New Arrivals
Szampler
Limited to just 500 copies and already sold out at source, this latest edition from the Tapeworm cassette label is likely to be the most feverishly sought after to date. One of experimental electronic music's biggest names, Christian Fennesz has collected his library of samples (dating between 1989 and 1996) made for his old Ensoniq EPS-16 Plus and ASR-10 samplers. It probably goes without saying, but this is an amazing hour or so of music to trawl through. Any long-term fans of Fennesz's music …
Tiny fascinator
Allon Kaye is the nom de plume of R. de-Chantecler. He is the guardian and administrator of the London-based Entr’acte . C-20, professionally duplicated on Chrome tape by Adam Asnan. Letterpressed sleeve printed by Ben Owen / Middle Press. Numbered edition of 100 copies.
Fart Synthesis
'Fart Synthesis' is the 8th episode in EVOL's ongoing Punani series, and was edited from live recordings in Osaka, Kiev and Toulouse between 2008 and 2009. All sounds were synthesized on the fly on various computers. The final tracks were assembled in Barcelona in the spring of 2009 using generative algorithms to splice and rearrange a large amount of sound files.The title of this cassette comes from a series of chats and discussions on digital synthesis techniques by Rubén Patiño (aka Pato) and…
Taking Away
here are two pieces from august 2008 ; built from “playthroughs” -style guitar / synthesizer / computer improvisations recorded april 2008 ; (time crawls when you live in a bubble) ...the “side 1” half is the tail-end of said improv, run through a low-pass filter taking its cut-off frequency from the relative “loudness” of the audio (i.e. the louder it gets, the more high-end it let through) - a nice & simple piece that turned out well (there’s even a bit of “dry” guitar playing at the end there…
Passione Farfallina
Awesome tape! A side project by A Spirale band, first release for the label Joy de Vivre, the Aspec(t) snuff/jazz, their second work after the first one by the Belgian label FFHHH, harsh-noise and electroacoustic research.
It All Falls Apart
The debut release from Polish composer Adrian Aniol, It All Falls Apart, is a slow, fog-enshrouded journey upriver into the mouth of madness. Slow, frigid waves of sound seep in from the misty distance. White noise clashes with subsonic percussive crashes piling on the unease and tension that builds to an appropriately lunatic conclusion. The B-side features a remix of the entire piece by Steven Hess (Locrian, Ural Umbo). No computers were used on the remix. The piece was literally done …
Souls on board
Cassette only - limited edition of 250 copies. Each side is seventeen minutes forty five seconds long.
Telepathy 101
Artiste sonore et visuel basé à Londres, Jim Hollands a conçu 'Télépathie 101' comme la BO d'une installation vidéo en multi-projection. Électronique façon eighties et sous l'influence de John Carpenter. Première édition de 60 exemplaires.
Mummy Fingers
T TRANCE's latest acid circus. This sparkling C30 slipslides through all his manic dual-keys modes (one hand mans the organ, the other dances up & down a wah-fucked Casio), accented w/ the occasional mushroom starchild sing-songing vocals. Ltd to 120
Two ants were called
Two 10-minute minimal and dark pieces, exploring stasis and low-end dephts from Greek composer Spyros Polychronopoulos aka Spyweirdos (b.1980). Professionally duplicated c-22. Letterpressed sleeve printed by Ben Owen / Middle Press. Numbered edition of 100 copies.
untitled, (magnetisms)
First collaborative project between Pierre Gerard (Belgium) and Andy Graydon (Germany/USA). Invited by winds measure to produce a work for cassette tape, the two artists focused on the the particular materiality of this sound technology, once so common and now so rare. Tape's manipulation of a magnetic field evoked other sorts of sensitive magnetic systems, from the intuitive navigation of migratory birds to the organization of the earth's polarity. Starting from this idea of polarity and homewa…
Alku Tape
... probably don’t need to explain this one in too much detail ; it’s a kevin drumm tape (of scattered, alternatingly minimal & harsh guitar pieces recalling his earliest recorded/released work) ; the second “pressing” after the first (of something like 40 copies) disappeared within the opening of the “merch tables” at the no fun fest this past may ...that we got even this scant handful of copies is due mostly to the largesse of alku’s anna & roc ; i wouldn’t dawdle too long if you’re interested…
A Star Maker, Strange Dreams, and Clairvoyance
Naturalist visionary Lieven Martens brings us along the latest voyage of his musical vessel, Dolphins Into The Future. “A Star Maker, Strange Dreams, and Clairvoyance” induces a state of lucid dreaming where we experience tales of romance, stargazing, cosmic motion, and eternity. Not unlike a painter’s brush, Martens utilizes a sound palette of colorful, synthesized organics to bring the listener directly into the vivid and exotic world that Dolphins has spent years cultivating. After muc…
weekend
On this cassette are two days of ambient sound recordings, each originally about twenty-four hours long and sped up to play back at about 128 times the original speed. The recordings were made in my studio, which is located in West Baltimore City. I was interested in hearing what was too low and slow for me to normally hear, or to imagine how I would hear things if I were an insect. Since sound can give an indication of length (sound travels approximately 1 foot per millisecond), my h…
Montoyan Artesian Connection
New Tape - Montoyan Artesian Connection - Montoyan Artesian Connection - This is a tough one to write-up. Montoyan Artesian Connection is the solo 4-track home recording project of one of the key update writers here at Permanent, which makes writing a completely unbiased review virtually impossible, so we ll try to stick to the facts and leave the hyperbole out, for the most part. That said, what we have here is a tape of 10 Chrome, Les Rallizes Denudes, DAF, and Hawkwind influenced jams (we re …
Music for Sounding Sculptures
Twenty-three wonderful pieces recorded live in a tower in Tuscany, in which master percussionist Marcello Magliocchi plays sound sculptures byAndrea Dami, made of various metals including iron, brass, copper, steel, aluminium and featuring other elements like strings, stones and gongs. Imagine a mix between Indonesian Gamelan, Bertoia, Alvin Lucier, obscure recordings from Africa, Beaver Harris and Don Moye, all infused with Marcello’s unique approach to polyrhythm, dynamics and modulation, the…
Normal Music
Early merzbow works featuring Masami Akita and Kiyoshi Mizutani. Recorded & Mixed at Various Studios on 1982. Remixed by Masami Akita at Lowest Music & Arts Studio, Tokyo. Remastered from Original Master Tape on Jan 2010. Originally Released on Lowest Music & Arts 1982.
Live At F.W.
Cassette only - limited edition of 250 copies. A: Part One. B: Part Two. Cover features an illustration by SaxX, after Martin Sharp. Who on earth are The Van Patterson Quartet? The Tapeworm stumbled upon the lost psych rock recording, 'Live at F.W.' by The Van Patterson Quartet, late during a sleepless night. A link started a chain of events the Wormery would not sleep until the answer had been found! 'Who on earth are The Van Patterson Quartet?' we asked ourselves We sent out feelers via our co…
Honey
Giannis Kotsonis has been performing under the ‘Sister Overdrive’ alias, keeping himself active with soundwork for theatre, dance, installation and cinema alongside his purely musical work. Initially working through his laptop, his practice has broadened considerably in recent years to include a greater range of external sources and a more detailed exploration of the electroacoustic possibilities inherent in his tools. ‘Honey’ comes at the tail-end of a couple of very productive years, ex…
Hiss Vol.1
The works included in 'hiSS [Synesthesia Sampler] vol.1' have been produced using only analogue devices and processing tools - such as no input mixers, analogue synthesizers and custom-built or hacked/reconfigured instruments. Without the use of computers or digital devices, the 4 pieces recall an era from the 1950s-70s, when most of the electronic music makers around the world had limited resources and quite primitive equipment.