences and ideas through the kinetic exchange of human and percussive forms. Produced and mixed by Randall Dunn, Contact sees Fox accessing ever more raw and ruminative states, processing the tumult of sentience into stick-hit-drum. 2017’s The G…
Room for the Moon
Kate NV is the project of Russia-born recording artist, songwriter, and producer Kate Shilonosova. Best known in her hometown of Moscow as the lead singer and founder of the post-punk garage band Glintshake, Kate NV is also a performer in the experimental Moscow Scratch Orchestra and releases music under an alternate alias, NV. "Room for the Moon" is Kate NV's third album and second for RVNG Intl. "Room for the Moon" was inspired by memories of 70s/80s Russian and Japanese pop music and movies. …
A Period of Review - Original Recordings 1975-1983
Incredible 30 track anthology ranging from spaced-out Kosmische to blunted & skewed pop - honestly one of the most eye-opening and worthy archival discoveries of the year RVNG Intl.'s issue of 'A Period of Review (Original Recordings: 1975 - 1983)' is a wide-reaching and revelatory survey of Kerry Leimer's prescient output operating on the cusp of ambient, 4th World and industrial musics. From his base in Seattle, Leimer accumulated a unique catalogue of recordings created on a Micromoog, drum m…
Skins n Slime
Oliver Coates’ skins n slime is a caliginous anatomy concealed by a drone-metal membrane, feeding upon mechanized strand distortions and thriving amidst its harmonic waste. In his follow-up album to 2018’s Shelley’s on Zenn-La, the British cellist and producer leads an impassioned performance of string through viscous, synthetic modulation, triggering a darker side of his compositional sensibilities. Shelley’s experimental dance hybrids are substituted here for scorching color palettes and bruta…
No era sólida
Lucrecia Dalt presents No era sólida, an introspective path to unworldly surroundings where self becomes sound, and a compass for the searchers of musical possession. For her follow-up full-length to 2018’s Anticlines, Dalt relinquishes control of the corporeal to reach imagination’s outer realm. Where Anticlines framed the physical processes of matter changing state, No era sólida observes a transition in Dalt herself through the emergence of Lia: an apparition, or second self, of the artist as…
RVNG Intl. At 15: Selects / Dissects
There’s no real reason we decided to acknowledge RVNG’s fifteenth anniversary and not our fifth, or even our tenth. But here we are, a decade-and-a-half later and honestly, not so far removed from where we started. We’re still listening and learning, and we’re still loving every moment of the fabled label life. In the spirit of our very first release, a mixtape from our old friend Julian S. Process (later of Pink Skull) complete with stenciled, spray-painted CD cover, we invited a new(er) frien…
FRKWYS Vol. 15: Serenitatem
"Visible Cloaks meet two of their influences, Yoshio Ojima & Satsuki Shibano, in a beautiful effort to expand and refine their ambient-environmental gestures with firmer architectural underpinnings, giving bitrh to the most sublime episode in RVNG Intl.’s intergenerational ‘FRKWYS’ series so far.Between them, Yoshio Ojima & Satsuki Shibano are part responsible for a lot of music that prompted Visible Cloaks to life. Yoshio Ojima is a composer of environmental and ambient music, with a bias towar…
Becoming Peter Ivers
Becoming Peter Ivers tells the story of the late Peter Ivers, a virtuosic songwriter and musician whose antics bridged not just 60s counterculture and New Wave music but also film, theater, and music television. Written and recorded in Los Angeles in the mid-to-late-1970s, Becoming Peter Ivers raises the curtain on this mischievous master of ceremonies, who, harmonica in hand, rarely missed a chance to light up an audience. Since his untimely death in 1983, Ivers' short but storied life has been…
Neighborhoods
Ernest Hood’s Neighborhoods was released some two decades after the Portland, Oregon born and raised musician’s first forays into field recordings. These very recordings, and those captured over intervening years, define the universal sound and aural images of childhood, a theme memorialized by Hood’s privately-pressed opus of 1975.Sprawling through a haze of zither, synthesizer melodies, and foraged pedestrian sound, Neighborhoods is both a score and documentary composed and directed by Hood to…
FRKWYS Vol. 11: Cantos De Lisboa
Sharing their vision over lengthy living room guitar sessions and evenings of cold wine in Fado taverns, Gunn and Mike Cooper created Cantos de Lisboa, an album with variable vernacular shades and musical forms from Portugal’s antiquity. Cantos means “corner” in Portuguese, as well as “chant” or “song” (this latter meaning evolved from the Latin antecedent referring to stanzas of verse in poetry). For two artists whose roots lie in the country blues and its subverted offshoots, the proverbial “c…
FRKWYS Vol. 14: Nue
Composer Tashi Wada has performed for years with his father Yoshi Wada—artist, composer, and early member of the Fluxus movement. However, they have rarely appeared together in studio settings. Nue, the fourteenth entry in RVNG Intl.’s intergenerational FRKWYS series, finally brings Tashi and Yoshi, along with an eclectic group of close friends and extended family, together on tape. Nue draws on aspects of Tashi’s background for his widest vision to date—among them the minimalist bagpipe music o…
Movement
Holly Herndon’s Movement is the debut offering of material by the young musician, modernist, and machinist. Restless for reckless cultural immersion, Herndon left her Johnson City, Tennessee home as a teenager for Berlin, Germany. For several years, Herndon lived and learned techno music as party dweller and performer, eventually returning wide-minded to the States to pursue a Masters in Electronic Music at Mills College. Under the guidance of network pioneer John Bischoff, Roscoe Mitchell, and …
Insides Vol.1
Insides suggests a need for now, not some heavy, heady accumulation of then. (though you can rest reassured this publication is assembled by heads, but not just for heads) In that accumulation, we lose track of our intimate effort and subtle progress. We’ve assembled several events (both past and present) from RVNG and surrounding enterprises to explore and experience beyond the catalogued accomplishment. A reexamination of RVNG with a myriad of mechanics under the hood. Inside the debut i…
Anthology of Interplanetary Folk Music Vol. 1
**2017 small repress** Craig Leon-approved reissue of his two solo albums Nommos and Visiting as a 2LP set in gorgeous packaging with two essays by Leon and a download coupon* Issued respectively by John Fahey's Takoma label in 1980 and Leon's Arbitor private press in 1982, Nommos and Visiting were the twin brainchildren of studio wizard Craig Leon. Leon's production was pivotal in realising the debut recordings by Ramones, Blondie, Richard Hell and Suicide. While those albums broke ground in ne…
Eye Chant
Originally issued in 1986. You can see the sounds her voice makes. The literal depiction of this, a photograph of Michele Mercure with an eyeball in her mouth, is removed in the updated album art. The original graphic elements are left to suspend, speak, and sing across time. In the absence of the decade-specific portraits, the redesigned edition is dislocated from a particular or linear history. Our initial point of encounter is artifactual; a trace in place of a scar. Accordingly, Michele’…
Elite Excel
The first taster of Stellar Om Source’s upcoming LP for RVNG Intl., Joy One Mile, ‘Elite Excel’ comes backed with a fantastically brooding remix from Kassem Mosse. Christine Gualdi’s vision of electronic music has expanded since we last checked in; tantric analogue drone sequences have given way to more rugged future-city constructions inspired by her investigation of the roots of New York electro and Detroit techno. ‘Elite Excel’ begins in a nocturnal cruise mode reminiscent of early Carl Craig…
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