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Looong weekend sale 🌸 Special 10% discount on all in stock items until Monday at midnight!

New Arrivals

Bermuda Telepaths
RESTOCKED, very last copies... Brand new LP by the So-Cal recluse responsible for the recent "Matrix Metals" cassette on NNF. This one is deeper into the Vodka Soap-style ritual electronics zone.
The Wyrd Meme
A quartet of new songs from the ever-wonderful Alasdair Roberts - a follow-up to his long-player Spoils, released earlier in the year. The tone is carefully poised between staunchly traditional folk values and more modern arrangement styles; though Roberts' fingerpicking and unaffected delivery are faithful to the genre's purist leanings, there's nothing conventional about the songs' segmented structures or the often very minimalist arrangements. It's quite strange to hear such a seemingly old-f…
My Estrogeneration
Not Not Fun records are knocking out a vinyl compilation in celebration of the diversity of women artists currently working within the US underground. It's cleverly entitled 'My Estrogeneration' and features unreleased and/or rare tracks from Zola Jesus, Pocahaunted, Tickley Feather, Inca Ore, Valet, Talk Normal, Topaz Rags, Islaja and a bunch of others. The track listing is a little tricky to make out so I'm not entirely sure which track is which but certain things are obvious to me because I l…
Swing Low Sweet Spiritual
Following a few years spent living and playing in Scandinavia, an unknown saxophone player by the name of Albert Ayler returned home to the USA to begin imposing his revolutionary style of jazz on the world. Having recorded his debut album, My Name Is Albert Ayler for the Danish label, Debut Records, this session (which took place in New York City on 24 February 1964) was his first American effort, resulting in the eventual release of two albums: Spirits (released in 1964 on Debut) and Swi…
6pezzi2009+lagodelnulla
Aggressive loop music based on sounds from photographic equipment and african field recordings. Besides being an early-Reich cheap imitation, ‘lagodelnulla’ is an italian expression (roughly translated as ‘lakeofnothingness’) found in an old Banda-Ngao lullaby (Central Africa, early ’60s). An ‘objet trouvé’ elevated as social commentary by the author. Volume encouraged. 35 minutes, transparent vinyl. Edition of 100 copies in recycled chipboard sleeve with silkscreened sheet (printed by Ped…
The Hour Is Now
An excellent compilation of beautiful early 70s folk tunes from three LPs that that legendary acid-folk hippy-goddess Collie Ryan recorded in 1973, pretty much in Fahey/Basho vein
Echohaus
LP version. “This latest project by the Hamburg-based musician, composer, and futurist, Felix Kubin, (his second release on Dekorder) is a collaboration with the contemporary music chamber group, ensemble Intégrales, and the reknowned German underground pop producer and sound engineer, Tobias Levin. Echohaus was recorded in and around Levin’s Electric Avenue studio in the basement of Westwerk, a former squat and cultural centre for non-commercial art and music in Hamburg. A special recording tec…
Alphabet 1968
Black to Comm's Marc Richter is an artist that perpetually seems to be on the verge of releasing an absolute masterwork, always creeping closer and closer but never quite nailing it.  Alphabet 1968 does not quite buck that trend completely, but it is an oft-brilliant and unforgettable album nonetheless.  Richter's impressive artistic evolution is showing no sign of slowing.
Hustler Power Electronics Convention
You must live in tokyo to be able to follow the immense output of the soundburrier that is Masaya Nakahara, aka Violent Onsen Geisha, most of his work doesn't make it out of Satou Dan's Tatsunoya bar in Shinjuku, not because no one wants it, just because the tokyo noise scene seems to gather there late at night to forefil their pork anus - chicken paw needs, and Nakahara's last 40 cdr's were the ideal soundtracks for this ritual. the old skool dead pan electronics, plunderphonics, parodies, nois…
The Rising
Call Back The Giants first surprised and delighted the listening world in 2010, with their warmly-recieved eponymous debut album. Since that time, the duo of Tim Goss and Chloe Mutter have been locked in perfect isolation, teasing every nuance of their sound into sharp focus. The Rising presents the results of their toil, exposing Call Back The Giants as true masters of cryptic intent. Homespun keyboard minimalism, wavering teenage laments, and foreboding pronouncements of doom, synthesize into …
The Unrock Tapes
Repressed. After having released records on labels such as Locust, Drag City and John Fahey's Revenant, Richard Bishop's The Unrock Tapes contains eight complete tracks, six of which are highlights taken from earlier tour CD-Rs that were released on micro-editions years ago. They have never been available on vinyl. Two completely new and unreleased songs make this album even more special. Bishop's guitar-playing skills contain a variety of influences. They could arouse the absurd impression…
Millions Now Living Will Never Die
LP version. 2012 repress. "1996 : Tortoise's landmark second album Millions Now Living Will Never Die is released. Featuring the famous 20 minute opener 'Djed' and out of print on vinyl for far too long we are happy to finally offer it again. Pressed on high quality virgin vinyl and including all original artwork - a fully artworked inner sleeve and for the first time a download coupon!"
Astra & Knyst
Now Voks is finally presenting his first full-length album (though only 30 minutes long this is epic in Voks' universe - both 3"CD's included 10 tracks each within 20 minutes). While keeping his trademark style of hyperactive and nervous high-pitched twisted pop songs a newborn interest in (italo-western) movie soundtracks seems to be evident. The sound of super fast surf guitars is colliding with what seems chinese opera samples, world music is combined with children's whisteling tunes. Think R…
Spirits
After a few years spent living in Sweden and touring with Cecil Taylor's Jazz Unit, Ayler moved to NYC to begin imposing his revolutionary style of jazz on the world through a number of groundbreaking records. Spirits, recorded at Atlantic Studios in New York City on 24 February 1964, was his first effort. Recorded a few months prior to his landmark album for ESP-Disk, Spiritual Unity (but only released in Europe on Denmark's Debut Records), for the occasion Ayler recruited Norman Howard …
Ever And Anon
The mythical LAFMS collective Smegma really needs no introduction, where would we all be without them? How many bands were so ahead of their time (1973!), and have been for so long, like Smegma have? Well, here they are with a brand new LP of their famous mix of free jazz, industrial noise, improvisation, straight-up weird music so typical of these masters / US freaks. On the opening track, they are riding on the amazing drums of historical member Dennis Duck (of Dream Syndicate) to pay h…
Space Programs
When the shoe drops on the first bars of the USA is the Monster's new full length, it becomes clear some changes have occured since the last record, Sunset at the End of the Industrial Age. Buttery synth and elaborate vocal harmonies combine to levitate hairpieces at least a wee bit. This is the perfect synthesis of the pastoral wanderings circa thier second full length record, Wohaw, and the punk spunk junk of their first and third full lengths. The band is still a New York two-piece tribe of N…
Bunny
Simon Scott produced one of the best records of 2009 with Navigare, an album whose shoegaze dronemusic was dotted with radioluminescent dream-pop numbers. It was hardly a surprise to us when we learned that he was the drummer of Slowdive way back when. Since then, Scott has produced a single for Immune and a collaboration with Jasper TX, both equally fantastic. For his second proper record, Scott makes a slight detour; but one that is well suited to everything else that's been released by…
Hiranya
Another excellent installment in the Noiseville series, this time featuring the master of Japanoise!  Limited to 1000.
Live At Sohgetsu Hall In Tokyo, 15th July 1972
After returning from a year-long tour of Europe and Asia, the group returned home to Tokyo for this concert. Originally released on CBS Japan in 1972, the concert remained out of print for decades and has never before been reissued on vinyl. The line up features Takehisa Kosugi on electronic violin, vocals and radio oscillators, Ryo Koike on electronic contrabass, suntool, sheet iron, and harmonica, Yukio Tsuchiya on vibraphone, Michihiro Kimura on electronic guitar & percussion, Seiji N…
In The Stars
Sabbath-esque riffs, putrid thrashing, animal howls, primitive blast beats, cheap keyboards, broken throat vocals, necro production, guitar solos, abyssic noise & a theatrical sensibility for the epic. LIMITED to 333 copies on multicolored vinyl. Exclusive artwork by acclaimed outsider artist G LANSARD. Features members of BURIAL HEX.