New Arrivals
Everyone Is Not Alive
Reissued limited edition 2 color vinyl of Touch People's debut album from 2 years ago (originally on The Faint's blank.wav imprint). Darren Keen, aka Touch People, records guitars, drums, bass, and keyboards, and then assembles via experimental/modern production that is both visceral and cerebral. The resulting sound bears resemblance to Steve Reich, Battles, Dan Deacon, and Tortoise.
Flammende Herzen
Michael Rother (half of the influential Krautrock group Neu! and a founding member of Kraftwerk and Harmonia) recorded this first solo album with producer Conny Plank in 1976. Rother's signature guitar sound, the mechanical percussion (Jaki Liebezeit of Can) and the simple yet outerworldly anthemic melodies make Flammende Herzen an outstanding and visionary record."Finally reissued on vinyl, this is the 1976 solo debut from from Neu!/Harmonia guitarist Michael Rother. This would be the fir…
Frkwys Vol. 07
2015 Repress. The full-length player of FRKWYS Vol. 7 features pieces improvised in various forms by David Borden, James Ferraro, Samuel Godin, Laurel Halo, and Daniel Lopatin. When Lopatin (Oneohtrix Point Never, Ford & Lopatin) and RVNG Intl. began discussing this FRKWYS collaboration, Borden's work in Mother Mallard's Portable Masterpiece Co. and his seminal Music For Amplified Keyboard Instruments album were mutually / ecstatically acknowledged. While rooted in academia, Borden's minimalis…
In Vogue Spirit
With their recent split with Naked on the Vague acting as a dip into pop's waters; Wet Hair's follow up, In Vogue Spirit is practically a jump into the pool. The band's most accessible batch of tunes to date boil with Krautrock rhythms, buzzing synths, and a new focus on vocals that has previously been mostly absent in the band's back catalog. It's not all motion and melody here though, the band still retains their experimental spirit, giving the record plenty of teeth to sink into any of …
From The Grave ...
Expo '70 bass/synth player Matt Hill has gone solo. His debut LP under the Umberto moniker is an analog masterpiece heavily influenced by the classic film score work of Goblin, except arguably better. From the moment you drop the needle, you'll be transported to Italy as an extra in a vintage horror flick directed by Dario Argento. This is some of the most accessible, yet totally authentic sounding music of the "giallo" genre we've ever heard. It was previously only available as a hyper l…
Ragged And Right
LP edition: Link Wray became the thematic soundtrack for a 2008 JACK ROSE tour with D. CHARLES SPEER & THE HELIX. Jack got so excited by the vibes emanating from these songs that he thought to break with his usual acoustic approach & enlist the Speer band to join in some unhinged & unrepentant fun in the studio. Recorded using an all live, no overdub approach, a gleaming bottle of Buffalo Trace helped shepherd them through the night. Feat. the original Helix lineup in peak form & lap steel & Ros…
Retrieval
Formed by Richard Chartier at music research centre, York University (York, UK). These works utilize original loops and recordings from 1990-1993 as source material.
Historische Aufnahmen
Musician, composer and radio producer Felix Kubin has spent the last 5 years investigating, tracking down and collecting a stunning selection of hitherto neglected recordings from archives and private collections. With an eye for the antique curiosity, and an ear for the curious dusty beauty of abandoned transmissions from the past, he is now proud to present this first collection of historical recordings. The recordings presented here offer many and diverse pleasures from the analogue rea…
Go Easy
An uncanny channeling of Missing-Links-styled garage/psychedelia, Pere-Ubu-esque rustbelt trippery & the experimental post-punk spasms of The Work (SAKI)
Midden
Suum Cuique (pronouned Soom Kwi-Kwe, Latin for "To Each His Own") follows the remit of Young Americans to explore uncharted, experimental, and personal synthscapes, guided by the hand of intuition with an entirely analogue array of machines. In 'Lithic Reduction' concrète textures grind like a millstone to release powdery clouds of analog dust, settling only to be dispersed by gusts of blackened distortion, whereas 'Red Binary' is distinctly electronic, revolving around muted radar bleeps…
Particles
'Imagine the moment before the origin of the Universe, when nothing yet existed. According to the standard theory, our universe sprang into existence as 'singularity', a zone of infinite density, which is also what is thought to exist at the core of the 'black hole'. The result of its expansion is what we call the 'Universe' and it is also what this album is all about. The gate was opened one night in May, in a basement of Northampton, Ma. by Paul Flaherty on saxophone and Weasel Walter on drums…
Afro Noise I (Volume 2)
Volume 2. A bludgeoning mix of machine and vaudou / Central African percussion plus other acoustic instruments combine to create one of the most physically intense musical experiences ever. Songs featured in VBS's films 'Vice Guide To Liberia' and 'Mandingo'. Since 2007's Whitehouse album Racket, and after his original 'Afro Noise' mix became one of the most downloaded experimental mixes ever made, William Bennett's remarkable Cut Hands album has seen 4 long years of meticulously obsessiv…
Carrion hut
“The revered beard brandishes pick ‘n’ mix. Carrion Hut collects five very different pieces recorded between 2003 and 2007. “The Frosted Growth” finds Nyoukis in Dubbletwee mode, snarling and barking at his multitracked self. While on the side-long “Late Night Vocal Gravy”, Nyoukis is at his most composerly. The real diamond, though, is the text piece “Strange New Ache”, originally written for Inside Wino Lodge but left off the final cut. The text – read out loud, inverted and mangled, by…
Public Service
“Almost Washed My Hair” erupts from the stereo like some bastard child from a universe where Iggy Pop fronted The Velvet Underground and the only song in their repertoire was “Sister Ray” but they could never remember how to play it. This ear-splitting and cacophonous rock sounds as raw and powerful as anything else in my record collection. The deafening guitars dominate everything; only ghosts of vocals and a hammering beat are perceptible under the overloaded amplifiers. However…
Space Programs
When the shoe drops on the first bars of the USA is the Monster's new full length, it becomes clear some changes have occured since the last record, Sunset at the End of the Industrial Age. Buttery synth and elaborate vocal harmonies combine to levitate hairpieces at least a wee bit. This is the perfect synthesis of the pastoral wanderings circa thier second full length record, Wohaw, and the punk spunk junk of their first and third full lengths. The band is still a New York two-piece tribe of N…
Dispossession
Dispossession is the second full length from Brooklyn’s Mike Wexler, and his debut for Mexican Summer. An artist who defies easy categorization—a songwriter/guitarist without a traditionalist bone in his body, with an ear for far flung sound-worlds and sonic atmospheres both high & low, Wexler brings all of his manifold interests to bear in carving out a space for a singular vision uniquely attuned to the present moment. Dispossession is the product of over two years of intermittent recor…
Bermuda Drain
This eagerly awaited new LP from Prurient begins with a blood-curdling scream - but thereafter all expectations are defied. If like us you've always been fascinated by the more reflective, electronic side of Dominick Fernow's catalogue - thus far restricted to the odd album track, his work with Cold Cave and a couple of choice side projects - then all your Christmases have come at once. Reportedly inspired by long drives around mainland Europe listening to minimal techno, Bermuda Drain pu…
Beyond Civilized and Primitive
he new solo album by American maverick trumpeter Peter Evans, titled after a thought provoking essay by philosopher Ran Prieur, NY trumpeter Peter Evans uses the studio as a compositional tool via overdubbing and looping to create epic virtual duos that push the trumpeter to the extreme. "Titled after a thought provoking essay by philosopher Ran Prieur, it is a heavyweight pressing and comes housed in hand screenprinted wrap around sleeves featuring the forceful brushwork of 15 year old artist O…
Untitled
Edition of 380 copies** Powell marks up the 2nd release on The Death Of Rave, following Mark Leckey's debut entry, 'Fiorucci Made Me Hardcore'. Powell's 3rd release refines his ascetic blend of lawless New York no wave, cold European electronics and late '90s D&B with incisive vision and propulsive torque. The EP's standout 'A Band' emphasises a chimeric indistinction between the "real" textures of sample-spliced guitars and drums and the gritted tension of painstakingly processed electr…
R.I.P.
"It’s been a long journey for Northern-Spy artist Collin Langenus and Tom Hohmann, like floating stoned on the back of the turtle that carries the world. Or primal scream therapy. That trip culminates with R.I.P., the group’s final release, and the first of Brooklyn’s newest indie label. A swan song of a group at the top of its form, flowing with ease through psychedelia, stoner rock, prog, Native American mythos, and even political disintegration. R.I.P. was mixed by sludge-riff wunderkind, Max…