New Arrivals
Live On
Follow-up to last year's well-received full-length of collaged live performances released on SHDWPLY. This is another half hour-plus of the Baltimore drum/drone collective at their most zoned and loose-limbed.
The Black Dirt Sessions
Displays fully honed examples of all of Rose's various styles & themes - traditional, raga & ragtime. "Cross The North Fork" - a 13-minute revisiting of a track 1st laid down on the great "Kensington Blues" is a winding, thoroughly engrossing journey. It is a welcome neighbor to the album's other spendid joys ranging from the jaunty & infectious "Fishtown Flower" to the pensive & appropriate melancholy punch of "Box Of Pine." Limited to 2000 copies on 180g RTI vinyl.
Give It Up
Initial copies come with a bonus full-length CD album, an incredible soundtrack to Donald Prokop's film 'Gone' specially composed by Zelienople - and trust us when we say it's worthy of the cost of admission in itself* This unbelievable album from Chicago's Zelienople evokes the spirit of some of the most treasured music we've come to know over the years, fusing in elements of Talk Talk at their most washed-out, early Bark Psychosis and the narcotic sweeps of Slowdive fused in with the smoky men…
Netsu
As Takaaaki says, this is NOT usual Dubstep. He makes it evolve to a new Dubstep, with a heavy, dark and aggressive side, clinging to the bass and various BPMs, but some harmonies and even hints of melodies take all these sounds to a new level, creating a mutant Dubstep that hypnotizes the listener and takes him to lunar seas or snowy landscapes. But be aware that with Takaaaki decadence and crazyness are never far and Netsu might give you fever very quickly.
Dumb Supper
Blood n guts folk from the Anglo-American duo. The Wire says “The twining harmonies…recall the heyday of English pastoral folk song”. Plan B says "Dumb Supper is one of those rare modern folk albums that will find a home both in the longstanding 'traditional' music community and among those attracted to the form's more experimental and lo-fi possibilities". Most of the tracks are re-discovered and adapted by the Tylers, their searing harmonies and sparse, vital instrumentation breathing n…
The Crystal World
LP version. A marked change had come over the forest, as if dusk had begun to fall. Everywhere the glacé sheaths which enveloped the trees and vegetation had become duller and more opaque. The crystal floor underfoot was occluded and gray, turning the needles into spurs of basalt. The brilliant panoply of colored light had gone, and a dim amber glow moved across the trees, shadowing the sequined floor. At the same time it had become considerably colder.The Crystal World, the third studio album f…
Babylon bypass
“Janne Martinkauppi (as, bs), Taneli Tuominen (ts), Sami Pekkola (as, ts), Jaakko Tolvi (dr), Petri Pirtilä (dr). Recorded 12.Dec. 2007. Recording, mixing and mastering Marko Yiianttila at Studio Kuu, Helsinki, Finland. TAKE YOUR DISSONANCE LIKE A MAN : From time to time, I suddenly realise just how differently it is possible to hear exactly same sounds using the exactly same, god-given hearing devices – your ears, that is. Of course, it's never about JUST hearing, it's always linked to w…
Open Casket
romantic low-fi death rock creepers from prolific Providence showman/illustrator/film-maker Carlos Gonzalez. Some of his catchiest tunes yet. To be listened at night on headphones. Reminds me of morbid childhood, the thing in the mirror, the AM rock n roll station and it’s chintzy announcers, hair collectors and men in heels - - #1 pop hit of the year - - -
Frequency Conquistadors
Words are more often then not the point of departure for many works of Das Synthetische Mischegewebe. The track - titles here stem from ‘El Mundo Alucinante’ de Reinaldo Arenas, which itself is inspired by François-René de Chateaubriand’s ‘Mémoires d'outre-tombe’. It is about time rather than history and about being in history. Having lost the war of time, the only thing that remains to do is being, and here we go, ‘being infiniment exigent’ in it’s means of expression. DSM began in Berlin arm…
The Man-Machine
LP edition of Kraftwerk's 7th album, from 1978, and perhaps their most commercially successful album -- a non-offensive synth-pop classic. 'The album has 'classic' stamped all over it... in time it would acquire the same ageless quality as The Beatles' Sgt. Pepper or The Beach Boys' Pet Sounds...' -- Pascal Bussy, Kraftwerk: Man Machine And Music"
Fugue
I began writing about this Tape & Bill Wells 'Fugue' record yesterday but I gave up as the words just were not coming to me. I guess that's probably a good sign though as I was just kind of getting into the melancholy zone of the record, which certainly is a thing of beauty. Wells' guitar playing is delicate and magical. The Tape guys really give him space to do his thing adding wonderful little details and twinkles into the mix. This quite simply is the prettiest, most charming record I …
Kreisel.Dreidel
'From a cirlce Kreis to a spinning top Kreisel. From german Kreisel to yiddish Dreidel. To make this LP turn creates a constant movement of a meaning and a place which spins and can never be caught hold of. The LP condenses various elements of the exhibition Memory Wheels by Elise Florenty and Marcel Türkowsky, presented at the Art Center Synagogue of Delme, curated by Marie Cozette, in March 2009. Objects, drawings, films, language and sound were echoing different characters of Franz Kaf…
Direct Current
Again, ultralimet release on qbico, the original music was rec. @ the qbico u-nite XIII which took place @ Issue Project Room in NYC back in Feb. 2009. for sure the opening set by Atiba & Dave Nuss was one of the most original live set i had the pleasure to... see i remember talking with Dave, trying to set up this gig... he came out with this duo, saying that Atiba is the best well kept secret in the NYC... he spotted him playing in Harlem Clubs... nobody knows him, Andrew Barker or Steve... no…
Pyramid of the moon
When Maserati first began performing new songs for their next album, the one that immediately stood out with audiences was “Pyramid of the Sun,” a chugging behemoth driven, as usual, by one of the best rhythm sections in underground rock. It was an instant fan favorite and quickly cemented itself as an institutional song that would surely show up in the set list virtually every night for years to come. Unbeknownst to fans, there was an alternate version of the song that took the head-nod…
Lonely microphone
RESTOCKED!! An unreleased 30-minute piece by composer and sound artist Joe Colley. Composed from concrete materials and premiered at Field Effects, San Francisco, in 2002. Rehersal version discovered and slightly re-edited in late 2011. Joe Colley (b.1972 Ft. Lauderdale) is a self taught artist concerned primarily with the phenomena of sound and it’s unique ability to activate a consciousness set apart from rational understanding in a way very different from visual or verbal means. This co…
Tortoise
Sold out on vinyl for many years the 1994 self-titled debut from Tortoise is finally back! This 2012 edition has been remastered to vinyl by Roger Seibel at SAE Mastering. The packaging emulates the original with a chipboard jacket that was custom silk-screened by Dan Macadam at Crosshair in Chicago. Also included is an insert and a free download coupon.
Badlands
If you think something’s wrong with your speakers, you are mistaken. No, you can’t turn up the bass. You’re just listening to the raw, stripped down wail of Alex Zhang Hungtai, better known as Dirty Beaches. His MySpace describes the music as “minimalist rockabilly,” and those are probably the two best words I could think of to describe his newest LP, Badlands.At times, Hungtai’s vocals sound quite Elvis-esque; at other times, you can barely make out the mumbling echoes over the subdued drum bea…
untitled
Five tracks, totalling approximately fifty minutes. Packed into the small horrible room (rip) inside the cedar house (rip) down in Lexington ky (still alive), individuals huddled in every corner, painting the room in colored cables, glossy wood and metal boxes. Deafness and disorientation was administered through the afternoon on into the night. Summoning over two hours of recorded tape, it was decided to cut the baby in half for adoption between two imprints. Heavy blossom ferried away the long…
In
'Jean-Luc Guionnet (alto saxophone), Will Guthrie (drums) and Clayton Thomas (double bass). Taking the form of a minimalist power trio of saxophone, bass and drums. Recorded in 2009, IN focuses on the tour that nearly killed them - Jean-Luc couldn't eat, Will couldn't walk and Clayton couldn't call an elevator. Niort - recorded at the festival NPAI, caused METEO festival director Adrien Chiquet to complain that the best gig of the festival was 'fucking jazz!'. In Poznan they were attacked…
Ask me no questions
"Her first classic album originally released in 1969 on John Peel's legendary Dandelion Records. A wholly acoustic, almost wholly solo folk affair like a female Nick Drake or Nico recording a folk album. A calm, beautiful and somewhat melancholic batch of songs sung in that sunny low register always associated with Bridget make up this beautiful but criminally forgotten debut album. John Martyn adds second guitar and backing vocals while John Peel serves as producer. A magnificent sound p…