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Billy Roisz is one of the best-known figures on the Austrian experimental scene. Active for over a decade as a video- and sound artist, she has collaborated with dieb13, Angélica Castelló, Burkhard Stangl, Silvia Fässler, Martin Brandlmayr, Toshimaru Nakamura, Mario de Vega, eRikm and Ilpo Väisänen. Her ability to translate experimental music into visual imagery is particularly noteworthy, revealing tactics borrowed from minimal and conceptual art. Walking the Monkey is her solo debut album…
Sandy Bull's 1965 LP Inventions remains one of those legendary albums that almost no one has heard. Its impact, however, can be scene in the title of this new compilation spotlighting a great unsung hero of "psychedelic folk." "Blend," the 22-minute opus from 1963 that opens this disc, surely fits that designation, perfectly blending folk, jazz, and Indian influences into what Bull called "new guitar raga." An eclectic virtuoso who switched from acoustic guitar to banjo to Stratocaster to oud (m…
during my last visit to the states, about 2 years ago, one of the highlights was definatly a night long visit to SCOTT FOUST's house! john shaw took us there and explained from before what it was gonne be like, we would be seated down in a confortable couch while "the last great man" would stand up next to a pedastal with some quality whiskey, dope and cigarettes on it, sporting a mono coloured suit and sunglasses (day and night) while foust is telling stories about different art records, and ma…
Forever Falling Toward the Sky is the first ever release by Bay Area based Vestals, AKA Lisa McGee. A taught set of haunting electric ballads, these five tracks weave together a number of layered guitars and vocals into a smokey tapestry of blown electricity. Rather than the ephemeral drones McGee has been involved with recently, most notably the group-mind ensemble Portraits & the duo Higuma, Vestals retains the clarity of song, with these hypnotic gyms having been slowly carved out over…
D. Charles Speer & the Helix came together through a shared love of musical interplay that moves the mind and body. Born from the obsessions and predilections of David Charles Shuford, strains of glassine cruelty, broken glasses and ruptured knees mixed with memories of Chet Atkins lullabies and ZZ Top vids to generate a songcraft steeped in tradition but themed for the burned. A practicing multi-instrumentalist in various New York City improvisational ensembles for the last 15 plus yea…
Copenhagen Dreams is director Max Kestner’s documentary film portrait of Denmark’s capital. It’s a film about the physical surroundings that are part of shaping our lives. About the buildings we wake up in, the front doors we walk out of, the streets we traverse. It is also a film about how the way we live our lives affects our physical surroundings. About the places we dream of and the walls onto which we scratch the names of our loved ones, before it’s too late.It focuses on the city as a phys…
Incredible, seemingly out-of-left-field debut release from tashi wada, a west coast composer perhaps best known as the accomplice / son of yoshi wada ...a gorgeously executed display of upper-harmonic-series movement & the psycho-acoustic properties of carefully controlled tuning systems (a medal has assuredly already gone out to violinist marc sabat for his performance here ; channeling the painstaking adherence to micro-tonal accuracy of phill niblock’s music ... only in a real-time, live-play…
A new Astral Social Club album is always a highlight of the year and Generator Breaker is no exception. Neil Campbell is one of the veterans of the British DIY/Drone/Noise scene and with ASC he has slowly formulated his very own and unique musical universe, akin to the psychedelic visions of his contemporaries and sometimes collaborators Sunroof! and Vibracathedral Orchestra but with a more electronic, less rock-influenced approach, instead aiming towards a heavily layered techno-infused …
The album resonates a future sound vision that can only come from an old soul destined to further pave the paths laid by electronic & minimalist pioneers. Undeniably pure processes of creating & sustaining sound visually, sonically & otherwise brings a mathematical & scientific accuracy that hasn't been seen since the days of lovely music ltd. or GRM. Brilliant textures & audio hallucinogenic time/space wormholes create infinite listening possibilities
Repressed. After having released records on labels such as Locust, Drag City and John Fahey's Revenant, Richard Bishop's The Unrock Tapes contains eight complete tracks, six of which are highlights taken from earlier tour CD-Rs that were released on micro-editions years ago. They have never been available on vinyl. Two completely new and unreleased songs make this album even more special. Bishop's guitar-playing skills contain a variety of influences. They could arouse the absurd impression…
Dispossession is the second full length from Brooklyn’s Mike Wexler, and his debut for Mexican Summer. An artist who defies easy categorization—a songwriter/guitarist without a traditionalist bone in his body, with an ear for far flung sound-worlds and sonic atmospheres both high & low, Wexler brings all of his manifold interests to bear in carving out a space for a singular vision uniquely attuned to the present moment. Dispossession is the product of over two years of intermittent recor…
"Norway's Bjorn Torske returns with his fourth studio album 'Kokning'. Opening on a playful note with a slow-building title track, Torske strums a lone acoustic guitar against a background of shimmering synths setting the scene for a highly engaging piece of work. Throughout the course of the album a wide palette of genres are taken in and adapted to the Skrangle-House style (an open ended take on house music stemming from the Oslo nightclub 'Skansen'), and dub looms large over much of the music…
Detached from all objects" is almost completely spared from today's hysteria and is more foreboding and distorted as their first album "teslas aquarium". They operate with great pleasure in dissecting the vast possibilities of the song formats without losing any of the clarity. "eEure qual ist unser quell" exemplifies the keyboard virtuoso kubin truly is. He works as always with historical analog maschines, organ instruments and with sessile affections to the 60's electronic scene, "geniale dill…
Kaa Antilope from Belgium is possibly one of the better kept secrets from the 1980's. Known to few people but loved by those. The reason is simple... this band was unique with their wonderful neo romantic, playful and melancholy sound. Their songs are best described as experimental synthpop with a poetic touch. Only one 7" record was released in 1982. Even today their music stands out with its very special sound of its own. There has not been a single other band since the 1980's that can be comp…
Tokyo-based guitarist/singer Hisato Higuchi presents his fourth full-length and first LP release. Henzai is Higuchi at his most bare. Each song appears like a spectral poem -- sewn together with hushed electricity and whispers. This recording is wholly intimate, recorded in seclusion, and washes over the listener like a hazy, day-break dream. Higuchi splits these 12 torch-songs between slow-motion improvisations and the composed, yet each is sung with a mix of beautiful wordless/Japanese languag…
Debut release on this new imprint brought to you by FInders Keepers, Pre-Cert Home Entertainment and Boomkat, "Voices Of Packaged Souls" was the first album recorded by Suzanne Ciani, originally pressed up as a private edition of just 50 copies and now available in this limited run of just 1000 housed in screenprinted silver foil sleeves faithful to the original pressing** Dead-Cert is a brand new reissue venture with a focus on genuinely rare archival curiosities of early computer music, …
Limited to 500. Zak Boerger whittles a small niche all his own out of the vast trunk of bedroom psych-rock, & it's a quite stirring slow burn of a record - a steady rippling of melodic noise that cascades on your emotions, like Richard Youngs re-imagining the Laughing Stock-era Talk Talk sessions.
Inspired split LP that pairs feral European art soundists Kommissar Hjuler and Mama Baer with the avant garage surrealism of LAFMS stalwarts Smegma. Numbered edition of 177 copies with colour paste-on sleeves. The Smegma side bundles an eerie track from 1975 with two pieces from 2008/2009 that use loops, electronics and waves of extended muzzy tone to confuse time lines completely. The Kommissar side is less about outlaw sound poetry and more plugged into their destructo rock style as documented…