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In the spring of 2011, Michael "Powderfinger" Morley was in the U.S. for a short visit. There had been some talk of doing a Gate show or two, but when he visited Western Mass., Feeding Tube Records decided to put use to his collaborative talents. He played one night at the Yod space in Florence with Kim Gordon and Bill Nace, then at Feeding Tube with Spencer Yeh and Meg Clixby. Both sets provided jumbo pleasure, and Michael managed to record the Yod set for our presentation to you. Kim and …
Michael Rother (half of the influential Krautrock group Neu! and a founding member of Kraftwerk and Harmonia) recorded this first solo album with producer Conny Plank in 1976. Rother's signature guitar sound, the mechanical percussion (Jaki Liebezeit of Can) and the simple yet outerworldly anthemic melodies make Flammende Herzen an outstanding and visionary record."Finally reissued on vinyl, this is the 1976 solo debut from from Neu!/Harmonia guitarist Michael Rother. This would be the fir…
Xex were an all-synthesizer band from South River, New Jersey who recorded their debut album group:xex in 1980. Formed when a trio of high school misfits with funny names (Waw Pierogi, Thumbalina Gugielmo and Alex Zander) teamed up with some friends from Rutgers CollegePerformed entirely on then-state-of-the-art Arps, synths and electronic drums – no guitars anywhere – group: xex aims for the future, but comes across now like a time capsule from the deepest, darkest Reagan years. Each song burro…
This is an identical 180-gram vinyl reissue of the 1973 Vertigo release, wich is possibly Magma's great opus. Whether one prefers one of their other studio or live releases to it, there is no doubt that Mekanik Destruktiw Kommandoh is the most original, definitive Magma album around (although this reviewer personally prefers the Mekanik Kommandoh version!).Featuring a cast of thousands including a choir, brass section, flute and tuned percussion, Mekanik Destruktiw Kommandoh marries the stripped…
Right on cue, the third annual report from Chicago's Disappears is submitted for your consideration. Following up on the acclaimed Guider album released just over a year ago, and with new drummer Steve Shelley now fully integrated into the group, these songs were again forged into proper shape during live shows before heading to the studio and the tape machine. Never ones to dither or be indecisive, it's a full-bore assault from the opening track to the last as Disappears attack these new…
Special Edition - White Vinyl. 3rd and final pressing limited to 400 copies for the world** Having already created a huge amount of interest, 'The Ghosts Of Bush' is finally here on a limited vinyl pressing and is easily one of the most pertinent and interesting Radiophonic and hauntological artefacts we've had the pleasure of stocking in recent years. Created by World Service studio manager Robin The Fog, 'The Ghosts of Bush' Consists entirely of nocturnal location recordings made by him at Bus…
Starfucker’s highly regarded full-length LP Reptilians was originally titled “Heaven’s Youth”. Like most artists, song ideas, the album concept and even the artwork continued to evolve. The band changed the title, continued to edit and develop the songs until the final version (Reptilians) was released in 2011. The original versions of the songs, that were until now only heard by the band, are being released for the first time in a very limited edition of white vinyl. Heaven’s Youth (Re…
Vinyl! The sixth album from Mark Nelson's longtime solo project following Quiet City. A mix of warmth & foreboding expansiveness, neither of which is minimal nor overdone.
beautifully packaged, transparent vinyl, 200 numbered copies, silkscreened cover. “One as Two (Compositions for resonances of reed organ and chambers)” is the second collaborative work of Minoru Sato (-m/s, SASW) and Asuna, after their first studio cd (“Texture in glass tubes and reed organ” released on Spekk, Japan). Asuna plays reed organ, Minoru Sato : NRF amplification by two glass tubes and 2 glass vases. NRF is the Natural Resonant Frequency of a defined space. In this case the expression …
From Brian McBride: When George and Myriam approached me to compose for their film they suggested I concentrate on four different themes: the gloriousness of the bees, the endurance and hardships of traditional beekeepers, pesticides and the holistic nature of non-industrial agriculture. I was especially intrigued with the idea of combining some of their mournful aspirations with something more serene. Composing began in May of 2009. I had decided to start fresh not using anything that I …
From out of the Great Republic of Texas, and a new side project from Tom Carter (Charalambides) and Brian Smith (Iron Kite) rises a lone star called Friday Group. In a seemingly appropriate gesture, the opening scherzo of droney solo guitar twang blows dusty debris across the speakers, as if a small sand storm in a remote part of Amarillo. With wind wrestling loose gutters and flat chimes, the first movement is almost a weird paean to Ry Cooder's desolate Paris Texas score. Axe attacks ho…
Originally schooled in the foundations of hard bop, cornetist Rob Mazurek, quickly surpassed the form's conventional limitations; his multihued electro-acoustic work over the past two decades has subsequently drawn inspiration from numerous genres besides jazz. Mazurek's unfettered creativity and stalwart leadership skills have thereby cemented his reputation as a key figure in the Chicago scene—primarily as organizer of the venerable Chicago Underground Collective and several other innovative e…
The title Ex Patris (from the fathers) plays on the idiomatic baroque lute compositions presented here which emulate the classical repertoire. It also refers to this almost forgotten instrument, which was passed on by the fathers. The aim is to bring back and liberate the lute. The four compositions on Ex Patris form a circular narrative of interlocking repetitive melodic series. The follow up to Important release “ It is all that is made” kicks off with the pro apocalyptic track “The Day is Com…
A bludgeoning mix of machine and vaudou / Central African percussion plus other acoustic instruments combine to create one of the most physically intense musical experiences ever. Songs featured in VBS's films 'Vice Guide To Liberia' and 'Mandingo'. Since 2007's Whitehouse album Racket, and after his original 'Afro Noise' mix became one of the most downloaded experimental mixes ever made, William Bennett's remarkable Cut Hands album has seen 4 long years of meticulously obsessive studio w…
A quartet of new songs from the ever-wonderful Alasdair Roberts - a follow-up to his long-player Spoils, released earlier in the year. The tone is carefully poised between staunchly traditional folk values and more modern arrangement styles; though Roberts' fingerpicking and unaffected delivery are faithful to the genre's purist leanings, there's nothing conventional about the songs' segmented structures or the often very minimalist arrangements. It's quite strange to hear such a seemingly old-f…
Fractured bleep techno and de-composed electronics for followers of Container, Keith Fullerton Whitman, Konono No.1, Ekoplekz, Harmonious Thelonious - Edition of 500, initial copies on olive green wax* Following a pair of strong LPs for Dekorder, Dan Hayhurst (audio) and Reuben Sutherland (visuals) released 'Slime Code' on cassette for Patten's Kaleidoscope label last year - and it's a peach. The music was performed live to 8-track tape from which a digital edit was compiled and from that…
With any sizeable Brötzmann group, the temptation is always there to compare it to his classic Machine Gun unit. This new tentet doesn’t match up to the unbridled ferocity of that earlier grouping, but then what has? Perhaps the greatest sea change since the heavy-drinking glory days of 1968 is that ecstatic playing is now as much an idiom as an instinctive response. For all its supposed iconoclastic freedom, this idiom now has its own traditions, its own heroes, and its own stock cliches. Youth…
RESTOCKED!! An unreleased 30-minute piece by composer and sound artist Joe Colley. Composed from concrete materials and premiered at Field Effects, San Francisco, in 2002. Rehersal version discovered and slightly re-edited in late 2011. Joe Colley (b.1972 Ft. Lauderdale) is a self taught artist concerned primarily with the phenomena of sound and it’s unique ability to activate a consciousness set apart from rational understanding in a way very different from visual or verbal means. This co…
Limited vinyl pressing of this excellent split LP self-released by Grouper in this scarce second edition* The music on this split release arrives remastered after its initial release via C40 cassette a while back. Likeminded souls Eva Saelens (inca Ore) and Liz Harris (Grouper) are in brilliant form on these recordings, so it's great to hear them in a cleaned up format - though of course with these two, it's fairly difficult to tell where the muddy cassette hiss ends and the foggy, dusty …